MP3 Djerdan vol.4

[victory]

Ako volite Interpol i Killers onda morate voliti i Stillse

there must be something wrong with me :D stilsi su mi grooozni. dosadni iako volim kilerse i interpol.


--

ma do tebe je, vjeruj mi

[victory]

Beth Gibbons - Out of Season (2003)

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As collaborations go, the partnership of Portishead's ghostly singer Beth Gibbons and Paul "Rustin Man" Webb (former bassist of '80s pop band Talk Talk) seems an extremely unlikely one. However, as Out of Season shows, the pair have a surprising amount in common, including a love of supremely melancholic melodies and eerily atmospheric backdrops. Ambling quietly from the mournful folk of "Mysteries" through the twilight piano lament of "Show" and the uneasy cinematic sway of "Spyder," Out of Season creates a dreamily sinister otherworld that's both vintage and timeless. Yet, despite relying solely on beautiful bittersweet melodies and acoustic instrumentation to conjure its twisted romance--instead of the usual murky trip-hop beats and studio manipulation associated with Gibbons's dysfunctional songs--the fundamental chill of Portishead is ever present. And that's because, for all the wonderful, sleepy lullabies, it's the haunting isolation she conveys with every note that captivates. Even on the gorgeously hazy lounge tunes "Romance" and "Sand River"--both brimming with Burt Bacharach-style optimism--she manages to sound like Dusty Springfield with a dark and tragic secret. She has an amazingly affecting voice, which makes Out of Season a truly magical album.

1. Mysteries
2. Tom the Model
3. Show
4. Romance
5. Sand River
6. Spider Monkey
7. Resolve
8. Drake
9. Funny Time of the Year
10. Rustin Man

[dinash]

Ako volite Interpol i Killers onda morate voliti i Stillse

there must be something wrong with me :D stilsi su mi grooozni. dosadni iako volim kilerse i interpol.


--

ma do tebe je, vjeruj mi

znam ...

[victory]

odlican soundtrack talentovanog filmadzije i ne tako loseg muzicara

Vincent Gallo - Buffalo 66 (soundtrack - various) (1998)

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The soundtrack to writer/director/star Vincent Gallo's Buffalo 66 is as strange as the film itself, with an eclectic lineup of artists including Yes, King Crimson, Stan Getz and Gallo himself

1. Lonely Boy
2. Falling Down Billy Brown
3. Fools Rush In
4. Moonchild - King Crimson
5. Drowning in Brown
6. Somewhere Place
7. Wet Cleaner
8. Sixteen Seconds Happy
9. I Remember When - Stan Getz
10. With Smiles & Smiles & Smiles
11. Heart of the Sunrise - Yes
12. Sweetness - Yes
13. Cold & Grey Summer Day

[victory]

Vincent Gallo - The Brown Bunny (soundtrack- various) [2004]

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Released in Japan only, the motion picture soundtrack to Vincent Gallo's 'Brown Bunny'. The set features five previously unreleased tracks by John Frusciante of Red Hot Chili Peppers, along with five other tracks, one from each of these artists, Gordon Lightfoot, Jackson C. Frank, Matisse/Accardo Quartet, Jeff Alexander & Ted Curson.

01. COME WANDER WITH ME, Jeff Alexander
02. TEARS FOR DOLPHY, Ted Curson
03. MILK AND HONEY, Jackson C. Frank
04. BEAUTIFUL, Gordon Lightfoot
05. SMOOTH, Matisse/Accardo Quartet
06. FOREVER AWAY, John Frusciante
07. DYING SONG, John Frusciante
08. LEAVE ALL THE DAYS BEHIND, John Frusciante
09. PROSTITUTION SONG, John Frusciante
10. FALLING, John Frusciante

rare soundtrack, grab it!!

[victory]

John Frusciante - Dc [EP] (2004)

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http://s17.yousendit.com/d.aspx?id=2ZE5AZ2M049PC1OG4SZN08YY66

This is the third in Frusciante's (Red Hot Chili Peppers) five-record series. These four songs were produced by Ian MacKaye of Fugazi and recorded in Washington, DC. It follows Frusciante's other releases, "The Will To Death" and "Automatic Writing", a collaboration with Josh Klinghoffer and Joe Lally, also of Fugazi. John has been recording one full-length album every month this year and would like to release them about that often.

1. Dissolve
2. Goals
3. Corner, A
4. Repeating

[victory]

Steve Miller Band - Children of the Future (1968)

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A psychedelic blues rock-out, 1968's Children of the Future marked Steve Miller's earliest attempt at the ascent that brought him supersonic superstardom. Recorded at Olympic Studios in London with storied producer Glyn Johns at the helm, the set played out as pure West Coast rock inflected with decade-of-love psychedelia but intriguingly cloaked in the misty pathos of the U.K. blues ethic. Though bandmate Boz Scaggs contributed a few songs, the bulk of the material was written by Miller while working as a janitor at a music studio in Texas earlier in the year. The best of his efforts resonate in a side one free-for-all that launches with the keys and swirls of the title track and segues smoothly through "Pushed Me Through It" and "In My First Mind," bound for the epic, hazy, lazy, organ-inflected "The Beauty of Time Is That It's Snowing," which ebbs and flows in ways that are continually surprising. The second half of the LP is cast in a different light -- a clutch of songs that groove together but don't have the same sleepy flow. Though it has since attained classic status -- Miller himself was still performing it eight years later -- Scaggs' "Baby's Callin' Me Home" is a sparse, lightly instrumentalized piece of good old '60s San Francisco pop. His "Steppin' Stone," on the other hand, is a raucous, heavy-handed blues freakout with a low-riding bass and guitar breaks that angle out in all directions. And whether the title capitalized at all on the Monkees' similarly titled song, released a year earlier, is anybody's guess. Children of the Future was a brilliant debut. And while it is certainly a product of its era, it's still a vibrant reminder of just how the blues co-opted the mainstream to magnificent success. 

1. Children Of The Future
2. Pushed Me To It
3. You've Got The Power
4. In My First Mind
5. The Beauty Of Time Is ...
6. Baby's Callin' Me Home
7. Steppin' Stone
8. Roll With It
9. Junior Saw It Happen
10. Fanny Mae
11. Key To The Highway

[Altsa]

MARK LANEGAN BAND - Live concert


Konceri iz Barselone, Milana i Seattle

[victory]

Stereolab - Emperor Tomato Ketchup (1996)

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You want retro? Get a load of their equipment, from the vintage Farfisa and Vox organs to the ever-lovable Moog synthesizers. You want futurist? It's the sound of not-so-well-oiled machinery, churning and sputtering into space age bachelor pad heaven and postindustrial hell. You want pure pop? Dig how they mine mod sounds of the '60s, from Burt Bacharach to Françoise Hardy, and pull melodies straight out of a bubblegum wrapper. You want avant garde? Check the blatant liftings from '70s krautrockers Neu! and Can, plus their appropriations of Philip Glass's disjointed wordplay and Ornette Coleman's jagged alto sax.
You want meaning? These are songs loaded with optimism, progressivism, humanism, and dashes of Marxism. You want nonsense? There's plenty of "la-la-la's" to lead us into oblivion, and head vocalist Laetitia Sadier sings half the time in French.

You want a groove band? Tracks like "Metronomic Underground" and "Les Yper-Sound" cast a funk trance heavier than voodoo and at least as danceable as any neo-hippie tripe. You want a band that rocks? Try "The Noise of Carpet" for its rug-burning guitar and acceleration drum whacks. Yesterday, tomorrow, now: Stereolab's the one. 

1. Metronomic Underground
2. Cybele's Reverie
3. Percolator
4. Yper-Sound
5. Spark Plug
6. Olv 26
7. Noise of Carpet
8. Tomorrow Is Already Here
9. Emperor Tomato Ketchup
10. Monstre Sacre
11. Motoroller Scalatron
12. Slow Fast Hazel
13. Anonymous Collective

[nogeulavoru]

Victory,

Izgleda da su svi links za Interpol pregorili. Moze li se sta naci???

[nogeulavoru]

Victory,

Izgleda da su svi links za Interpol pregorili. Moze li se sta naci???

[Altsa]

S obzirom da su svi linkovi za TOM WAITS-a pocrkali evo novi koji radi


TOM WAITS - Real Gone

[Altsa]

HOOBASTANK - The Reason

[victory]

victory, kako mogu prebaciti m4a format u mp3 ili u wav

dBpowerAMP Music Converter (dMC) je odlican alat za taj posao. Mozes ga skinuti ovdje
http://www.dbpoweramp.com/dmc.htm

[victory]

M.I.A. / Diplo - Piracy Funds Terrorism, Vol. 1 (2004)

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Da se pojavila solo albumom i svojim azijskim naglaskom obojanim engleskim jezikom M.I.A. bi bila označena kao world-music žena i vjerojatno bi ostala primjećena kao neka kojoj muzika odgovara uz plemenske plesove. I eto ti ga propale šanse da netko zanimljiv i moderan bude tako i zabilježen. Možda M.I.A. baš voli mixtapeove, ili joj je netko pametan rekao da se najavi velikim mišungom, ali ona dalja od world-musica i plemena i puna bolja nego što je na 'Piracy Funds Terrorism, Vol. 1' ne može biti.
Ženi je majka dala ime Maya Arulpragasam kad se rodila na Šri Lanki, ali je na vrijeme pobjegla idiličnoj klimi i preselila se u manje pitoreskni London gdje sličnosti s biografijom jedne druge eksperimentatorice, Leile, završavaju. M.I.A. već ima prvi album i mjesto da ba objavi, sjela je na deset dana u stan producenta Diplo Hollertronixa i s njim napravila mixtape album. Veliki dio ovoga čini njen tek nadolazeći debi 'Arular' (kad se zadnji put dogodilo da netko piratizira samog sebe?), a za ostatak albuma se pobrino Diplo koji pati na funk, nije mu stran ni američki hip-hop, a ponekad se sjeti i duba.

Kroz sat vremena 'Piracy Funds Terrorism, Vol. 1' provlači se najviše garage ritam s pripadajućim skućenim i sintetskim zvukom. Čak i kad Diplo uskoči sa umiksanima 'Walk Like An Egiptian' ili 'Sweet Dreams' glavni ostaju hladni ritam i provocirajući glas Nestale U Akciji. Missy Elliott i The Clipse doživjeli su sličan tretman i bačeni su u klub da nisu zasjenili heroinu sezone.

Da je ne bi ograničeno nazvali ženskim Dizzee Rascalom, britanskim reggaetonom, ili, ne dao bog, jezičavim DJ Shadowom, nek bude dance-hop jer je hip-hop i metode njegovog nastajanja u korijenu ovog albuma koji je u svojoj biti vrlo plesan i vrlo feministički. A svaki dobar hip-hop mora imati stav, jel tako?

Piratiziranje pomaže i širenju dobrih ideja.  

Kruno Bošnjaković 
[email protected] 
19. prosinca 2004. 

 Copyright © 1996. - 2003. Internet MONITOR      

01-galangaton (diplo mix)
02-galang featuring lil vicious
03-ll cool j_cavemen - two bit rhythm (m.i.a. mix)
04-fire bam (diplo mix)
05-fire fire
06-m.i.a._missy - one for the head skit
07-amazon (diplo mix)
08-the clipse - definition of a roller
09-m.i.a._cutty ranks
10-mia
11-you're good (diplo mix)
12-pop
13-sunshowers (diplo mix)
14-baile funk one
15-bucky done gun
16-baile funk two
17-china girl (diplo mix)
18-baile funk three
19-lady killer (diplo mix)
20-uraqt (diplo mix)
21-bingo (diplo mix)

[Altsa]

victory, kako mogu prebaciti m4a format u mp3 ili u wav

dBpowerAMP Music Converter (dMC) je odlican alat za taj posao. Mozes ga skinuti ovdje
http://www.dbpoweramp.com/dmc.htm

hvala victory, da nisi naletio na zadnji album THE WALKMEN

[MRAVOJED]

Victory, jel ima u ˝bespućima˝ od Res album How I Do

ovaj

[Hart]

Altsa,
ako mislis na Walkmen - Bow and Arrows, imam ga i mogu ti ga sprziti ako hoces....

[Altsa]

Altsa,
ako mislis na Walkmen - Bow and Arrows, imam ga i mogu ti ga sprziti ako hoces....

na taj sam i mislio. jesi li iz sa? ako jesi kako da se dogovorimo.

THROWING MUSES - Limbo


THROWING MUSES - University

u m4a formatu su ali se jednostavno konvertuju putem iTunes programa. nazalost nisu sve pjesme, fali par

[Hart]

Altsa, javi mi se na [email protected]

[victory]

@ mravojed, tesko se moze naci ista od ove RES. Nisam nista nasao cak ni na soulseeku
---



The Faint - Blank-wave Arcade (1999)

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Do you remember big hair, often bigger on guys than klix, roller skating around roller-rinks, movies like The Breakfast Club (before they were shown every Saturday on TNT) and the whole mess of emotions, hormones, and trickle-down economics that was the 1980s? I don't mean, have you seen The Wedding Singer, I mean were you alive and functioning when the 70s turned to the 80s and being selfish and emotionally stunted was in again? I remember the 80s, all friggin' 10 years of them. I must say, I wasn't really impressed. 
But the music, ah, the music. Now there's something to make you run screaming into the closet and curl up in a fetal position while breathing the sweet scent of mothballs until your ears turn blue just at the thought of. No decade probably has more of an image when it comes to music than the 1980s. 

Well, ok, I guess I can't diss the music outright. I remember one New Year's Eve, staying up until midnight with my eyes on the big shiny glass ball on TV and my ears on the local rock station playing their top 99.5 songs of the year. And the number one song? "Walk Like an Egyptian" won that year, and another year it was definitely "Thriller." Man, the 80s had it down. They were blending in the 70's garage rock, the 60s psychodelia, and the latest and greatest technology into something that made the musicians bigger than life and the music itself stick into yourhead like bubblegum in your hair, just until the next song kicked in, sounding virtually exactly the same. 

Well, the 80s are over, thankfully. But, just when you thought you were safe from the relentless boing and bing of synth-rock, along comes an 80s revival. Every band seems to have a keyboardist now and are using them for more than subtle accompaniment. Check out Antarctica for moody synth-rock, or the Superheroes from the Netherlands, or The Faint. 

The Faint owe more to Thomas Dolby and Duran Duran, and maybe New Order, than anyone else I can think of. They play that 80s synth-rock with some darker atmosphere, almost combining a gothic nature into the songs without making them sound oppressive. There's some great drum tracks on this album, making these songs virtually danceable, some fantastic synthesizer sampling and feedback, some killer guitar riffs, all wrapped up in a Dolby-Duran-esque package. 

There are some good tracks on here even for those who don't want to hear an 80s revival. "Worked Up So Sexual" is a more modern track (with a Duran Duran synthesizer interlude in the middle, not just sounding like them, but taken from some song I can't remember). "Car Pass in Cold Blood" breaks into some heavy industrial chaotic noise before blending with "Casual Sex." "Sealed Human" sounds electronic. 

You've just got to check out The Faint. They're darkly throw-back to a time that no one thought anyone would want to throw-back to. Fun, danceable synth-rock with a dark side. Highly recommended. 

Album Description
Imagine the Blank-wave Arcade--the color of night-time neon. Its' interior, an unlikely one night stand of high-tech and punk rock ethics. Lonely and desolate, its' supercollision pop rushes at you like images from a Berlin Blade Runner or Mad Max. 

Their music, stark and uncompromising, is filled with electronic surges, darkwave brushstrokes, confessionals and come-ons. The Faint combine rock instruments (guitar, bass) with "now" electronic elements (synths, drum machines) to create melodic, melancholic post-modern music-- but not without hope. Their music is haunting, yet danceable--an aesthete's memory of tainted pop music. BAND_MEMBERS: Todd Baechle Jacob Thiele Clark Baechle Joel Petersen 

1. sex is personal
2. call call
3. worked up so sexual
4. cars pass in cold blood
5. casual sex
6. victim convenience
7. sealed human
8. in concert
9. the passives
-----


The Faint - Wet From Birth (2004)

1. Desperate Guys
2. How Could I Forget
3. I Disappear
4. Southern Belles In London Sing
5. Erection
6. Paranoiattack
7. Drop Kick the Punks
8. Phone Call
9. Symptom Finger
10. Birth

[MRAVOJED]

svejedno hvala, mala se skriva

[victory]

Pixies - Wave of Mutilation: Best of Pixies (2004)

[victory]

Tom Waits - Swordfishtrombones (1990)

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The first album of the loose trilogy that also includes Rain Dogs and Franks Wild Years, Swordfishtrombones marked a radical departure for Waits, whose avant-garde ambitions became plain not so much in his lyrics or subject matter--the songs here deal, as do his older albums, with hard life on the wrong side of the tracks and dreams of escape and transcendence--but in the music, a sound somewhere between German cabaret music from between the wars and contemporary Manhattan rush hour. Odd time signatures, unusual instrumentation (glass harmonicas and brake drums, among others), and Waits's barked vocals make this one of his most individualistic and challenging albums.

1. Underground
2. Shore Leave
3. Dave the Butcher [Instrumental]
4. Johnsburg, Illinois
5. 16 Shells from a Thirty-Ought Six
6. Town With No Cheer
7. In the Neighborhood
8. Just Another Sucker on the Vine [Instrumental]
9. Frank's Wild Years
10. Swordfishtrombone
11. Down, Down, Down
12. Soldier's Things
13. Gin Soaked Boy
14. Trouble's Braids
15. Rainbirds [Instrumental]

[Altsa]

SLIPKNOT - Vol. 3 (The Subliminal Verses)