Svjetski seksualni rekordi

[Fair Life]

Svjetski seksualni rekordi

Da bi nam život bio zanimljiviji, netko se dosjetio sastaviti internet stranicu sadržajem sličnu Guinnessovoj knjizi rekorda, ali koja se odnosi na seksualna dostignuća i bizarnosti. Podaci su preneseni iz raznih knjiga, a odnose se i na ljude, i na biljke, i na životinje.



Sigurno nikad niste razmišljali o tome koje živo biće može imati najviše potomaka? Ili koji sisavac ima najveći spolni organ? Ili tko je na svijetu doživio najduži orgazam?

Iako se na engleskom zove 'World Sexual Records', možda smo ime stranice krivo preveli budući da engleska riječ sexual ne uključuje samo činjenice vezane uz seks, već i uz biološke, spolne činjenice. Prema tome, 'svjetski seksualni rekordi' nisu samo rekordi postignuti u krevetu, već i druge zanimljivosti koje možemo pronaći kod ljudi, životinja i biljaka.

Iako na prvi pogled može djelovati amaterski, jer (barem zasad) nema kredibilitet Guinnessove knjige rekorda, autor nerijetko uz rekord navodi i izvor gdje ga je pročitao, naslov knjige, autora te godinu izdanja.

Najzanimljiviji podaci

Iako će u ovom moru činjenica, koje su uglavnom nepoznate, svatko pronaći nešto što ga zanima, mi ćemo izdvojiti neke od najzanimljivijih podataka.


Najviše spolnih organa ima - trakavica, i to na glavi!

Među živim bićima najviše spolnih organa, i to bez konkurencije, ima jedna vrsta trakavice. To su crijevni paraziti koji u prikladnom okružju mogu narasti između jednog milimetra i devet metara. Trakavica ima glavu (scolex) na kojoj se nalaze malene kuke, kojima se hvata za 'domaćina', i dijelovi (nešto kao kolutići), u kojima ima oba spolna organa – muški i ženski. Pobjednik u navedenoj kategoriji je vrsta trakavice koja je u optimalnim uvjetima narasla čak 70 metara, pri čemu je imala 11 tisuća kolutića, odnosno 22 tisuće individualnih spolnih organa!

Kad je u pitanju dužina 'sprave', među kopnenim životinjama vodi afrički slon, čiji je penis dugačak od metra i pol pa do metra i osamdeset centimetara. Vodene životinje su ipak 'obdarenije', od kojih se plavi kit može pohvaliti sa skoro tri metra dugačkim penisom!


Banana puž - 'najobdareniji' u odnosu veličine tijela
i reproduktivnog organa

Međutim, kad bi se gledala veličina spolnog organa u odnosu na veličinu tijela, stvari stoje nešto drugačije. Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara, što bi bilo 150 posto u odnosu na tjelesnu dužinu, a apsolutni pobjednik je rijetka vrsta banana puža, dugačkog 1,80 metara, s reproduktivnim organom velikim oko 10 metara! U postocima gledano, taj nevjerojatni puž ima spolni organ veći od tijela za 542 posto.

Da se ženski rod sisavaca ne osjeća zakinuto, evo podatka vezanog uz najveću vaginu. Ženka bijelog kita u normalnim okolnostima ima spolni otvor velik dva metra, koji se nakon spolnog odnosa proširi i do sedam metara! Od 18.000 vrsta sisavaca pobjednik u broju bradavica je kukcojed, koji liči na ježa, autohtona životinja Madagaskara, čija ženka broji od 22 do 24 bradavice.

Još smo na životinjama, ali prelazimo na same spolne činove. Najdulje se u njihovom carstvu pare zmije, obično između šest i dvanaest sati, ali rekord ipak pripada dvjema čegrtušama koje su ostale priljubljene puna 22 sata! Ako ste pomislili da je to čisto iz zadovoljstva, u krivu ste, jer zmijama se teško odvojiti kad se jednom spare, zbog 'bodljikavog' penisa mužjaka. Suprotni ekstrem, dakle najkraći spolni odnos, pripada komarcima, koji se pare u letu, a snošaj traje pune dvije sekunde!


Čegrtuše u ljubavnom zanosu postavile su rekord od 22 sata!

Iako je kod ljudi puno teže vjerodostojno utvrditi neki rekord, čini se da se najveća ženska prsa nalaze u Kini. 1995. njihova je novinska agencija Xinhua objavila vijest pod naslovom 'Dvanaestogodišnjakinja s gargantuelskim grudima': 'Kod Ting Jiafen, iz sela Changba, svaka je dojka narasla do 48 centimetara dužine i 30 cm visine, te težine 10 kilograma!' Što god mislili o estetici takvih divovskih prsa, djevojčica je imala velikih problema sa zdravljem, počevši od toga da više nije mogla hodati te je napustila školu i započela s liječničkim tretmanima.

Iako su mnoge žene svojih spolnih organa postale svjesne unazad sto godina (a mnoge još uvijek nisu) i iako se seksualnom uživanju žene nije pridavalo puno pažnje, osim ako same nisu tražile (a svi znamo kamo bi to odvelo), ipak su već u 19. stoljeću u medicinskim priručnicima zabilježeni primjerci natprirodno velikih klitorisa.

Iz 1824. datira liječnički zapis doktora koji je liječio Afrikanku s klitorisom dugačkim 12 cm, nešto kasnije javlja se slučaj 32-godišnjakinje s 13 cm, ali apsolutni je pobjednik zapis iz 1813. iz francuske medicinske enciklopedije koji tvrdi postojanje klitorisa dugačkog monstruoznih 31 cm. I pritom ga uspoređuje s vratom guske!


Madmoiselle Dubois
- druga na listi po broju ljubavnika

Također, antropologinja Margaret Mead u svojim je istraživanjima otkrila da je u nekim društvima pojam 'ženski orgazam' posve nepoznata stvar, a ipak je ženski rod taj koji u njemu duže uživa. Muškarac vježbama disanja može postići da mu orgazam traje oko 10 sekundi, dok su autori Masters i Johnson 1966. objavili slučaj žene koja je doživjela orgazam koji je trajao pune 43 sekunde, prakticirajući tzv. status orgasmus ili zadržavanje kontrakcije mišića.

Ako je vjerovati povijesti, starim zapisima ili, još gore, njihovim srednjovjekovnim prepisivačima, 'najzaposlenija ljubavnica' na svijetu bila je Julija, kćer rimskog cara Augusta, koja je navodno imala desetke tisuća ljubavnika, u početku se sastajući tajno, da bi se zatim nudila i nepoznatima. Danas bi je jednostavno zvali nimfomankom. Nešto novijeg datuma je Madmoiselle Dubois, koja je navodno bila model za ženske likove u romanima Marquisa de Sadea, a prema ondašnjim zapisima imala je preko 16.000 ljubavnika.

Među muškarcima rekord drži Wilt Chamberlain (1936-2000), legendarni košarkaš, koji u vlastitoj biografiji tvrdi da je vodio ljubav s oko 20.000 žena.

Pa vi vidite...


http://www.sexualrecords.com

AS
petak, 24.06.2005.

[PITARKA_SA]

"svjetski sexualni rekordi" jel se to podrazumjeva i "najkraci" svjetski sexualni rekord ,ha?

[mostarac]

"Ne zacatavaj ili idi ovdje pa chataj!!"

Moderator

[PITARKA_SA]

..

[digger]

.....ipak su već u 19. stoljeću u medicinskim priručnicima zabilježeni primjerci natprirodno velikih klitorisa.
Iz 1824. datira liječnički zapis doktora koji je liječio Afrikanku s klitorisom dugačkim 12 cm, nešto kasnije javlja se slučaj 32-godišnjakinje s 13 cm, ali apsolutni je pobjednik zapis iz 1813. iz francuske medicinske enciklopedije koji tvrdi postojanje klitorisa dugačkog monstruoznih 31 cm. I pritom ga uspoređuje s vratom guske!

Eh, jebiga: kod ovih Francuza negdje 1800-tih oci su bile vece od klitorisa. Od tada su se isti poceli smanjivati, ili sta?

[stickitout]

"Ne zacatavaj ili idi ovdje pa chataj!!"

Moderator

[Fair Life]

(...)
Eh, jebiga: kod ovih Francuza negdje 1800-tih oci su bile vece od klitorisa. Od tada su se isti poceli smanjivati, ili sta?

U bozijoj basti... svega i svacega i... rekorda.

[krkan]

joj kad se sad zene pocnu presaltavati na nove kucne ljubimce
citat:
Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara

[Bosanac sa dna kace]

joj kad se sad zene pocnu presaltavati na nove kucne ljubimce
citat:
Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara

Pa dobro dugacak 30,5 a kolko je siork??? Jel ima taj podatak?

[mosor1]

Pomalo mi je neugodno ovom samo periferno prikladnom temom kaljati uspomenu na velikog umjetnika i izvodaca, ali evo.



"Joseph Pujol, the Fartiste"

Sample chapter from The RE/Search Guide to Bodily Fluids by Paul Spinrad Available at better bookstores nationwide


One summer's day in the mid-1860's, a young French boy named Joseph Pujol had a frightening experience at the seashore. Swimming out alone, he held his breath and dove underwater. Suddenly an icy cold feeling penetrated his gut. Frightened, he ran ashore, but then received a second shock when he noticed seawater streaming from his anus. The experience so disturbed the lad that his mother took him to a doctor to allay his fears. The doctor complied.


The boy didn't know it at the time, but this unsettling rectal experience at the beach not only indicated no illness, but it also foretold of a gift that would later make him the toast of Paris and one of the most popular and successful performers of his generation.


Joseph Pujol was born in Marseilles on June 1, 1857 to Francois Pujol and Rose Demaury, a respected stonemason/sculptor and his wife, both of whom had emigrated from Catalan. Young Joseph went to school until the age of 13, whereupon he apprenticed himself to a baker. Several years later, he served in the French army.


While in the army, he mentioned his childhood sea-bathing experience to his buddies. They immediately wanted to know if he could do it again, so on a day's leave soon afterward he went out to the shore to swim and experiment. He successfully reenacted the hydraulics of his childhood experience there and even discovered that by contracting his abdomen muscles, he could intentionally take up as much water as he liked and eject it in a powerful stream. Demonstrating this ability back at the barracks later provided the soldiers with no end of amusement, and soon Pujol started to practice with air instead of water, giving him the ability to produce a variety of sounds. This new development provided even more enjoyment for his buddies.

It was then and there, in the army, that Pujol invented a nickname for himself that would later become a stage name synonymous throughout Europe with helpless, hysterical laughter: "Le Petomane" (translation: "The Fartiste").


After his stint in the army, Pujol returned to Marseille and to a bakeshop his father set him up in, on a street that, today, proudly bears the name "rue Pujol." At the age of 26 he married Elizabeth Henriette Oliver, the 20-year-old daughter of a local butcher. Pujol enjoyed performing, so in the evenings he entertained at local music halls by singing, doing comedy routines, and even playing his trombone backstage between numbers. He continued amusing his friends privately with his "other" wind instrument, but only at their suggestion and urging did he decide to turn this parlor trick into a full-fledged act for public audiences.


Pujol worked up a Le Petomane routine, and with some friends he rented a space in Marseille to perform it in. They promoted the show heavily
themselves through posters and handouts, but word-of-mouth soon took over and they packed the house every night. Fin de siecle European audiences, deeply repressed but newly prosperous and trying to be modern"-- the same people Freud observed (Freud was one year older than Pujol)-- must have found a man on stage building an entire act out of mock farting and other forms of anal play considerably more shockingly funny than we would today.
Pujol's was a good act by any era's standards, but back then his scatology hit a raw nerve, and hit it hard, at an especially vulnerable time. Like Alfred Jarry, whose epoch-makingly scatological Ubu Roi actually post-dates Pujol's Paris debut by several years, Pujol was a French Revolutionary of the modern theater. Jarry gets the credit today because he was a "serious playwright" and not a lowbrow cabaret performer, but Pujol clearly laid some of the groundwork.


Word-of-mouth spread reports of the quality and uniqueness of Pujol's new show, and soon people from all over Marseille were coming to see it.


After the hometown success, Pujol's friends urged him to take the act to Paris. Pujol hoped to, but cautiously decided to play several other provincial cities first to refine the act and test the breadth of its appeal before taking it to the capital. He performed in Toulon, Bordeaux, and Clermont-Ferrand with great success, and in 1892 was finally ready to try his act at Paris's Moulin Rouge. It was then that Pujol reputedly uttered a line oft-repeated in cabaret lore; looking up at the windmill sails of the landmark Moulin Rouge ("Red Mill") building, he exclaimed, "The sails of the Moulin Rouge-- what a marvelous fan for my act!"


In getting booked at the Moulin Rouge, Pujol wasted no time. He walked in and demanded to see the director with such confidence that the secretary showed him in immediately. He then told the director, a man named either Zidler or Oller depending on whose account you follow (I'll use "Oller"), "I am Le Petomane, and I want an engagement in your establishment." He said that he was a phenomenon and that his gift would be the talk of Paris. When Oller asked for an explanation, he calmly replied, "You see, sir, my anus is of such elasticity that I can open and shut it at will. . . . I can absorb any quantity of liquid I may be given. . .[and] I can expel an almost infinite quantity of odorless gas." After this, he gave Oller a quick demonstration.


Oller put Pujol on stage that very night.


Pujol dressed formally for his act, wearing a coat, red breeches, white stockings, gloves, and patent leather shoes-- a stuffy, old-fashioned outfit that, coupled with his unrelentingly deadpan delivery, must have set up an abrasive comedic dissonance against the klix content of his performance. To begin his act he introduced himself and explained that he was about to demonstrate the art of "petomanie." He further explained that he could break wind at will, but assured his audience not to worry because his parents had "ruined themselves" in scenting his rectum.



Then Le Petomane performed some imitations, using the simple, honest format of announcing and then demonstrating. He displayed his wide sonic range with tenor, baritone, and bass fart sounds. He imitated the farts of a little girl, a mother-in-law, a bride on her wedding night (klix), the same bride the day after (loud), and a mason (dry-- "no cement"). He imitated thunder, cannons ("Gunners stand by your guns! Ready-- fire!!"), and even the sound of a dressmaker tearing two yards of calico (a full 10-second rip). After the imitations, Le Petomane popped backstage to put one end of a yard-long rubber tube into his anus. He returned and smoked a cigarette from this tube, after which he used it to play a couple of tunes on a song flute. For his finale he removed the rubber tube, blew out some of the gas-jet footlights from a safe distance away, and then led the audience in a rousing sing- along.


This first night, a few tightly-corseted women in the audience literally fainted from laughing so hard. Oller immediately gave Pujol a contract to perform at the Moulin Rouge, elsewhere in France, and abroad. Turning audience-fainting into a great gimmick, Oller later conspicuously stationed white-uniformed nurses in the hall at each Le Petomane show and instructed them to carry out any audience members rendered particularly helpless by the hilarity. Meanwhile, to quash any rumors that his performance was faked, Pujol occasionally gave private men-only performances clad in a bathing suit with a large hole in the seat rather than his concealing regular costume.


It was after one of these private performances that a distinguished- looking man put a 20 franc gold coin in the collection plate. When Pujol questioned him, he turned out to be the King of Belgium, who had come incognito just to see his act.


After signing up with the Moulin Rouge in 1892, Pujol moved his growing family (starting in 1885, Pujol and his wife had a child every two years for eighteen years) into a chalet staffed by servants who soon became family friends. As he predicted, he became the talk of Paris, and admirers saluted him affectionately as he rode by in his carriage. Paris doctors examined him and published an article in La Semaine Medicale that described his health but offered no new explanation for his ability. It did however record that he could rectally project a jet of water 4 to 5 yards. Box office receipts alone attest to Le Petomane's popularity. One Sunday the Moulin Rouge took in 20,000 francs for a Le Petomane performance, an amount which dwarfs the 8000 francs typically grossed by Sarah Bernhardt at the peak of her career there.


But another thing happened in 1892 that provoked a series of battles
between Pujol and Moulin Rouge management, the litigious nature of which makes it sound more like 1992. Pujol visited a friend of his who sold gingerbread, and to attract customers to his friend's stall, he did some Petomane tricks right there in the marketplace. Word of this "unauthorized performance" got back to Oller, who took it up with Pujol and threatened to sue. Over the next couple of years, Pujol, who dreamed of opening up his own travelling theater, had more rows with Oller. In 1894, Oller brought suit against Pujol over the gingerbread stall incident and won. Pujol was fined 3000 Francs. The next year, Pujol left the Moulin Rouge to start his own venture, the Theatre Pompadour. Soon after Pujol left, the Moulin Rouge put up a new act, billed as a "Woman Petomane" (they concealed a bellows under her skirt). Pujol then brought a lawsuit against the Moulin Rouge for plagiarizing his idea. At about the same time, however, a newspaper panned the "Woman Petomane" act, and the actress, Angele Thiebeau, sued the paper for libel. The judgement against Thiebeau was so harshly worded and humilating that Pujol, satisfied at the harm done to the Moulin Rouge's reputation, withdrew his own lawsuit against them.


Pujol's new Theatre Pompadour included mime and magic and other acts performed by Pujol's family and performer friends. He changed his own act into a woodland tale told in doggerel punctuated at the end of each couplet by Le Petomane sound effects and imitations of the animal and bird characters in the story. Paris audiences liked the winning charm of this home-grown variety show and still yucked it up at Pujol's fart noises, so the Theater Pompadour prospered for many years.


Le Petomane continued to be an enormous draw in his new venue until around 1900, when the interest of the show-going public began to wane. The Pompadour continued to do pretty well, however, until World War I, when four of Pujol's sons went off to fight and the theater had to close down. One son was taken prisoner and two of the others became invalids, and Pujol was so shattered that after the war he had no interest in returning to his performing career. The family moved back to Marseille and Pujol ran bakeries with his sons and unmarried daughters. In 1922, he and his family moved to Toulon and he set up a biscuit factory which he gave to his children to manage. He lived the rest of his life there, surrounded by his many dearly loved children and grandchildren. His wife died in 1930 and he died in 1945. One medical school offered the family 25,000 francs to be allowed to examine his body, but out of respect, reverence and love for this warm, funny, and caring man, not one of his children agreed to let them.

[:)]

joj kad se sad zene pocnu presaltavati na nove kucne ljubimce
citat:
Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara

Pa dobro dugacak 30,5 a kolko je siork??? Jel ima taj podatak?

Boze ti sacuvaj perverznih ljudi...

Sto ljudi, sto cudi...

[Kareem Abdul-Jabbar]

joj kad se sad zene pocnu presaltavati na nove kucne ljubimce
citat:
Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara

Pa dobro dugacak 30,5 a kolko je siork??? Jel ima taj podatak?

Boze ti sacuvaj perverznih ljudi...

Sto ljudi, sto cudi...

ufffffffffffffffffff

jeza, strava i uzas!! x

[misha]

nije bas tacno mislim za ovog kosarkasa da je rekorder.
prica se da je apsolutni sampion neki poglavica africkog sela koji je morao da razdjevici svaku zenu iz plemena tako da je za svog zivota spavao sa oko 50.000 zena, s vise njih svakog dana.
a zivio je duuugo.
jadan

[Fair Life]

joj kad se sad zene pocnu presaltavati na nove kucne ljubimce
citat:
Arktička divlja guska ima 'alatku' dugačku 30,5 centimetara

Nema potrebe za gusanima...

30 cm je uvijek 30 cm.

[anais_nin]

Nema potrebe za gusanima...

30 cm je uvijek 30 cm.

fakat se nadam da vi muski ne zivite u zabludi da mi zene OVO sanjamo

[maccarona]

"Ne zacatavaj ili idi ovdje pa chataj!!"

Moderator

[Fair Life]

fakat se nadam da vi muski ne zivite u zabludi da mi zene OVO sanjamo

Replika seodnosila na krkanov komentar.

Nego... otkud ti na ovoj temi "sexualnih rekorda"?

[anais_nin]

fakat se nadam da vi muski ne zivite u zabludi da mi zene OVO sanjamo

Replika seodnosila na krkanov komentar.

Nego... otkud ti na ovoj temi "sexualnih rekorda"?

nisam tebe prozivala, ovo je bio generalni komentar muskoj populaciji, ono za svaki slucaj

a evo dosla malo da vidim sta ove zmije rade

[Dezze]

Nema potrebe za gusanima...

30 cm je uvijek 30 cm.

fakat se nadam da vi muski ne zivite u zabludi da mi zene OVO sanjamo

Ovo je opticka varka. Ovaj lik nosi broj cipela 36, max. 37....