Lost&Found
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#1 Lost&Found
Short Film Showcase
http://shortfilmshowcase.landmarktheatr ... fault.aspx
zanimljiva kompilacija kratkometraznih filmova.
izdvajam - How To Tell When A Relationship Is Over In 90 Seconds
http://shortfilmshowcase.landmarktheatr ... fault.aspx
zanimljiva kompilacija kratkometraznih filmova.
izdvajam - How To Tell When A Relationship Is Over In 90 Seconds
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#2

http://www.48hourfilm.com/about/history.php
ako se dosadujete ovoga ljeta mozda vas ovo razveseli (samo za usa)
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ulicar
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#3
Evo ga australijski najpoznatiji. Inace, svako malo vece predgradje ima svoj festival (bukvalno)
24 satni film shootout festival
http://theshootout.info/map/index.html
Najveci festival kratkog filma na svijetu
http://www.tropfest.com/
Najveci viktorijanski festival kratkog filma
http://www.stkildafilmfestival.com.au/
Vrlo cesto ovi festivali imaju online downloade filmova. Neki su pravo zanimljivi.
24 satni film shootout festival
http://theshootout.info/map/index.html
Najveci festival kratkog filma na svijetu
http://www.tropfest.com/
Najveci viktorijanski festival kratkog filma
http://www.stkildafilmfestival.com.au/
Vrlo cesto ovi festivali imaju online downloade filmova. Neki su pravo zanimljivi.
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#4
Reverse Shot (portal)
http://www.reverseshot.com/
medju najjacim portalima alternativnog filma
Reverse Shot Blog
http://blogs.indiewire.com/reverseshot/
ovdje ce te naci sve ono sto rogert ebert misli, a boji se reci.
jak blog, dosta dobre kritike.
http://www.reverseshot.com/
medju najjacim portalima alternativnog filma
Reverse Shot Blog
http://blogs.indiewire.com/reverseshot/
ovdje ce te naci sve ono sto rogert ebert misli, a boji se reci.
jak blog, dosta dobre kritike.
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#6

Mediacentar Sarajevo trazi:
MENADZERA / MENADZERICU TV PRODUKCIJE (TV PRODUCENTA / PRODUCENTICU)
Opis pozicije:
TV produkcija Mediacentra Sarajevo je relativno nova usluga koju smo pokrenuli prije dvije godine. U medjuvremenu smo uradili nekoliko serijala TV emisija, a radimo i produkciju serijala dokumentarnih filmova sa partnerima iz regiona.
Menadzer(-ica) TV produkcije / TV Producent(-ica) samostalno vodi TV produkciju Mediacentra Sarajevo, sto podrazumijeva kreativan rad na razvoju projekata i poslova u domenu TV produkcije, vodjenje tima od 5 osoba, prodaja usluga i proizvoda TV produkcije i prikupljanje sponzorskih i donatorskih sredstava za produkcijske projekte.
Duznosti i odgovornosti:
- Menadzer(-ica) produkcije Mediacentra samostalno vodi produkcijske aktivnosti, sto podrazumijeva slijedece duznosti:
- Vodjenje kreativnog tima i kreativnih poslova produkcije (osmisljavanje proizvoda, usluga, itd.)
- Vodjenje osoblja produkcije
- Vodjenje svih poslova produkcije
- Pregovaranje sa TV kucama, klijentima, partnerima, sponzorima i donatorima
Kvalifikacije i kriteriji izbora:
- Najmanje 5 godina iskustva u radu na opisanim ili slicnim poslovima u domenu TV produkcije, filmske produkcije, i slicno.
- Izrazene organizacijske sposobnosti (iskustvo u vodjenju timova i radu na slozenim projektima)
- Obavezno poznavanje rada na racunaru (Excel, Word, Access).
- Odlicno poznavanje engleskog jezika (konverzacija i pisanje).
- Izrazene komunikacijske sposobnosti
- Pozeljno ali ne i obavezno univerzitetsko obrazovanje
- Drzavljanstvo Bosne i Hercegovine
Radni uslovi i vrsta angazmana
Menadzer(-ica) produkcije radi puno radno vrijeme u prostoru Mediacentra Sarajevo.
Predvidjen je probni rad od 3 mjeseca nakon cega se potpisuje ugovor o zaposlenju, uz sve pratece beneficije (zdravstveno i penziono osiguranje)
20 radnih dana godisnjeg odmora
Kompetitivna plata
Rokovi i potrebna dokumentacija:
Sve osobe koje zadovoljavaju navedene kriterije neka svoje prijave posalju iskljucivo na email [email protected] najkasnije do srijede, 18. oktobra 2006, do 17:00 sati. Zakasnjele prijave nece se razmarati.
Prijave treba da sadrze sljedece dokumente i materijale:
detaljan CV (biografija) sa kontaktima svih organizacija u kojima je kandidat radio i sa punim kontakt informacijama dvije osobe koje su upoznate sa licnim i profesionalnim karakteristikama kandidata,
pismo namjere,
detaljna lista svih relevantnih poslova, projekata i aktivnosti a posebno poslova iz domena TV produkcije.
Molimo da prijave saljete iskljucivo na email: [email protected]. Za dodatne informacije mozete nas nazvati na telefon: +387 33 715840 ili 715850.
Mediacentar Sarajevo zadrzava pravo da kontaktira samo odredjeni broj prijavljenih kandidata. Sve informacije o Mediacentru mozete naci na web stranici http://www.media.ba.
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#7

New Bosnian Cinema 2006
Thursday 30 November - Sunday 3 December 2006
The Bosnian Institute, in partnership with Sarajevo Film Festival, Europe’s most dynamic young film festival, brings a third season of the best new features and shorts by Bosnian film makers and producers to Riverside Studios. More than 10 years after the end of the 1992-1995 conflict the war and its aftermath remains the dominant theme in Bosnian cinema. We see explorations of the shattered society in which those who survived must live and the enduring traumas they face – themes often treated with humour and irony. The films take us on an intimate journey through Bosnia’s recent past and present.

PROGRAM -- http://www.riversidestudios.co.uk/cgi-b ... ema%202006
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#9
Syberbergov Hitler: Ein Film aus Deutschland
Kompletna verzija (410 min. !!!) u Realtime
http://www.syberberg.de/Syberberg2/Hitl ... g_QT2.html
recenzija sa imdb.com:
In short, this movie fills the viewer with indellible images of the capability of mass media to suck in the viewers, give them a sense of intimacy, and trivialize mass murder from a "real life human perspective." No single scene or sermon or 90 minute expose of Auschwitz can ever hope to drive home the real insanity of the mass delusions which created the greatest tragedy of this century. And for Germans the constant cleansing and coping escapism of the post war era (It wasn't us, it was those few bad guys that are now dead) needed a real response by the generation that was born afterwards. And the only way Syberberg could do that was to let all those images of the collective German memory of the great history of its irrationalism and romanticism fight against the attempt to rationalize it's rape by their own philestines.
Kompletna verzija (410 min. !!!) u Realtime
http://www.syberberg.de/Syberberg2/Hitl ... g_QT2.html
recenzija sa imdb.com:
In short, this movie fills the viewer with indellible images of the capability of mass media to suck in the viewers, give them a sense of intimacy, and trivialize mass murder from a "real life human perspective." No single scene or sermon or 90 minute expose of Auschwitz can ever hope to drive home the real insanity of the mass delusions which created the greatest tragedy of this century. And for Germans the constant cleansing and coping escapism of the post war era (It wasn't us, it was those few bad guys that are now dead) needed a real response by the generation that was born afterwards. And the only way Syberberg could do that was to let all those images of the collective German memory of the great history of its irrationalism and romanticism fight against the attempt to rationalize it's rape by their own philestines.
Last edited by repeater on 15/03/2007 21:54, edited 2 times in total.
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#10

WeekEnd - JL Godard
kompletan film
(podijeljen da deset klipova - pocetak http://www.youtube.com/watch?v=1lfoBWQm ... ed&search= )
Last edited by repeater on 15/03/2007 21:50, edited 1 time in total.
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#12
clanak iz nytimes o internet distribuciji art-house i indie filmova, sa informacijama o download stranicama, dobar dio jaman.com sadrzaja je besplatan.
March 18, 2007
Film
Little Films on Little Screens (but Both Seem Set to Grow)
By NOAH ROBISCHON
IN the award-winning 2005 movie “Black,” the Bollywood actor Amitabh Bachchan plays an eccentric, disillusioned teacher who helps a blind, deaf and mute girl learn to speak and rejoin her family. But the “Miracle Worker” roles are reversed years later, when the girl discovers that her teacher is suffering from Alzheimer’s disease.
“Black” was chosen as one of the 10 best movies of 2005 by Time Europe. But chances are you’ve never heard of it. Like the vast majority of films made each year “Black” was never released theatrically in the United States. It is not even available on DVD. You can, however, watch it on your computer screen for $1.99 at Jaman.com.
At least a half-dozen download services like Jaman want to become your digital art-house cinema, offering movie lovers a universe of alternative films they otherwise might never have known they wanted to see, or had a clue on how to find if they did. At the moment these sites pretty much appeal only to hard-core cineastes, mainly because watching movies on a computer monitor is far from an ideal entertainment experience.
But a slew of gadgets, like the coming Apple TV, promise to erase the divide between the Internet and your home entertainment center by easily transporting a movie file sitting on the computer to the 52-inch plasma television in the living room, or magically giving the set Internet access. If that transition becomes seamless, digital film distribution might just make celebrities out of a new crop of talented unknowns, just as the advent of home video in the 1980s jump-started the careers of filmmakers like Steven Soderbergh, Spike Lee and John Sayles.
“There is an ever-widening opportunity for non-mainstream content to get discovered,” said Curt Marvis, co-founder and chief executive of CinemaNow. “I’m not talking about YouTube videos, but films that might go to Sundance. And because the subject matter is too controversial, or the audience is too hard to reach, or because of the dynamics of the finances involved, traditional distribution doesn’t work. There is absolutely an audience for those films on the Internet.”
Like most digital movie theaters CinemaNow (cinemanow.com) offers a confusing number of ways to pay for and watch a film. You can rent a 24-hour digital movie stream for as little a dollar. Pay a slightly higher price, and you can buy a movie and store it on a computer hard drive. You can also sign up for a rental subscription plan similar to that of a DVD-by-mail service, or even purchase the rights to burn a hit film onto your own DVD for $14.99. But CinemaNow’s focus is on mainstream releases like “Borat,” and only around 300 of its movies are undistributed elsewhere.
The offerings on Jaman, on the other hand, are the antithesis of mainstream. The site, whose backers include former Senator Bill Bradley and Jeff Berg, who runs the talent agency International Creative Management, has a catalog of 1,000 documentaries, features and international releases harvested almost entirely from film festivals, like the Mexican psychological drama “Las Lloronas.” Watching the movies requires that you download a separate player application that improves the quality of the video while also speeding the time required to transfer a file.
A similar technology underlies Joost (joost.com), an interactive TV platform from the creators of the pioneering Internet phone service Skype. Instead of paying rental fees, visitors to Joost must sit through advertising to enjoy its wares, which includes 67 hours of programming from the DVD distributor IndieFlix (indieflix.com), including festival award winners “Outpatient” and “The Flats.” GreenCine (greencine.com), the five-year-old grand dame of the online indie film scene, has the quirky documentary “24 Hours on Craigslist” alongside such classics as the 1961 Marlon Brando film “One-Eyed Jacks.”
While navigating GreenCine is a pain, its video-on-demand catalog of 12,o00 titles is huge compared with the 400 or so movies now available from Apple’s iTunes store. More familiar companies are taking on the upstarts. Amazon acquired the obscure DVD distributor CustomFlix in 2005 and is now using the company to stock its all-digital Unbox store. And the DVD-by-mail company Netflix is investing $40 million this year in its “Instant Watching” feature, which lets subscribers rent digital movies as part of their monthly plans.
Two thirds of the “Instant Watching” offerings come from outside the studio system. “It’s universally accepted that porn is the biggest trailblazer in new technology,” said Netflix’s chief content officer, Ted Sarandos, who trolls the festival circuit for new material. “It’s overlooked that indie and foreign films also benefit disproportionately from the conservatism of Hollywood.”
Major studios — fearful of both piracy and cannibalizing the money they make from DVDs, their biggest source of revenue — are entering the Web film market cautiously. The few hit films online are generally put there only after they are widely available elsewhere, and often for the same price as a DVD.
But the major studios may not be able to play possum much longer. The DVD business is flattening. And media forecasters are busy out-predicting one another about how many billions of dollars Internet video will throw off each year.
Those predictions are looking far more realistic than they did a decade ago. Sony recently introduced the Bravia Internet Video Link, a device that attaches to the back of its popular line of TVs and delivers high-definition online programming. And TiVo’s 1.5 million Internet-connected subscribers already have access to downloadable movies from Amazon’s Unbox and the Independent Film Channel.
Then there is the $299 Apple TV. A hard drive about the size of a thin hardcover book, it wirelessly synchronizes the movies and series downloaded from the iTunes store and plays them on your flat screen. Apple TV, which is set to be released this month, could do for movies what the iPod did for music.
But scrolling through 1,000 songs is a lot easier than trudging through an Internet full of movies. Almost every Web film purveyor is planning to solve this bane of the modern culture consumer — too much choice — with some form of social networking. Recommendations, user reviews, friend lists and member pages are designed to help viewers determine which films they should watch. Jaman even allows its members to write commentary tracks onto its streaming movies to share with others.
“If you tell me you’ve seen this film and you like it, that’s what is going to get me interested rather than advice from above,” said Edward R. Pressman, an investor in Jaman and a producer of films like “Badlands” and “The Cooler.” But community-driven recommendations can, instead of opening up new worlds, reinforce existing tastes. Hockey die-hards may be able to convince fans of other sports to watch the underground hit documentary “In the Crease” (available on Unbox), but someone who loves romantic comedies aren’t likely to come across their testimonials. And the digital download sites will also have to overcome the hesitation of moviemakers wary of supplying their newly finished films.
The audience for Joe Swanberg’s films, for example, got a boost from his Web-only series “Young American Bodies” for Nerve.com. But Mr. Swanberg still considers digital distribution a last resort. Showing a film online, he said, would hurt his chances of being accepted into a festival like South by Southwest, where his third feature, “Hannah Takes the Stairs,” made its debut last week. “Sitting in that room with all those people and seeing it on the big screen just reconfirmed that it is the best experience,” he said, “and the one I’m always going to shoot for.”
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#13

Obala Art Centar / Sarajevo Film Festival
OGLAS
za popunjavanje radnog mjesta
ASISTENTA/CE PROGRAMSKOG KOORDINATORA
Mladim, fleksibilnim i samoincijativnim osobama sa izrazitim organizacijskim sposobnostima nudimo radni angažman na određeno vrijeme (period april – avgust 2007.) uz mogućnost produženja ugovora.
Posao podrazumijeva sljedeće dužnosti:
- Koordinacija prijema filmskih kopija
- Prikupljanje informacija u vezi sa prijavljenim filmovima
- Administrativna podrška selektorima/cama Festivala
- Vođenje i ažuriranje baze podataka
- Obavaljanje dodatnih poslova u skladu sa potrebama Festivala
Potrebne kvalifikacije:
- Izvrsne mogućnosti usmene i pismene komunikacije na engleskom jeziku
- Odlično poznavanje rada na računaru i internet research-a
- Prednost imaju osobe sa VSS-om ili apsolventi/ce sa iskustvom na sličnim poslovima
Prijave i CV slati do 1. aprila 2007. isključivo putem e-maila na adresu: [email protected].
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#16
Kulturkontakt Austria – Tromjesečni rezidencijalni program u Beču za mlade umjetnike
Kulturkontakt Austria organizira tromjesečni rezidencijalni program u Beču za mlade umjetnike (do 40 godina starosti) iz istočne i jugoistočne Europe.
Prijave za sudjelovanje primaju se do 30. lipnja.
Program uključuje radni prostor, smještaj, osiguranje, mjesečnu stipendiju u iznosu 1000 eura, te završnu izložbu radova nastalih tijekom rezidencije.
Prijava treba sadržavati sljedeće:
- životopis i dokumentaciju umjetničkog razvoja (na engleskom ili njemačkom jeziku);
- 5-10 primjera rada u obliku fotografija, foldera i/ili kataloga (maksimalna veličina A3); ne primaju se cd-i, slajdovi ni originali;
Adresa:
KulturKontakt Austria
Kulturförderung + Sponsoring
Universitätsstraße 5
1010 Vienna
Austria
Informacije: application@ kulturkontakt. at ili +43 1 523 87
http://www.kulturkontakt.or.at/KulturKo ... get=104781

Kulturkontakt Austria organizira tromjesečni rezidencijalni program u Beču za mlade umjetnike (do 40 godina starosti) iz istočne i jugoistočne Europe.
Prijave za sudjelovanje primaju se do 30. lipnja.
Program uključuje radni prostor, smještaj, osiguranje, mjesečnu stipendiju u iznosu 1000 eura, te završnu izložbu radova nastalih tijekom rezidencije.
Prijava treba sadržavati sljedeće:
- životopis i dokumentaciju umjetničkog razvoja (na engleskom ili njemačkom jeziku);
- 5-10 primjera rada u obliku fotografija, foldera i/ili kataloga (maksimalna veličina A3); ne primaju se cd-i, slajdovi ni originali;
Adresa:
KulturKontakt Austria
Kulturförderung + Sponsoring
Universitätsstraße 5
1010 Vienna
Austria
Informacije: application@ kulturkontakt. at ili +43 1 523 87
http://www.kulturkontakt.or.at/KulturKo ... get=104781

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#17
David Lynch on "product placement"
http://www.youtube.com/watch?v=F4wh_mc8hRE
http://www.youtube.com/watch?v=F4wh_mc8hRE
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#18

Bewerbung für das Programmjahr 2007/08
Von Mitte Januar bis zum 10. April 2007 (!!) können sich interessierte Kulturmanager aus Mittel- und Osteuropa um ein einjähriges Stipendium bewerben. Die Bewerbung erfolgt ausschließlich über das Online-Bewerbungsformular
-- Die Robert Bosch Stiftung lädt 12 Kulturmanager (m/w) aus den Ländern Mittel- und Osteuropas ein, im Rahmen des Programms ein Jahr lang bei einer Gastinstitution in Deutschland die aktuelle Kunst und Kultur ihres Landes zu präsentieren. Während einer einjährigen Qualifizierung übernehmen die Stipendiaten die Aufgabe, in innovativen Projekten die kulturelle Vielfalt der Länder Mittel- und Osteuropas und insbesondere die junge Kunst- und Kulturszene ihres Landes in Deutschland zu präsentieren. Sie sind deutschlandweit in Gastinstitutionen (mit Ausnahme von Berlin tätig), die Erfahrungen in der internationalen Zusammenarbeit im Bereich Kunst und Kultur haben und ihre Kontakte nach Mittel- und Osteuropa vertiefen wollen. Fester Bestandteil des Programms sind Fortbildungen zu Projektplanung, Teamarbeit, Fundraising, Presse- und Öffentlichkeitsarbeit sowie Kulturmarketing. Programmbeginn ist im Oktober 2007.
detalji: http://www.moe-kulturmanager.de/bewerbungen.0.html
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#19
Legendarno: Werner Herzog mezi svoje cipele da bi ispunio obecanje
http://youtube.com/watch?v=3oXLC7UjpXM

http://youtube.com/watch?v=3oXLC7UjpXM

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#20
Miranda July, umjetnica i rediteljica filma "You and Me and Everyone We Know" promovira kolekciju svojih kratkih prica ovdje:
http://noonebelongsheremorethanyou.com/
-- vrijedi pogledati do kraja ( a i procitati knjigu razumije se
)

http://noonebelongsheremorethanyou.com/
-- vrijedi pogledati do kraja ( a i procitati knjigu razumije se

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#21
nakon sto je u rekordnom vremenu nogama (!!) uspio sloziti rubikovu kocku, filmadzija Michel Gondry ovaj put obara vlastiti rekord sluzeci se nosom: http://www.youtube.com/watch?v=pB8XedMowDU
noge: http://www.youtube.com/watch?v=WiQXgmVVGNA

forspan za science of sleep (njegov zadnji film):
http://wip.warnerbros.com/trailerplayv2 ... eed=700000
noge: http://www.youtube.com/watch?v=WiQXgmVVGNA

forspan za science of sleep (njegov zadnji film):
http://wip.warnerbros.com/trailerplayv2 ... eed=700000
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#24
Independent Film&TV College-Bagdad: http://www.iftvc.org/index.htm



Rijec je o prvoj filmskoj skoli u Iraku poslije Sadama. U razgovoru za taz direktor skole Kassim Abid kaze da je danas veoma opasno kretati se Bagdadom sa kamerom u ruci. Americka vojska misli da snimate po zadatku terorista, dok teroristi u vama vide americkog kolaboratera.
cijeli intervju na njemackom: http://www.taz.de/dx/2007/04/19/a0266.1/text



Rijec je o prvoj filmskoj skoli u Iraku poslije Sadama. U razgovoru za taz direktor skole Kassim Abid kaze da je danas veoma opasno kretati se Bagdadom sa kamerom u ruci. Americka vojska misli da snimate po zadatku terorista, dok teroristi u vama vide americkog kolaboratera.
cijeli intervju na njemackom: http://www.taz.de/dx/2007/04/19/a0266.1/text
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#25
Filmski Festival Juznoistocne Evrope, Los Angeles (3. - 7.Maj 2007)
http://www.seefilmla.org

intervju sa direktoricom festivala Verom Mijojlic, rodena Sarajka
http://www.cinemawithoutborders.com/new ... 04-25.html
http://www.seefilmla.org

intervju sa direktoricom festivala Verom Mijojlic, rodena Sarajka
http://www.cinemawithoutborders.com/new ... 04-25.html






