Unseen Cinema - Collection ( 1894-1946 )

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#1 Unseen Cinema - Collection ( 1894-1946 )

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Unseen Cinema:Viva La Dance (1894-1946)

Runtime: 155 minutes
Language: Sound & Silent - English
Country: USA
Color: B/W & Color

Director: Various Directors

Description:
Viva La Dance
The Beginnings of Ciné-Dance
Dance and film have shared the aspiration to creatively sculpt motion and time. Some of the first films ever made featured Annabelle's skirt dance, hand-painted in glowing colors. Isadora Duncan and Ruth St. Denis' innovations found their way into Diana the Huntress (1916) and The Soul of the Cypress (1920). Highly cinematic renditions of dance evolved in Stella Simon's Hände (1928), Hector Hoppin's Joie de vivre (1934), and Busby Berkeley's "Don't Say Goodnight" from Wonder Bar (1934). In counterpoint, ciné-dances by Mary Ellen Bute, Douglass Crockwell, Oskar Fischinger, Norman McLaren, Ralph Steiner, and Slavko Vorkapich dispensed with klix dancers in favor of color, shape, line, and form choreographed into abstract light-play.
33 FILMS:
7 Annabelle Dances and Dances (1894-1897)—W.K.L. Dickson, William Heise & James White
Davy Jones' Locker (1900)—Frederick Armitage
Neptune’s Daughters (1900)—Frederick Armitage
A Nymph of the Waves (1900)—Frederick Armitage
Diana the Huntress (1916)—Charles Allen & Francis Trevelyan Miller (excerpt)
The Soul of the Cypress (1920)—Dudley Murphy
Looney Lens: Pas de deux (1924)—Al Brick
Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts (Hands: The Life and Loves of the Gentler Sex) (1928)—Stella Simon & Miklos Bandy
Mechanical Principles (1930)—Ralph Steiner
Tilly Losch in Her Dance of the Hands (c. 1930-33)—Norman Bel Geddes
2 Eisenstein’s Mexican Footage (1931)—Sergei Eisenstein (excerpts)
Oramunde (1933)—Emlen Etting
Hands (1934)—Ralph Steiner & Willard Van Dyke
Joie de vivre (1934)—Anthony Gross & Hector Hoppin
Wonder Bar: "Don’t Say Goodnight" (1934)—Busby Berkeley (excerpt)
Dada (1936)—Mary Ellen Bute & Ted Nemeth
Escape (1938)—Mary Ellen Bute & Ted Nemeth
An Optical Poem (1938)—Oskar Fischinger
Abstract Experiment in Kodachrome (c. 1940s)—Slavko Vorpapich
NBC Valentine Greeting (1939-40)—Norman McLaren
Stars and Stripes (1940)—Norman McLaren
Tarantella (1940)—Mary Ellen Bute, Ted Nemeth & Norman McLaren
Spook Sport (1940)—Mary Ellen Bute, Ted Nemeth & Norman McLaren
Danse Macabre (1922)—Dudley Murphy
Peer Gynt (1941)—David Bradley, starring Charlton Heston (excerpt)
Introspection (1941/46)—Sara Kathryn Arledge

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Additional Info:
"A joyous event…‘movies as art’ that not only succeed as challenging entertainment but also have proven to be hugely influential on the craft of cinema."
–Chicago Tribune

UNSEEN CINEMA: VIVA LA DANCE is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress and The Museum of Modern Art.

"The cliché that Maya Deren’s films in the 1940s and the birth of the American avant-garde coincided is very clearly corrected in this program. That doesn't lessen the overarching importance of Deren, nor of the global avant-garde (Eggeling, Richter, Man Ray, or Vertov), but rather adds a multiple of perspectives to the old view."
–Tip Magazine, Berlin
Films preserved by
Anthology Film Archives
Film Preservation Associates
Gosfilmofond of Russia
Harry Ransom Center University of Texas Austin
Institut Valencia de Cinematografia le Filmoteca
Jugoslovenska Kinoteka
The Library of Congress
Lobster Films, Paris
The Museum of Modern Art
National Archives and Records Administration
National Film Board of Canada
Turner Entertainment Company
Warner Bros. Entertainment, Inc.
George Eastman House
University of South Carolina Newsfilm Archive

Music by
Eric Beheim
Marc Blitzstein
Robert Israel
Neal Kurz
Shane Ryan
Rodney Sauer
Donald Sosin

Notes by
Aram Boyajian
Terry Cannon
Harold Casselton
David Curtis
Susan Delson
R. Bruce Elder
Robert A. Haller
Jan-Christopher Horak
David James
Janis Londraville
Scott MacDonald
Bruce Posner
David Shepard
Cecile Starr
Paul Spehr
Jennifer Wild
Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

An Optical Poem © 1938 Loew’s, Inc.
NBC Valentine Greeting © 1985 National Film Board of Canada
Stars and Stripes © 1940 National Film Board of Canada
Wonder Bar © 1934 Warner Bros. Pictures, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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#2 Re: Unseen Cinema - Collection ( 1894-1946 )

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Unseen Cinema:Picturing A Metropolis (1899-1940)

Runtime: 152 minutes
Language: Sound & Silent - English
Country: USA
Color: Black and White

Director: Various Directors

Description:
Picturing A Metropolis
New York City Unveiled
Only Unseen Cinema DVD released as a SINGLE
The DVD depicts dynamic images of New York City and scenes of New Yorkers among the skyscrapers, streets, and night life of America's greatest city during a half century of progress, while at the same time showing changes in film style and the history of cinema experiments. Avant-garde moments pop up in the most unlikely of places including turn-of-the-twentieth-century actualities, commercial and radical newsreels, and Busby Berkeley's "Lullaby of Broadway" from Gold Diggers of 1935. Included are spectacular prints of Charles Sheeler and Paul Strand's Manhatta (1921), Robert Flaherty's Twenty-four-Dollar Island (c. 1926), Robert Florey's Skyscraper Symphony (1929), Jay Leyda's A Bronx Morning (1931), and Rudy Burckhardt's Pursuit of Happiness (1940).
26 FILMS:
The Blizzard (1899)—creators unknown
Lower Broadway (1902)—Robert K. Bonine
Beginning of a Skyscraper (1902)—Robert K. Bonine
Panorama from Times Building, New York (1905)—Wallace McCutcheon
Skyscrapers of NYC from North River (1903)—J.B. Smith
Panorama from Tower of the Brooklyn Bridge (1903)—G.W. "Billy" Bitzer
Building Up and Demolishing the Star Theatre (1902)—Frederick Armitage
Coney Island at Night (1905)—Edwin S. Porter
Interior New York Subway 14th Street to 42nd Street (1905)—G.W. "Billy" Bitzer
Seeing New York by Yacht (1902)—Frederick Armitage & A.E. Weed
2 Looney Lens: Split Skyscrapers (1924) and Tenth Avenue, NYC (1924)—Al Brick
4 Scenes from Ford Educational Weekly (1916-24)—creators unknown
Manhatta (1921)—Charles Sheeler & Paul Strand
Twentyfour-Dollar Island (c. 1926)—Robert Flaherty
Skyscraper Symphony (1929)—Robert Florey
Manhattan Medley (1931)—Bonney Powell
A Bronx Morning (1931)—Jay Leyda
Footnote to Fact (1933)—Lewis Jacobs
Seeing the World (1937)—Rudy Burckhardt
Pursuit of Hapiness (1940)—Rudy Burckhardt
Gold Diggers of 1935 — "Lullaby of Broadway" (1935)—Busby Berkeley (excerpt)

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Additional Info:
"Every New Yorker should see it."
–New Yorker on Manhatta

UNSEEN CINEMA: PICTURING A METROPOLIS is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress and The Museum of Modern Art.

"In terms of genre, the Unseen Cinema cover a lot more ground than a typical film series, but that decision to cast a wide net is true to the early avant-garde, who were willing to include nearly anything in their definition of cinema."
–The Austin Chronicle

"Busby Berkeley’s 'Lullaby of Broadway' sequence combines city-symphony footage, elaborate choreography, and dream imagery in a showcase of Hollywood-style surrealism."
–City Papers, Washington D.C.
Films preserved by
Anthology Film Archives
British Film Institute
Film Preservation Associates
Gosfilmofond of Russia
The Library of Congress
National Archives and Records Service
Nederlands Filmmuseum
Turner Entertainment Company
University of South Carolina Newsfilm Archive
Warner Bros. Entertainment, Inc.
Music by
Eric Beheim
Louis de Francesco
Rodney Sauer
Donald Sosin

Notes by
Aram Boyajian
R. Bruce Elder
Robert A. Haller
Jan-Christopher Horak
Lewis Jacobs
David James
Bruce Posner
David Shepard
Paul Spehr
Marguerite Tazelaar

Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

Gold Diggers of 1935 © 1935 First National Pictures, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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#3 Re: Unseen Cinema - Collection ( 1894-1946 )

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Unseen Cinema:The Mechanized Eye (1900-1943)

Runtime: 161 minutes
Language: English - Sound & Silent
Country: USA
Color: Black and White
Director: Various Directors

Description:

The Devil’s Plaything
American Surrealism

Edwin S. Porter and other early filmmakers used bizarre sets, fantastic costumes, and magic lantern tricks to illuminate their fantasy films. American parody supplied Douglas Fairbanks with enough unusual material to produce the truly surreal When the Clouds Roll By (1919). The expressionistic Cabinet of Dr. Calagari (1919) influenced American sensibilities throughout the 1920s as seen in Beggar of Horseback (1925), The Life and Death of 9413-A Hollywood Extra (1927) and The Telltale Heart (1928). The emphasis shifted when amateurs J.S. Watson, Jr., Joseph Cornell, and Orson Welles crafted a unique variety of American surrealism on film unfettered by European concerns.
17 FILMS:
Jack and the Beanstalk (1902)—Edwin S. Porter
Dream of a Rarebit Fiend (1906)—Edwin S. Porter
The Thieving Hand (1907)—creator unknown, Vitagraph
Impossible Convicts (1905)—G.W. "Billy" Bitzer
When the Clouds Roll By (1919)—Douglas Fairbanks & Victor Fleming (excerpt)
Beggar on Horseback (1925)—James Cruze (excerpt)
The Fall of the House of Usher (1926-27)—J.S. Watson, Jr. & Melville Webber
The Life and Death of 9413: A Hollywood Extra (1927)— Robert Florey & Slavko Vorkapich
The Love of Zero (1928)—Robert Florey & William Cameron Menzies
The Telltale Heart (1928)—Charles Klein
Tomatos Another Day (1930/1933)—J.S. Watson, Jr. & Alec Wilder
The Hearts of Age (1934)— William Vance & Orson Welles
Unreal News Reels (c. 1926)—Weiss Artclass Comedies (excerpt)
The Children’s Jury (c. 1938)—attributed Joseph Cornell
Thimble Theater (c. 1938)—Joseph Cornell
Carousel: Animal Opera (c. 1938)—Joseph Cornell
Jack’s Dream (c. 1938)—Joseph Cornell

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Additional Info:
"An amazing collection, with plenty of playful surrealism and literate influences, many films long thought lost and many more never known to even have existed."
—The Guardian, London

UNSEEN CINEMA: THE DEVIL’S PLAYTHING is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress and The Museum of Modern Art.

"Orson Welles’ The Hearts of Age is his surreal celebration of Death, as impersonated by the man himself in leering expressionist makeup."
—City Pages, St. Paul/Minneapolis

Films preserved by
The American Film Institute
Anthology Film Archives
British Film Institute
Film Preservation Associates
Larson-Casselton Collection
Lawrence Jordan
The Library of Congress
Paramount Pictures
Music by
Eric Beheim
Robert Israel
Donald Sosin
Alec Wilder

Notes by
Kevin Brownlow
Bradley Eros
Robert A. Haller
Jan-Christopher Horak
David James
Lawrence Jordan
Jeanne Liotta
Bruce Posner
David Shepard
Paul Spehr

Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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#4 Re: Unseen Cinema - Collection ( 1894-1946 )

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Unseen Cinema:The Mechanized Eye (1900-1943)

Runtime: 161 minutes
Language: Sound & Silent -English
Country: USA
Color: B/W & Tinted
Director: Various Directors

Description:
The Mechanized Eye
Experiments in Technique and Form

The dynamic qualities of motion pictures are explored by cameramen and filmmakers through novel experiments in technique and form. Early cinematographers James White, "Billy" Bitzer, and Frederick Armitage display experimental shooting styles that wowed audiences. Other independent companies further image manipulation through creative staging, editing, and printing, such as a stunning three-screen film that predates Gance's Napoleon. Experiments by photographer Walker Evans, painter Emlen Etting, musician Jerome Hill, and the film collectives Nykino and Artkino record the world in a continual process of flux. A most extreme approach is realized by Henwar Rodakiewicz with Portrait of a Young Man (1925-31), a monumental study of natural and abstract motions.
18 FILMS:
5 Paris Exposition Films (1900)—James White
Eiffel Tower from Trocadero Palace (1900)
Palace of Electricity (1900)
Champs de Mars (1900)
Panorama of Eiffel Tower (1900)
Scene from Elevator Ascending Eiffel Tower (1900)
Captain Nissen Going through Whirpool Rapids, Niagra Falls (1901)—creators unknown
Down the Hudson (1903)—Frederick Armitage & A.E. Weed
The Ghost Train (1903)—creators unknown
Westinghouse Works, Panorama View Street Car Motor Room (1904)—G.W. "Billy" Bitzer
In Youth, Beside the Lonely Sea (c. 1924-25)—creators unknown
Melody on Parade (c. 1936)—creators unknown
La Cartomancienne (The Fortune Teller) (1932)—Jerome Hill
Pie in the Sky (1934-35)—Nykino: Elia Kazan, Ralph Steiner & Irving Lerner
Travel Notes (1932)—Walker Evans
Oil: A Symphony in Motion (1930-33)—Artkino: M.G. MacPherson & Jean Michelson
Poem 8 (1932-33)—Emlen Etting
Storm (1941-43)—Paul Burnford
Portrait of a Young Man (1925-31)—Henwar Rodakiewicz

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Additional Info:
"An abundance of early, rarely screened, completely restored experimental films…Rich with inventive and curious experiments." —LA Weekly

UNSEEN CINEMA: THE MECHANIZED EYE is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress and The Museum of Modern Art.

"There’s a certain American impulse to be cherished here—irascible, restless, and vibrant. The sense of possibility, of play, of discovering the possibilities of the form, is palpable in Unseen Cinema."
—City Pages, St. Paul/Minneapolis

"One of the best examples of Unseen Cinema’s eloquence, Poem 8, makes the case that cinema is part of the syntax of modernity."
—Object Magazine

Films preserved by
Anthology Film Archives
George Eastman House
The Library of Congress
The Metropolitan Museum of Art
Nederlands Filmmuseum
Turner Entertainment Company
Warner Bros. Entertainment, Inc
Music by
Eric Beheim
Jerome Hill
Irving Kaufmann
Neal Kurz
Donald Sosin
Lew White

Notes by
Kevin Brownlow
R. Bruce Elder
Walker Evans
Robert A. Haller
Jan-Christopher Horak
Scott MacDonald
Bruce Posner
David Shepard
Paul Spehr

Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

Storm ©1943 Loew’s, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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#5 Re: Unseen Cinema - Collection ( 1894-1946 )

Post by pparadiso »

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Unseen Cinema:Inverted Narratives (1910-1943)

Runtime: 155 minutes
Language: Sound & Silent - English
Country: USA
Color: Black and White

Director: Various Directors

Description:
Inverted Narratives
New Directions in Story-Telling
Early directors D.W. Griffith and Lois Weber develop the radical language of cinema narrative through audience-friendly melodramas made for nickelodeon theaters. Experimental fantasies are depicted in such independent productions as Moonland (c. 1926), Lullaby (1929), and The Bridge (1929-30). Depression era films by socially-conscious filmmakers reshape drama as demonstrated in Josef Berne's brooding Black Dawn (1933) and Strand and Hurwitz's biting Native Land (1937-41): each pictures a raw reality. Parody and satire find their mark in Theodore Huff's Little Geezer (1932) and Barlow, Hay and Le Roy's Even as You and I (1937). David Bradley's Sredni Vashtar by Saki (1940-43) boasts an inadvertent post-modern attitude.
12 FILMS:
The House with Closed Shutters (1910)—D.W. Griffith & G.W. "Billy" Bitzer
Suspense (1913)—Lois Weber & Philips Smalley
Moonland (c. 1926)—Neil McQuire & William A. O’Connor
Lullaby (1929)—Boris Deutsch
The Bridge (1929-30)—Charles Vidor
Little Geezer (1932)—Theodore Huff
Black Dawn (1933)—Josef Berne & Seymour Stern
Native Land (1937-41)—Frontier Films: Leo Hurwitz & Paul Strand (excerpt)
Black Legion (1936-7)—Nykino: Ralph Steiner & Willard Van Dyke
Even As You and I (1937)—Roger Barlow, Harry Hay & Le Roy Robbins
Object Lesson (1941)—Christoher Young
"Sredni Vashtar" by Saki (1940-43)—David Bradley

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Additional Info:
"The creative explosion that took place at the margins of Hollywood."
–Le Monde, Paris

UNSEEN CINEMA: INVERTED NARRATIVES is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress and The Museum of Modern Art.

"Just one of the amazing things this series of early American avant-garde films drives home is just how far into the belly of the Hollywood beast the experimental filmmakers progressed."
–The Guardian, London

"Like the cinematic attic of a madcap, film-savvy aunt, Unseen Cinema is stuffed with treasures and oddities just waiting to be discovered."
–Museums New York

Films preserved by
Anthology Film Archives
British Film Institute
Creative Film Society
Film Preservation Associates
George Eastman House
Larson-Casselton Collection
Orgone Archives
UCLA Film and Televsion Archive
Music by
Eric Beheim
Marc Blitzstein
Cameron Mac Pherson
Rodney Sauer
Robert Vaughn

Notes by
Kevin Brownlow
Harold Casselton
R. Bruce Elder
Jan-Christopher Horak
David James
Chuck Kleinhans
Bruce Posner
David Shepard
Cecile Starr

Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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pparadiso
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#6 Re: Unseen Cinema - Collection ( 1894-1946 )

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Unseen Cinema:Light Rhythms (1923-1942)

Runtime: 168 minutes
Language: Sound & Silent -English
Country: USA
Color: Black and White / Color

Director: Various Directors
Description:
Light Rhythms
Music and Abstraction

The rhythmic elements of cinema are explored by artists and filmmakers fascinated by the abstract qualities of light. The American authors of avant-garde classics Le Retour á la raison (1923), Ballet mécanique (1923-24), Anémic cinéma (1926), and Une Nuit sur le Mont Chauve (1934), are finally acknowledged for their seminal artistic achievements made in Europe. Pioneer abstract films by Ralph Steiner, Mary Ellen Bute, Douglass Crockwell, Dwinnell Grant, and George Morris are compared and contrasted with Hollywood montages created by Ernst Lubitsch, Slavko Vorkapich, and Busby Berkeley. For the first time on video, composer George Antheil's original 1924 score accompanies Fernand Léger and Dudley Murphy's film Ballet mécanique, a truly avant-garde cacophony of image and sound.
29 FILMS:
Le Retour à la raison (1923)—Man Ray
Ballet mécanique (1923-24)—Fernand Léger & Dudley Murphy
Anémic cinéma (1924-26)—Rrose Sélavy (Marcel Duchamp)
Looney Lens: Anamorphic People (1927)—Al Brick
Out of the Melting Pot (1927)—W.J. Ganz Studio
H20 (1929)—Ralph Steiner
Surf and Seaweed (1929-30)—Ralph Steiner
7 Vorkapich Montage Sequences (1928-37)—Slavko Vorkapich
The Furies (1934)
Skyline Dance (1928)
Money Machine (1929)
Prohibition (1929)
The Firefly— Vorkapich edit (1937)
The Firefly—MGM release version (1937)
Maytime (1937)
So This Is Paris (1926)—Ernst Lubitsch (excerpt)
Light Rhythms (1930)—Francis Bruguière & Oswell Blakeston
Une Nuit sur le Mont Chauve (Night on Bald Mountain) (1934)—Alexandre Alexeieff & Claire Parker
Rhythm in Light (1934)—Mary Ellen Bute, Ted Nemeth & Melville Webber
Synchromy No. 2 (1936)—Mary Ellen Bute & Ted Nemeth
Parabola (1937)—Mary Ellen Bute & Ted Nemeth
Footlight Parade - "By a Waterfall" (1933)—Busby Berkeley
Glen Falls Sequence (1937-46)—Douglass Crockwell
Simple klix Abstractions (1937-40)—Douglass Crockwell
Abstract Movies (1937-47)—George L.K. Morris
Scherzo (1939)—Norman McLaren
Themis (1940)—Dwinell Grant
Contrathemis (1941)—Dwinell Grant
1941 (1941)—Francis Lee
Moods of the Sea (1940-42)—Slavko Vorkapich & John Hoffman

Code: Select all

http://rapidshare.com/files/120707560/3-Light.Rhythms.part01.rar
http://rapidshare.com/files/120707611/3-Light.Rhythms.part02.rar
http://rapidshare.com/files/120707625/3-Light.Rhythms.part03.rar
http://rapidshare.com/files/120707638/3-Light.Rhythms.part04.rar
http://rapidshare.com/files/120757035/3-Light.Rhythms.part05.rar
http://rapidshare.com/files/120757061/3-Light.Rhythms.part06.rar
http://rapidshare.com/files/120757105/3-Light.Rhythms.part07.rar
http://rapidshare.com/files/120757142/3-Light.Rhythms.part08.rar
http://rapidshare.com/files/120757159/3-Light.Rhythms.part09.rar
http://rapidshare.com/files/120777859/3-Light.Rhythms.part10.rar
http://rapidshare.com/files/120778194/3-Light.Rhythms.part11.rar
http://rapidshare.com/files/120778124/3-Light.Rhythms.part12.rar
http://rapidshare.com/files/120778136/3-Light.Rhythms.part13.rar
http://rapidshare.com/files/120778178/3-Light.Rhythms.part14.rar
http://rapidshare.com/files/120778277/3-Light.Rhythms.part15.rar
http://rapidshare.com/files/120778386/3-Light.Rhythms.part16.rar
http://rapidshare.com/files/120700109/3-Light.Rhythms.part17.rar
Additional Info:
"The percussive jangling of Antheil’s pounding piano and occasional siren blast accentuate Ballet Mécanique’s piston-gear motion and make this venerable avant-garde piece seem nearly new."
—The Village Voice

UNSEEN CINEMA: LIGHT RHYTHMS is one of a seven-DVD series exploring American avant-garde cinema from 1894-1941. Presented by Anthology Film Archives in association with the British Film Institute, Cineric, Film Preservation Associates, Deutsches Filmmuseum, George Eastman House, The Library of Congress, and The Museum of Modern Art.

"Labels prove inadequate when moviemakers are motivated not by financial profit or high-culture ambition, but by sheer love of moving pictures—and driving curiosity about all things this versatile medium can accomplish."
—The Christian Science Monitor

"Unseen Cinema offers viewers a rare look at the work of one of the first American abstract animators and one of the first woman to enter a filed dominated by male artists."
—Los Angeles Times on Mary Ellen Bute
Films preserved by
Anthology Film Archives
Centre National du Cinéma
Det Danske Filminstitut
Douris Corporation
Film Preservation Associates
George Eastman House
Larson-Casselton Collection
The Museum of Modern Art
National Film Board of Canada
Turner Entertainment Co.
University of South Carolina Newsfilm Archive
Warner Bros. Entertainment, Inc.
Music by
George Antheil
Eric Beheim
Marc Blitzstein
Jack Ellitt
Paul D. Lehrman
Guy Livingston
Shane Ryan
Donald Sosin

Notes by
Aram Boyajian
Kevin Brownlow
David Curtis
Susan Delson
Douglas Dreishpoon
Deke Dusinberre
R. Bruce Elder
Gregory Jay Galligan
Jan-Christopher Horak
Rogger Horrocks
Paul D. Lehrman
Scott MacDonald
Bruce Posner
David Shepard
Cecile Starr

Curated by Bruce Posner
Produced for DVD by David Shepard
Released by Image Entertainment

Sponsored by Anthology Film Archives, New York, and Deutsches Filmmuseum, Frankfurt am Main.
Made possible in part by Cineric, Inc., Eastman Kodak Company, and Film Preservation Associates, Inc.

The Firefly © 1937
Footlight Parade © 1933 Warner Bros. Pictures, Inc.
Maytime © 1937 Metro Goldwyn Mayer, Corp.
Scherzo © National Film Board of Canada
So This Is Paris © 1926 Warner Bros. Pictures, Inc.

Special Contents of this Edition © 2005 by Anthology Film Archives
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