Sve sto imate pozitivno da kazete o ovoj dami molim vas moze te da iskorisite ovu temu...
..i jos nesto, NE ZAJEBAVAJ MO SE NA OVOJ TEMI...
Hvala!
http://www.allmusic.com/cg/amg.dll
Samo za Ninu Simone..
Moderator: _BataZiv_0809
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#1 Samo za Ninu Simone..
Otvaram ovu temu u ime moje Soul Siste koja mi daje dusevni mir sa svojim textovima, predivnim glasom, melodijama kad mi naj vise treba, znaci kad me spuca crnjak
Sve sto imate pozitivno da kazete o ovoj dami molim vas moze te da iskorisite ovu temu...
..i jos nesto, NE ZAJEBAVAJ MO SE NA OVOJ TEMI...
Hvala!
http://www.allmusic.com/cg/amg.dll
Sve sto imate pozitivno da kazete o ovoj dami molim vas moze te da iskorisite ovu temu...
..i jos nesto, NE ZAJEBAVAJ MO SE NA OVOJ TEMI...
Hvala!
http://www.allmusic.com/cg/amg.dll
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#2
za sada ne radi link..sredim ga poslije..
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#3
Of all the major singers of the late 20th century, Nina Simone was one of the hardest to classify. She recorded extensively in the soul, jazz, and pop idioms, often over the course of the same album; she was also comfortable with blues, gospel, and Broadway. It's perhaps most accurate to label her as a "soul" singer in terms of emotion, rather than form. Like, say, Aretha Franklin, or Dusty Springfield, Simone was an eclectic who brought soulful qualities to whatever material she interpreted. These qualities were among her strongest virtues; paradoxically, they also may have kept her from attaining a truly mass audience. The same could be said of her stage persona; admired for her forthright honesty and individualism, she was also known for feisty feuding with audiences and promoters alike.
If Simone had a chip on her shoulder, it probably arose from the formidable obstacles she had to overcome to establish herself as a popular singer. Raised in a family of eight children, she originally harbored hopes of becoming a classical pianist, studying at New York's prestigious Juilliard School of Music — a rare position for an African-American woman in the 1950s. Needing to support herself while she studied, she generated income by working as an accompanist and giving piano lessons. Auditioning for a job as a pianist in an Atlantic City nightclub, she was told she had the spot if she would sing as well as play. Almost by accident, she began to carve a reputation as a singer of secular material, though her skills at the piano would serve her well throughout her career.
In the late '50s, Simone began recording for the small Bethlehem label (a subsidiary of the vastly important early R&B/rock & roll King label). In 1959, her version of George Gershwin's "I Loves You Porgy" gave her a Top 20 hit — which would, amazingly, prove to be the only Top 40 entry of her career. Nina wouldn't need hit singles for survival, however, establishing herself not with the rock & roll/R&B crowd, but with the adult/nightclub/album market. In the early '60s, she recorded no less than nine albums for the Candix label, about half of them live. These unveiled her as a performer of nearly unsurpassed eclecticism, encompassing everything from Ellingtonian jazz and Israeli folk songs to spirituals and movie themes.
Simone's best recorded work was issued on Philips during the mid-'60s. Here, as on Candix, she was arguably over-exposed, issuing seven albums within a three-year period. These records can be breathtakingly erratic, moving from warm ballad interpretations of Jacques Brel and Billie Holiday and instrumental piano workouts to brassy pop and angry political statements in a heartbeat. There's a great deal of fine music to be found on these, however. Simone's moody-yet-elegant vocals were like no one else's, presenting a fiercely independent soul who harbored enormous (if somewhat hard-bitten) tenderness.
Like many African-American entertainers of the mid-'60s, Simone was deeply affected by the Civil Rights Movement and burgeoning Black Pride. Some (though by no means most) of her best material from this time addressed these concerns in a fashion more forthright than almost any other singer. "Old Jim Crow" and, more particularly, the classic "Mississippi Goddam" were especially notable self-penned efforts in this vein, making one wish that Nina had written more of her own material instead of turning to outside sources for most of her repertoire.
Not that this repertoire wasn't well-chosen. Several of her covers from the mid-'60s, indeed, were classics: her revision of Weill-Brecht's "Pirate Jenny" to reflect the bitter elements of African-American experience, for instance, or her mournful interpretation of Brel's "Ne Me Quitte Pas." Other highlights were her versions of "Don't Let Me Be Misunderstood," covered by the Animals for a rock hit; "I Put a Spell on You," which influenced the vocal line on the Beatles' "Michelle"; and the buzzing, jazzy "See Line Woman."
Simone was not as well-served by her tenure with RCA in the late '60s and early '70s, another prolific period which saw the release of nine albums. These explored a less eclectic range, with a considerably heavier pop-soul base to both the material and arrangements. One bona fide classic did come out of this period: "Young, Gifted & Black," written by Simone and Weldon Irvine Jr., would be successfully covered by both Aretha Franklin and Donny Hathaway. She did have a couple of Top Five British hits in the late '60s with "Ain't Got No" (from the musical Hair) and a cover of the Bee Gees' "To Love Somebody," neither of which rank among her career highlights.
Simone fell on turbulent times in the 1970s, divorcing her husband/manager Andy Stroud, encountering serious financial problems, and becoming something of a nomad, settling at various points in Switzerland, Liberia, Barbados, France, and Britain. After leaving RCA, she recorded rarely, although she did make the critically well-received Baltimore in 1978 for the small CTI label. She had an unpredictable resurgence in 1987, when an early track, "My Baby Just Cares for Me," became a big British hit after being used in a Chanel perfume television commercial. In 1993, her record A Single Woman marked her return to an American major label, and her profile was also boosted when several of her songs were featured in the film Point of No Return. She published her biography, I Put a Spell on You, in 1991, but grew increasingly frail throughout the late '90s and had to be helped on to the stage during a 2001 Carnegie Hall performance. Nina Simone died on April 21, 2003 at her home in Carry-le-Rouet, France, where she had been spending much of her retirement.
by Richie Unterberger
If Simone had a chip on her shoulder, it probably arose from the formidable obstacles she had to overcome to establish herself as a popular singer. Raised in a family of eight children, she originally harbored hopes of becoming a classical pianist, studying at New York's prestigious Juilliard School of Music — a rare position for an African-American woman in the 1950s. Needing to support herself while she studied, she generated income by working as an accompanist and giving piano lessons. Auditioning for a job as a pianist in an Atlantic City nightclub, she was told she had the spot if she would sing as well as play. Almost by accident, she began to carve a reputation as a singer of secular material, though her skills at the piano would serve her well throughout her career.
In the late '50s, Simone began recording for the small Bethlehem label (a subsidiary of the vastly important early R&B/rock & roll King label). In 1959, her version of George Gershwin's "I Loves You Porgy" gave her a Top 20 hit — which would, amazingly, prove to be the only Top 40 entry of her career. Nina wouldn't need hit singles for survival, however, establishing herself not with the rock & roll/R&B crowd, but with the adult/nightclub/album market. In the early '60s, she recorded no less than nine albums for the Candix label, about half of them live. These unveiled her as a performer of nearly unsurpassed eclecticism, encompassing everything from Ellingtonian jazz and Israeli folk songs to spirituals and movie themes.
Simone's best recorded work was issued on Philips during the mid-'60s. Here, as on Candix, she was arguably over-exposed, issuing seven albums within a three-year period. These records can be breathtakingly erratic, moving from warm ballad interpretations of Jacques Brel and Billie Holiday and instrumental piano workouts to brassy pop and angry political statements in a heartbeat. There's a great deal of fine music to be found on these, however. Simone's moody-yet-elegant vocals were like no one else's, presenting a fiercely independent soul who harbored enormous (if somewhat hard-bitten) tenderness.
Like many African-American entertainers of the mid-'60s, Simone was deeply affected by the Civil Rights Movement and burgeoning Black Pride. Some (though by no means most) of her best material from this time addressed these concerns in a fashion more forthright than almost any other singer. "Old Jim Crow" and, more particularly, the classic "Mississippi Goddam" were especially notable self-penned efforts in this vein, making one wish that Nina had written more of her own material instead of turning to outside sources for most of her repertoire.
Not that this repertoire wasn't well-chosen. Several of her covers from the mid-'60s, indeed, were classics: her revision of Weill-Brecht's "Pirate Jenny" to reflect the bitter elements of African-American experience, for instance, or her mournful interpretation of Brel's "Ne Me Quitte Pas." Other highlights were her versions of "Don't Let Me Be Misunderstood," covered by the Animals for a rock hit; "I Put a Spell on You," which influenced the vocal line on the Beatles' "Michelle"; and the buzzing, jazzy "See Line Woman."
Simone was not as well-served by her tenure with RCA in the late '60s and early '70s, another prolific period which saw the release of nine albums. These explored a less eclectic range, with a considerably heavier pop-soul base to both the material and arrangements. One bona fide classic did come out of this period: "Young, Gifted & Black," written by Simone and Weldon Irvine Jr., would be successfully covered by both Aretha Franklin and Donny Hathaway. She did have a couple of Top Five British hits in the late '60s with "Ain't Got No" (from the musical Hair) and a cover of the Bee Gees' "To Love Somebody," neither of which rank among her career highlights.
Simone fell on turbulent times in the 1970s, divorcing her husband/manager Andy Stroud, encountering serious financial problems, and becoming something of a nomad, settling at various points in Switzerland, Liberia, Barbados, France, and Britain. After leaving RCA, she recorded rarely, although she did make the critically well-received Baltimore in 1978 for the small CTI label. She had an unpredictable resurgence in 1987, when an early track, "My Baby Just Cares for Me," became a big British hit after being used in a Chanel perfume television commercial. In 1993, her record A Single Woman marked her return to an American major label, and her profile was also boosted when several of her songs were featured in the film Point of No Return. She published her biography, I Put a Spell on You, in 1991, but grew increasingly frail throughout the late '90s and had to be helped on to the stage during a 2001 Carnegie Hall performance. Nina Simone died on April 21, 2003 at her home in Carry-le-Rouet, France, where she had been spending much of her retirement.
by Richie Unterberger
Last edited by Soul_Sista on 25/06/2004 23:27, edited 2 times in total.
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#5
E jebiga..mozemo li joj dati barem dusevni mir..nije zasluzila ovo...IZVNI ALI NIJE!
I JUST WANT TO CELEBRATE THE STRONG BLACK WOMAN!
(ne izlazim vise nikad dok sam ziva na ikakve izbore, to je samo bagra u kostimama, ha u Svedskoj ha u BiH.. )
I JUST WANT TO CELEBRATE THE STRONG BLACK WOMAN!
(ne izlazim vise nikad dok sam ziva na ikakve izbore, to je samo bagra u kostimama, ha u Svedskoj ha u BiH..
)
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7th_Heaven
- Posts: 351
- Joined: 19/11/2002 00:00
#8
predivna je...volim i Ellu i Billie i Arethu ali Nina je stvarno nesto posebno...
koju pjesmu najvise volis?
kod mene ovisi od raspolozenja..ako sam dobro raspolozena onda Feeling good, ako me dere PMS onda I loves you Porgy, optimizam - I got life, pa Go to hell
, Do I move you? , Sinnerman, Love me or Leave me, My baby don't care...uh previse ih je.. 
sad bi ubacila jednu slicicu al..ne znam
[/img]
koju pjesmu najvise volis?
kod mene ovisi od raspolozenja..ako sam dobro raspolozena onda Feeling good, ako me dere PMS onda I loves you Porgy, optimizam - I got life, pa Go to hell
, Do I move you? , Sinnerman, Love me or Leave me, My baby don't care...uh previse ih je.. sad bi ubacila jednu slicicu al..ne znam
[/img]
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wels
- Posts: 2116
- Joined: 22/06/2003 00:00
- Location: 6/red 3/parter
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wels
- Posts: 2116
- Joined: 22/06/2003 00:00
- Location: 6/red 3/parter
#10
http://www.brainygrub.com/Top%20Ten/Nin ... 0ALive.mp3
http://www.unc.edu/~fergusje/mp3s/Nina_ ... _Woman.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... 20Life.mp3
http://www.supernovajuice.com/blog/jour ... %20Sun.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... h%20me.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... onight.mp3
http://www.supernovajuice.com/blog/jour ... %20(1).mp3
http://www.unc.edu/~fergusje/mp3s/Nina_ ... _Woman.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... 20Life.mp3
http://www.supernovajuice.com/blog/jour ... %20Sun.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... h%20me.mp3
http://www.virtuallyalaskan.com/MP3s/Ni ... onight.mp3
http://www.supernovajuice.com/blog/jour ... %20(1).mp3
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black
- Posts: 18702
- Joined: 19/06/2004 16:00
- Location: ispod tresnje
#11
http://www.mp3-find.com/mp3/search.php?find=nina+simone
drago mi je da ima josh neko ko slusha ninu
pozdrav..
drago mi je da ima josh neko ko slusha ninu
pozdrav..
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Gatekeeper
- Posts: 235
- Joined: 17/12/2003 00:00
#12
pa fino je vidjet za promjenu nekog ko ne slusa željka joksimovića, vesnu pisarović i kompaniju.........................
Last edited by Gatekeeper on 28/06/2004 15:23, edited 1 time in total.
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7th_Heaven
- Posts: 351
- Joined: 19/11/2002 00:00
#14
meni Billie ima hm hrapav glas.
np. Sirley Horn - Return to paradise (Mark de Clive - Lowe Remix)
np. Sirley Horn - Return to paradise (Mark de Clive - Lowe Remix)
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#15
Gate:
"pa fino je vidjet za promjenu nekog ko ne slusa željka joksimovića, vesnu pisarović i kompaniju........................."
..pa nisi to valjda mislio o meni...
..ja ne znam ko su ti ljudi..
"pa fino je vidjet za promjenu nekog ko ne slusa željka joksimovića, vesnu pisarović i kompaniju........................."
..pa nisi to valjda mislio o meni...
..ja ne znam ko su ti ljudi.. -
Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#16
p.s.
vracam se na ovu temu poslije godisnjeg...
vracam se na ovu temu poslije godisnjeg...
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Gatekeeper
- Posts: 235
- Joined: 17/12/2003 00:00
#18
ma nisam mislio na tebe, ne brini se!Soul_Sista wrote:Gate:
"pa fino je vidjet za promjenu nekog ko ne slusa željka joksimovića, vesnu pisarović i kompaniju........................."
..pa nisi to valjda mislio o meni...
fin provod na odmoru -
Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#19
Evo malo tekstova:
"My BABY JUST CARES FOR ME"
My baby don't care for shows
My baby don't care for clothes
My baby just cares for me
My baby don't care for cars and races
My baby don't care for high-tone places
Liz Taylor is not his style
And even Lana Turner's smile
Is somethin' he can't see
My baby don't care who knows
My baby just cares for me
Baby, my baby don't care for shows
And he don't even care for clothes
He cares for me
My baby don't care
For cars and races
My baby don't care for
He don't care for high-tone places
Liz Taylor is not his style
And even Liberace's smile
Is something he can't see
Is something he can't see
I wonder what's wrong with baby
My baby just cares for
My baby just cares for
My baby just cares for me
"JUST SAY I LOVE HIM"
Just say that I need him as roses need the rain
And tell him that without him my dreams are all in vain
Just say I love him loved him from the start
And tell him that I'm yearning to say what's in my heart
Just say that I need him as roses need the rain
Tell him that without him my dreams are all in vain
If you should chance to meet him anytime anyplace anywhere
Say I was a fool to leave him
Tell him how much a fool can care
And if he tells you he's lonely now and then
Just won't you tell him that I love him
And want him back again
If you should see him anytime anyplace anywhere
Tell him I was a fool to leave him
Tell him how much a fool can care
And if he tells you he's lonely now and then
Won't you just say I love him and want him back again
Won't you just say I love him and want him back again
"My BABY JUST CARES FOR ME"
My baby don't care for shows
My baby don't care for clothes
My baby just cares for me
My baby don't care for cars and races
My baby don't care for high-tone places
Liz Taylor is not his style
And even Lana Turner's smile
Is somethin' he can't see
My baby don't care who knows
My baby just cares for me
Baby, my baby don't care for shows
And he don't even care for clothes
He cares for me
My baby don't care
For cars and races
My baby don't care for
He don't care for high-tone places
Liz Taylor is not his style
And even Liberace's smile
Is something he can't see
Is something he can't see
I wonder what's wrong with baby
My baby just cares for
My baby just cares for
My baby just cares for me
"JUST SAY I LOVE HIM"
Just say that I need him as roses need the rain
And tell him that without him my dreams are all in vain
Just say I love him loved him from the start
And tell him that I'm yearning to say what's in my heart
Just say that I need him as roses need the rain
Tell him that without him my dreams are all in vain
If you should chance to meet him anytime anyplace anywhere
Say I was a fool to leave him
Tell him how much a fool can care
And if he tells you he's lonely now and then
Just won't you tell him that I love him
And want him back again
If you should see him anytime anyplace anywhere
Tell him I was a fool to leave him
Tell him how much a fool can care
And if he tells you he's lonely now and then
Won't you just say I love him and want him back again
Won't you just say I love him and want him back again
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Soul_Sista
- Posts: 3751
- Joined: 29/01/2003 00:00
- Location: anybody seen my baby?
#20
"I Put A Spell On You"
I put a spell on you
’cause you’re mine
You better stop the things you do
I ain’t lyin’
No I ain’t lyin’
You know I can’t stand it
You’re runnin’ around
You know better daddy
I can’t stand it cause you put me down
I put a spell on you
Because you’re mine
You’re mine
I love ya
I love you
I love you
I love you anyhow
And I don’t care
If you don’t want me
I’m yours right now
You hear me
I put a spell on you
Because you’re mine
I put a spell on you
’cause you’re mine
You better stop the things you do
I ain’t lyin’
No I ain’t lyin’
You know I can’t stand it
You’re runnin’ around
You know better daddy
I can’t stand it cause you put me down
I put a spell on you
Because you’re mine
You’re mine
I love ya
I love you
I love you
I love you anyhow
And I don’t care
If you don’t want me
I’m yours right now
You hear me
I put a spell on you
Because you’re mine
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zensko
- Posts: 1705
- Joined: 03/04/2002 00:00
- Location: Sarajevo
#21
Its a new dawn, its a new day, its a new life for me
And I'm feelin good...
Prva pjesma koju sam ja cula od Nine Simone je bila Feeling good..
Nema potrebe reci da mi se stasnoooo svidjela jer sam od tada pocela da uveliko 'skidam' njene pjesme...
odlicna je Nina
And I'm feelin good...
Prva pjesma koju sam ja cula od Nine Simone je bila Feeling good..
Nema potrebe reci da mi se stasnoooo svidjela jer sam od tada pocela da uveliko 'skidam' njene pjesme...
odlicna je Nina
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7th_Heaven
- Posts: 351
- Joined: 19/11/2002 00:00
#22
meni je ova posebno draga...
Ain't got no/I got life
Ain't got no home, ain't got no shoes
Ain't got no money, ain't got no class
Ain't got no friends, ain't got no schoolin'
Ain't got no wear, ain't got no job
Ain't got no man
Ain't got no father, ain't got no mother
Ain't got no children, ain't got no
Ain't got no earth, ain't got no water
Ain't got no ticket, ain't got no token
Ain't got no love
I got my hair, I got my head
I got my brains, I got my ears
I got my eyes, I got my nose
I got my mouth, I got my smile
I got my tongue, I got my chin
I got my neck, I got my tits
I got my heart, I got my soul
I got my back, I got my sex
I got my arms, I got my hands
I got my fingers, Got my legs
I got my feet, I got my toes
I got my liver, Got my blood
Got life , I got my life
Ain't got no/I got life
Ain't got no home, ain't got no shoes
Ain't got no money, ain't got no class
Ain't got no friends, ain't got no schoolin'
Ain't got no wear, ain't got no job
Ain't got no man
Ain't got no father, ain't got no mother
Ain't got no children, ain't got no
Ain't got no earth, ain't got no water
Ain't got no ticket, ain't got no token
Ain't got no love
I got my hair, I got my head
I got my brains, I got my ears
I got my eyes, I got my nose
I got my mouth, I got my smile
I got my tongue, I got my chin
I got my neck, I got my tits
I got my heart, I got my soul
I got my back, I got my sex
I got my arms, I got my hands
I got my fingers, Got my legs
I got my feet, I got my toes
I got my liver, Got my blood
Got life , I got my life