#1 Knjige o Filmu - velika kolekcija
Posted: 19/01/2008 17:35
Za sve ljubitelje, poznavaoce, amatere, studente, profesionalce,... U ovoj kolekciji naći ćete sve od teorije produkcije, pisanja scenarija, vizuelnih efekata, sociologije filma, percepcije, montaže, kamere, svjetla, i svega ostalog što bi vas moglo zanimati, ili eventualno ( za studente ) što bi vam pomoglo na studiju.
Focal.Press.Practical.DV.Filmmaking_2nd.Edition.Dec.2005
Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from developmentthrough to production, post-production and distribution. While the technical tools you need are fully explained, the book concentrates on filmmaking principles throughout, illustrating how these tools can be used to achieve stylistic approaches for innovative filmmaking.
Closely Watched Films - An Introduction to the Art of Narrative Film Technique
How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch.
Writing - Directing and Producing Documentary Films and Videos
Rosenthal tackles the day-to-day problems from initial concept through distribution, emphasizing the research and writing approach. He offers examples of interviewing, narration writing, and the complexities of editing. The text explains how to write, direct and produce the documentary, whether film or video.
Film Structure and the Emotion System
Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Although the experience of emotion is central to the viewing of movies, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts of desire. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion.
Film Directing Fundamentals- See Your Film Before Shooting Second Edition
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Alanis Obomsawin - The Vision of a Native Filmmaker
In more than twenty powerful films, Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America.
Myth Mind and the Screen - Understanding the Heroes of Our Times
a systematic attempt to apply Jungian theory to the analysis of films (including 2001:ASpace Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. Through these and other examples, John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives.
If Its Purple Someones Gonna Die - The Power of Color in Visual Storytelling
Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states.
Art in the Cinematic Imagination
An illuminating exploration of the relationship between art and cinema, from Hitchcock to Scorsese.
Documentary Storytelling - Making Stronger and More Dramatic Nonfiction Films
With the growing popularity of documentaries in todays global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more.
The Photographic Eye - Learning to See with a Camera
Learn how to take apart each element of a successful photograph, analyze it, master it, and then put it all back together.
Overhearing Film Dialogue
Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film.
A Critical Cinema 5 - Interviews With Independent Filmmakers
MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media.
Writing the Short Film, Third Edition
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete.
Muska.And.Lipman.Publishing.30.Dollar.Film.School.eBook-LiB
Covers the entire spectrum of independent filmmaking, with good chapters on editing and advanced editing techniques. The same advice should also help you make better home videos. The book has tons of illustrations to show you how to do things right.
John_Costello-Writing_a_Screenplay
Exploding the myth that a screenplay is the easiest literary form to master, this book navigates a relatively painless path through the screenwriting labyrinth and offers an easy-to-digest, step-by-step guide to writing a script from inception to completion.
Focal Press- Practical Cinematography 2nd Edition
Discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.
Vincent LoBrutto, The Filmmaker's Guide to Production Design
In this klix book on production design, LoBrutto, an independent filmmaker and freelance film editor, goes to great lengths to cover the essentials-storyboarding, set decoration, budgeting, architecture, screenwriting, props, and wardrobe. He begins with an explanation of and introduction to design before dedicating a chapter to each particular facet of production, including one on genres with useful research techniques.
Andrey Tarkovsky - Sculpting in Time (2nd edition, 1987)
Tarkovsky elaborates in much detail on his theory of filmmaking, including editing, music, film acting, and what he calls "rhythm," which he considers the dominant factor.
Guidelines for Better Photographic Composition
Understanding Cinema A Psychological Theory of Moving Imagery (2005)
Per Persson asserts that spectators interpret, feel or make use of knowledge, assumptions, expectations and prejudices when viewing film. Persson explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. Utilizing examples from early and contemporary cinema, the book also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.
Dreams and Dead Ends The American Gangster Film
Book Description
The second edition of this classic study provides a reintroduction to some of the major films and theoretical considerations of film noir and gangster films in twentieth-century America. Ranging from Little Caesar (1930) to Things to Do in Denver When You're Dead (1995), Shadoian guides the reader through twenty classic movies of the genre. His approach is to use brief introductions to introduce distinct eras of the gangster films in each of seven chapters. Moving chronologically, he offers plot synopses and close readings of such definitive examples as Bonnie and Clyde, The Public Enemy, D.O.A. and The Godfather, each accompanied by photographs and author's critiques. Compenendia of facts on each film are also provided. This updated version looks a newer films as well as how the genre has moved into the new century. Appendices look at the movie Criss Cross as an epitome of the genre while others offer different lists of gangster films, including the author's top fourteen alltime, fifty post-Godfather films worth seeing, and fifty vintage films.
Matchmoving: The Invisible Art of Camera Tracking
Master the Art and Science of Matchmoving
Written by a matchmoving expert, this book is much more than a technical primer. It helps you think like a pro so that you can find the right solution for your matchmoves, no matter how tricky. You'll also find coverage of tasks that commonly go hand-in-hand with matchmoving, along with advice on the contributions you can make on the set of a live-action shoot. Whether you're a student or professional, Matchmoving: The Invisible Art of Camera Tracking gives you the knowledge and perspective you need to quickly and successfully solve every matchmove.
The Art and Science of Digital Compositing
Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike.
Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.
Film Production Management
Film Production Management details the steps involved in bringing a screenplay to the screen: organizing, staffing, budgeting, scheduling, securing locations, shooting and postproduction.
In addition to offering practical, hands-on help in dealing with each of these steps, this book also covers such issues as contracts, unions, working permits, and insurance. Sample forms used by the production manager are also included. Although it is not about film financing, it includes information on how to work within smaller budgets, enhancing its appeal to independent film makers.
This book is primarily for students and film professionals seeking a career change within the film industry, or who find themselves performing some of the tasks outlined within these pages.
Film Production Theory ----TOPLO PREPORUCUJEM
Film Production Theory is an exciting and important book. Most importantly, the book outlines what is at stake aesthetically and philosophically in what appear to be merely technical considerations that enter into the making of film. Unlike many other works that focus upon the finished product, or, upon the personalities behind the product, Geuen's book focuses upon the techniques of cinema, with an eye to clarify what are the assumptions about the nature of cinema that are implicit in those techniques. I consider the book the most important book on film I have read in a very long time, and can't recommend it highly enough.
DV Filmmaking: From Start to Finish
Thanks to the digital revolution, film artists now have a spectacular array of powerful, new, inexpensive tools for creative expression through digital film. The once powerful studios can no longer stifle an artist's creativity. With the power of the Internet, film artists are finding once unimaginable ways to distribute their creations worldwide.
DV Filmmaking: From Start to Finish covers all aspects of the new digital video frontier, for amateurs and professionals alike--from the nuts and bolts of timecode and aspect ratio; to framing, lighting, and sound recording; as well as editing, special effects creation, and distribution.
The book is written for filmmakers at varying experience levels--taking an integrated approach to media production, and emphasizing the ways different aspects of the process work together to create a vital work of digital art:
* Hands-on detailed examination of the artistic aspects of film and video production
* Extensive examples use comprehensive step-by-step exercises for advanced editing techniques
* Scenes from successful films illustrate techniques used by professionals
* Includes a collection of professionally shot video clips, so the user can read and follow along with sets of structured exercises
* Develops a highly refined repertoire of advanced skills in editing, effects creation, title design, and more
* Inspires advanced readers to work with the included clips on their own and experiment with new ideas
* Written for both Mac and PC users and covers advanced uses of both Final Cut Pro and Adobe After Effects
Schirmer Encyclopedia of Film
Grade 9 Up—Drawing on authoritative, international contributors, information on film is extensively documented in this set, which is intended as a film-studies staple. The alphabetically arranged volumes are titled as follows: "Academy Awards—Crime Films"; "Criticism—Ideology"; "Independent Film—Road Movies"; and "Romantic Comedy—Yugoslavia." Subtopics include countries, history, philosophies, and more, with information on individual movies often spread over several entries. Articles range from as few as 5 pages ("Slapstick comedy") to 17 pages ("Italy"). Contemporary topics, such as "Gay, lesbian cinema," are included along with more-expected entries on "Teen films" and "Cinematography." See-also references guide readers to one or more related topics or subtopics, while further-reading suggestions provided after every entry list academic and popular articles and books. The more than 16,000 index entries, with major topics in bold type, make access straightforward. The text is highlighted with photographs varying in size, color, and clarity, along with brief biographies on related figures.
Vol.1- Academy Awards- Crime Films
Vol.2- Criticism-Ideology
Vol.3- Independent Film- Road_Movies
Vol.4- Romantic Comedy- Yugoslavia
Political Film: The Dialectics of Third Cinema
Third cinema–cinema committed to social and cultural emancipation–is absolutely central to key debates concerning contemporary film practices and cultures. In this volume, Mike Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant, commercial) and Second Cinema (arthouse, auteur).
Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to camp de Thiaroye, Wayne explores the affinities and crucial difference between First and Third Cinema. Third Cinema’s relationship to Second Cinema is explored via the cinematic figure of the Bandot. The continuities and differences with European precursors such as Einstein, Vertov, Lukacs, Brecht, and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.
Single-Camera Video Production, Fourth Edition
“Single-Camera Video Production is easy reading for the newcomer yet it has enough depth for the video professional. Chapters on digital video, nonlinear editing and a full description of pre-production treatments and contracts make it an excellent resource.” - Videomaker
Popular Cinema of the Third Reich
“This is an immaculately researched, sophisticatedly argued investigation into the richly varied aspects of popular cinema during the Third Reich…. The result is an impressive, highly informative, and insightful book.”
—Alice Kuzniar, Professor of German and Comparative Literature, University of North Carolina at Chapel Hill
Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake’s findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.
Dialogue Editing for Motion Pictures: A Guide to the Invisible Art
Paperback: 384 pages
Publisher: Focal Press (May 11, 2007)
Language: English
High Definition Postproduction: Editing and Delivering HD Video
* Real-world postproduction paths show how it’s being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4×3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors.
This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples.
From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD.
* Real-world postproduction paths show how it’s being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Playwriting: The Structure of Action, Revised and Expanded Edition
This practical guide provides the principles of dramatic writing. Playwrights and screenwriters will discover these essential principles and acquire the tools to put them to use. Sam Smiley incorporates extensive new material in Playwriting: The Structure of Action, a revised edition of the book that dramatists in theatre and film have relied on for more than twenty-five years. No writer, director, critic, or teacher concerned with dramatic writing should be without this intelligent and inspiring guide.
Sam Smiley offers insights derived from a lifetime of writing, teaching, and consulting. While preserving the best of the earlier edition of the book, he offers new discussion on contemporary playwrights (Tony Kushner and Tom Stoppard), on copyright law, on new writing approaches, and on nontraditional dramatic forms.
Reaching far beyond simplistic how-to instructions, the book focuses on identifying and explaining principles essential to creating dramas: plot, character, thought, diction, melody, and spectacle. Smiley explains these classic topics and provides the modern keys for realizing each element in effective dramatic scripts
Focal.Press.Practical.DV.Filmmaking_2nd.Edition.Dec.2005
Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from developmentthrough to production, post-production and distribution. While the technical tools you need are fully explained, the book concentrates on filmmaking principles throughout, illustrating how these tools can be used to achieve stylistic approaches for innovative filmmaking.
Closely Watched Films - An Introduction to the Art of Narrative Film Technique
How do films work? How do they tell a story? How do they move us and make us think? Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch.
Writing - Directing and Producing Documentary Films and Videos
Rosenthal tackles the day-to-day problems from initial concept through distribution, emphasizing the research and writing approach. He offers examples of interviewing, narration writing, and the complexities of editing. The text explains how to write, direct and produce the documentary, whether film or video.
Film Structure and the Emotion System
Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Although the experience of emotion is central to the viewing of movies, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts of desire. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion.
Film Directing Fundamentals- See Your Film Before Shooting Second Edition
Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology.
Alanis Obomsawin - The Vision of a Native Filmmaker
In more than twenty powerful films, Abenaki filmmaker Alanis Obomsawin has waged a brilliant battle against the ignorance and stereotypes that Native Americans have long endured in cinema and television. In this book, the first devoted to any Native filmmaker, Obomsawin receives her due as the central figure in the development of indigenous media in North America.
Myth Mind and the Screen - Understanding the Heroes of Our Times
a systematic attempt to apply Jungian theory to the analysis of films (including 2001:ASpace Odyssey, The Silence of the Lambs and The Piano) as well as a variety of cultural icons and products such as Madonna, Michael Jackson and televised sport. Through these and other examples, John Izod shows how Jungian theory can bring new tools to film and media studies and new ways of understanding screen images and narratives.
If Its Purple Someones Gonna Die - The Power of Color in Visual Storytelling
Guided by her twenty-five years of research on the effects of color on behavior, Bellantoni has grouped more than 60 films under the spheres of influence of six major colors, each of which triggers very specific emotional states.
Art in the Cinematic Imagination
An illuminating exploration of the relationship between art and cinema, from Hitchcock to Scorsese.
Documentary Storytelling - Making Stronger and More Dramatic Nonfiction Films
With the growing popularity of documentaries in todays global media marketplace, demand for powerful and memorable storytelling has never been greater. This practical guide offers advice for every stage of production, from research and proposal writing to shooting and editing, and applies it to diverse subjects and film styles, from vérité and personal narrative to archival histories and more.
The Photographic Eye - Learning to See with a Camera
Learn how to take apart each element of a successful photograph, analyze it, master it, and then put it all back together.
Overhearing Film Dialogue
Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film.
A Critical Cinema 5 - Interviews With Independent Filmmakers
MacDonald engages filmmakers in detailed discussions of their films and of the personal experiences and political and theoretical currents that have shaped their work. The interviews are arranged to express the remarkable diversity of modern independent cinema and the interactive community of filmmakers that has dedicated itself to producing forms of cinema that critique conventional media.
Writing the Short Film, Third Edition
The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete.
Muska.And.Lipman.Publishing.30.Dollar.Film.School.eBook-LiB
Covers the entire spectrum of independent filmmaking, with good chapters on editing and advanced editing techniques. The same advice should also help you make better home videos. The book has tons of illustrations to show you how to do things right.
John_Costello-Writing_a_Screenplay
Exploding the myth that a screenplay is the easiest literary form to master, this book navigates a relatively painless path through the screenwriting labyrinth and offers an easy-to-digest, step-by-step guide to writing a script from inception to completion.
Focal Press- Practical Cinematography 2nd Edition
Discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.
Vincent LoBrutto, The Filmmaker's Guide to Production Design
In this klix book on production design, LoBrutto, an independent filmmaker and freelance film editor, goes to great lengths to cover the essentials-storyboarding, set decoration, budgeting, architecture, screenwriting, props, and wardrobe. He begins with an explanation of and introduction to design before dedicating a chapter to each particular facet of production, including one on genres with useful research techniques.
Andrey Tarkovsky - Sculpting in Time (2nd edition, 1987)
Tarkovsky elaborates in much detail on his theory of filmmaking, including editing, music, film acting, and what he calls "rhythm," which he considers the dominant factor.
Guidelines for Better Photographic Composition
Understanding Cinema A Psychological Theory of Moving Imagery (2005)
Per Persson asserts that spectators interpret, feel or make use of knowledge, assumptions, expectations and prejudices when viewing film. Persson explains how close-ups, editing conventions, character psychology and other cinematic techniques work, and how and why they affect the spectator. Utilizing examples from early and contemporary cinema, the book also analyzes the design of cinema conventions and their stylistic transformations through the evolution of film.
Dreams and Dead Ends The American Gangster Film
Book Description
The second edition of this classic study provides a reintroduction to some of the major films and theoretical considerations of film noir and gangster films in twentieth-century America. Ranging from Little Caesar (1930) to Things to Do in Denver When You're Dead (1995), Shadoian guides the reader through twenty classic movies of the genre. His approach is to use brief introductions to introduce distinct eras of the gangster films in each of seven chapters. Moving chronologically, he offers plot synopses and close readings of such definitive examples as Bonnie and Clyde, The Public Enemy, D.O.A. and The Godfather, each accompanied by photographs and author's critiques. Compenendia of facts on each film are also provided. This updated version looks a newer films as well as how the genre has moved into the new century. Appendices look at the movie Criss Cross as an epitome of the genre while others offer different lists of gangster films, including the author's top fourteen alltime, fifty post-Godfather films worth seeing, and fifty vintage films.
Matchmoving: The Invisible Art of Camera Tracking
Master the Art and Science of Matchmoving
Written by a matchmoving expert, this book is much more than a technical primer. It helps you think like a pro so that you can find the right solution for your matchmoves, no matter how tricky. You'll also find coverage of tasks that commonly go hand-in-hand with matchmoving, along with advice on the contributions you can make on the set of a live-action shoot. Whether you're a student or professional, Matchmoving: The Invisible Art of Camera Tracking gives you the knowledge and perspective you need to quickly and successfully solve every matchmove.
The Art and Science of Digital Compositing
Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike.
Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.
Film Production Management
Film Production Management details the steps involved in bringing a screenplay to the screen: organizing, staffing, budgeting, scheduling, securing locations, shooting and postproduction.
In addition to offering practical, hands-on help in dealing with each of these steps, this book also covers such issues as contracts, unions, working permits, and insurance. Sample forms used by the production manager are also included. Although it is not about film financing, it includes information on how to work within smaller budgets, enhancing its appeal to independent film makers.
This book is primarily for students and film professionals seeking a career change within the film industry, or who find themselves performing some of the tasks outlined within these pages.
Film Production Theory ----TOPLO PREPORUCUJEM
Film Production Theory is an exciting and important book. Most importantly, the book outlines what is at stake aesthetically and philosophically in what appear to be merely technical considerations that enter into the making of film. Unlike many other works that focus upon the finished product, or, upon the personalities behind the product, Geuen's book focuses upon the techniques of cinema, with an eye to clarify what are the assumptions about the nature of cinema that are implicit in those techniques. I consider the book the most important book on film I have read in a very long time, and can't recommend it highly enough.
DV Filmmaking: From Start to Finish
Thanks to the digital revolution, film artists now have a spectacular array of powerful, new, inexpensive tools for creative expression through digital film. The once powerful studios can no longer stifle an artist's creativity. With the power of the Internet, film artists are finding once unimaginable ways to distribute their creations worldwide.
DV Filmmaking: From Start to Finish covers all aspects of the new digital video frontier, for amateurs and professionals alike--from the nuts and bolts of timecode and aspect ratio; to framing, lighting, and sound recording; as well as editing, special effects creation, and distribution.
The book is written for filmmakers at varying experience levels--taking an integrated approach to media production, and emphasizing the ways different aspects of the process work together to create a vital work of digital art:
* Hands-on detailed examination of the artistic aspects of film and video production
* Extensive examples use comprehensive step-by-step exercises for advanced editing techniques
* Scenes from successful films illustrate techniques used by professionals
* Includes a collection of professionally shot video clips, so the user can read and follow along with sets of structured exercises
* Develops a highly refined repertoire of advanced skills in editing, effects creation, title design, and more
* Inspires advanced readers to work with the included clips on their own and experiment with new ideas
* Written for both Mac and PC users and covers advanced uses of both Final Cut Pro and Adobe After Effects
Schirmer Encyclopedia of Film
Grade 9 Up—Drawing on authoritative, international contributors, information on film is extensively documented in this set, which is intended as a film-studies staple. The alphabetically arranged volumes are titled as follows: "Academy Awards—Crime Films"; "Criticism—Ideology"; "Independent Film—Road Movies"; and "Romantic Comedy—Yugoslavia." Subtopics include countries, history, philosophies, and more, with information on individual movies often spread over several entries. Articles range from as few as 5 pages ("Slapstick comedy") to 17 pages ("Italy"). Contemporary topics, such as "Gay, lesbian cinema," are included along with more-expected entries on "Teen films" and "Cinematography." See-also references guide readers to one or more related topics or subtopics, while further-reading suggestions provided after every entry list academic and popular articles and books. The more than 16,000 index entries, with major topics in bold type, make access straightforward. The text is highlighted with photographs varying in size, color, and clarity, along with brief biographies on related figures.
Vol.1- Academy Awards- Crime Films
Vol.2- Criticism-Ideology
Vol.3- Independent Film- Road_Movies
Vol.4- Romantic Comedy- Yugoslavia
Political Film: The Dialectics of Third Cinema
Third cinema–cinema committed to social and cultural emancipation–is absolutely central to key debates concerning contemporary film practices and cultures. In this volume, Mike Wayne develops Third Cinema theory by exploring its dialectical relations with First Cinema (dominant, commercial) and Second Cinema (arthouse, auteur).
Discussing an eclectic range of films, from Evita to Dollar Mambo, The Big Lebowski to The Journey, Amistad to camp de Thiaroye, Wayne explores the affinities and crucial difference between First and Third Cinema. Third Cinema’s relationship to Second Cinema is explored via the cinematic figure of the Bandot. The continuities and differences with European precursors such as Einstein, Vertov, Lukacs, Brecht, and Walter Benjamin are also assessed. The book is a polemical call for a film criticism that is politically engaged with the life of the masses.
Single-Camera Video Production, Fourth Edition
“Single-Camera Video Production is easy reading for the newcomer yet it has enough depth for the video professional. Chapters on digital video, nonlinear editing and a full description of pre-production treatments and contracts make it an excellent resource.” - Videomaker
Popular Cinema of the Third Reich
“This is an immaculately researched, sophisticatedly argued investigation into the richly varied aspects of popular cinema during the Third Reich…. The result is an impressive, highly informative, and insightful book.”
—Alice Kuzniar, Professor of German and Comparative Literature, University of North Carolina at Chapel Hill
Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Rather than examining Third Reich cinema through overdetermined categories such as propaganda, ideology, or fascist aesthetics, Sabine Hake concentrates on the constituent elements shared by most popular cinemas: famous stars, directors, and studios; movie audiences and exhibition practices; popular genres and new trends in set design; the reception of foreign films; the role of film criticism; and the representation of women. She pays special attention to the forced coordination of the industry in 1933, the changing demands on cinema during the war years, and the various ways of coming to terms with these filmic legacies after the war. Throughout, Hake’s findings underscore the continuities among Weimar, Third Reich, and post-1945 West German cinema. They also emphasize the codevelopment of German and other national cinemas, especially the dominant Hollywood model.
Dialogue Editing for Motion Pictures: A Guide to the Invisible Art
Paperback: 384 pages
Publisher: Focal Press (May 11, 2007)
Language: English
High Definition Postproduction: Editing and Delivering HD Video
* Real-world postproduction paths show how it’s being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Avoid costly missteps in postproduction and get it right the first time with this book. Written by an in-the-trenches professional who works with HD every day, High Definition Postproduction is an overview of this exciting opportunity for film and video production and postproduction professionals. High Definition production and editing is here and definitely a reality. High-def network shows are aired on a weekly basis. Several HD-only channels are well into their production schedules. HD is even used for major film productions and post production processes. However, unlike the existing 4×3, NTSC format, the HD world has many variables. This ability to choose various frame rates, frame sizes, bit rates, and color space options makes this an exciting, yet somewhat daunting challenge. The future may hold even more options as electronics continue to evolve and manufactures continue to exploit this format. Naturally, all of these options can lead to confusion and errors.
This book begins with an overview of the HD format and then covers commonly-asked questions. A chapter on shooting details how to smooth the path for post. Postproduction workflows, including the digital intermediate, are covered in great detail, and are enhanced by real-world examples.
From HDV to the high-end cameras used in Star Wars and Sin City, this book is your complete guide to HD.
* Real-world postproduction paths show how it’s being done today
* Numerous HD tables clear up what format is used for which purpose
* Ample information on HDV
* Debunks myths and answers common questions about HD
Playwriting: The Structure of Action, Revised and Expanded Edition
This practical guide provides the principles of dramatic writing. Playwrights and screenwriters will discover these essential principles and acquire the tools to put them to use. Sam Smiley incorporates extensive new material in Playwriting: The Structure of Action, a revised edition of the book that dramatists in theatre and film have relied on for more than twenty-five years. No writer, director, critic, or teacher concerned with dramatic writing should be without this intelligent and inspiring guide.
Sam Smiley offers insights derived from a lifetime of writing, teaching, and consulting. While preserving the best of the earlier edition of the book, he offers new discussion on contemporary playwrights (Tony Kushner and Tom Stoppard), on copyright law, on new writing approaches, and on nontraditional dramatic forms.
Reaching far beyond simplistic how-to instructions, the book focuses on identifying and explaining principles essential to creating dramas: plot, character, thought, diction, melody, and spectacle. Smiley explains these classic topics and provides the modern keys for realizing each element in effective dramatic scripts
