pokretna muzika u mp3 slikama

[victory]

Carnivale (2004)

http://www.filefactory.com/get/f.php?f= ... a330f84a10

HBO's pioneering series takes the dark carnival gambit of Ray Bradbury's Something Wicked This Way Comes, drops it in the bleak heartland of Dust Bowl-era America and jolts it with a compelling undercurrent of Biblical apocalypse. That's no easy dramatic flux to musically evoke, but veteran TV composer Jeff Beal graces the show with cues that seamlessly fuse Appalachian folk traditions with a brooding, goth-inspired ambient gloom. The anxious solo fiddle of the show's theme is a repeating motif, one the composer uses to variously evoke melancholy ("Dora Mae's Funeral"), bittersweet romance ("Rita Sue and Jonesy") or supernatural wonders ("Ben Heals the Girl"). Beal's use of mournful solo horn (as on "Mark of the Beast") often heralds the show's undercurrent of Biblical doom, while his hesitant, haunting piano passages seem to hang in the air for eternity. The evocative cues here stand in stark contrast to the oft-quirky jazz cool of the composer's Emmy-winning work on Monk, ample tribute to Beal's masterful abilities to channel his musical instincts into even the most diverse dramatic material. --Jerry McCulley

1. Carnivale End Title (Ben's Theme)
2. Dora Mae's Funeral
3. Carnivale Main Title Theme
4. Meet Samson, Ben's Dream
5. Justin At Mr. Chin's (Justin's Theme)
6. His Name Was Michael
7. Storm's Coming
8. Ben Heals The Girl
9. Rita Sue And Jonesy
10. Lodz And Ben
11. The Carnivale Convoy
12. We Can Be Saved
13. The Mark Of The Beast
14. The Silent Film
15. Fix Up Dora Mae
16. Black Blizzard
17. Ben Heals Kerrigan
18. Justin Calls Iris
19. Management's Advice
20. You're The One
21. The Russian Front
22. Babylon
23. Ben Searches the Templar Hall
24. Sofie Reads The Cards For Ben
25. Lodz And Management's Plot
26. Lucky To Have Jonesy (Sofie's Theme)

[victory]

The Pianist (2002)

http://s65.yousendit.com/d.aspx?id=2AKF ... BZCPGW2R18

Roman Polanski's telling of famed Polish composer-pianist Wladyslaw Szpilman's survival in the Nazi-controlled Warsaw ghetto can't help but be infused with the director's deepest passions: he himself escaped the Kraków ghetto as a boy of 7. The musician's status as a musical hero to the oppressed Polish Jews of World War II was surpassed only by that of Chopin, the composer who was at the core of Szpilman's repertoire. Thus this score revolves tightly around Chopin's music, with modern Polish pianist Janusz Olejniczak paying passionate homage to both his musical and national forebears, the haunting strains of the Nocturne in C-sharp Minor setting the film's historical and dramatic tone. The underscore of previous Polanski collaborator Wojciech Kilar (The Ninth Gate, Death and the Maiden) is represented here by the soulful "Moving to the Ghetto," a cue that helps anchor the soundtrack's troubling time and place with understated grace. The collection concludes with a rare, remastered performance of Chopin's Mazurka Op. 17, No.4 by Szpilman himself, recorded in Warsaw in 1948. --Jerry McCulley

1. Nocturne in C-Sharp minor (1830)
2. Nocturne in E minor, Op. 72, No. 1 Lis
3. Nocturne in C minor, Op. 48, No. 1
4. Ballade No. 2 in F Major, Op. 38
5. Ballade No. 1 in G minor, Op. 23
6. Waltz No. 3 in A minor, Op. 34, No. 2
7. Prilude in E minor, Op. 28, No. 4
8. Grande Polonaise for Piano and Orchestra (preceded by an Andante Spianato), Op. 22
9. Andante spianato in G Major
10. Grande Polonaise in E-flat Major
11. Moving to the Ghetto Oct. 31, 1940
12. Mazurka in A minor, Op. 17, No. 4

[victory]

sjajan film, odlican soundtrack



The Piano (1993)

http://www.megaupload.com/?d=2AJ6I10S

The Piano proves to be an integral motive force behind the pent-up emotion in the movie The Piano. The protagonist in the soundtrack, as well as in the movie, is Ada, a Scottish deaf-mute sent to the wilderness of 19th Century New Zealand for an arranged marriage. The melodies that seem to flow from Ada's fingers themselves are Nyman's interpretations of Scottish folk and popular songs...The sound of the piano becomes her character, her mood, her expressions and her unspoken dialogue. [The 2004 reissue includes the bonus track "the Heart Asks Pleasure First/the Promise."] ~ MusD, All Music Guide

1. To the Edge of the Earth
2. Big My Secret
3. Wild and Distant Shore
4. Heart Asks Pleasure First
5. Here to There
6. Promise
7. Bed of Ferns
8. Fling
9. Scent of Love
10. Deep into the Forest
11. Mood That Passes Through You
12. Lost and Found
13. Embrace
14. Little Impulse
15. Sacrifice
16. I Clipped Your Wing
17. Wounded
18. All Imperfect Things
19. Dreams of a Journey

[victory]

Smallville: The Metropolis Mix (2005)

http://rapidshare.de/files/10777705/Sma ... x.zip.html

With the same alternative-pop theme as the first Smallville collection, this second disc once again reveals just how much the show integrates music into its plot lines and overall feel. The track list includes familiar songs such as the All American Rejects' "Dirty Little Secret," and Depeche Mode's newest hit "Precious," but there are also a few surprises. The Alan Moulder remix of the Dandy Warhols' "All The Money Or Simple Life Honey" is a booty-shaking blast, while the rock-meets-goth cover of Chris Isaak's "Wicked Game" courtesy of HIM is an amusingly amped-up new take on the older tune. Actress-songstress Minnie Driver offers her light jazz take on Springsteen's "Hungry Heart" (which also appeared on her debut disc), and Lifehouse delivers their touching version of "You and Me," while Josh Kelley's "Almost Honest" could be the soundtrack to anybody's breakup or breakdown. It's true that many of these songs have been previously released, but Smallville fans are a devoted bunch who will likely appreciate being able to buy their favorite tracks on one disc. --Denise Sheppard

1. Breaking Benjamin - Forget It
2. Depeche Mode - Precious
3. Lifehouse - You and Me (wedding version)
4. Stereophonics - Superman
5. The All-American Rejects - Dirty Little Secret
6. Josh Kelley - Almost Honest
7. The Dandy Warhols - All The Money Or The Simple Life Honey (remix)
8. Brendan Benson - Cold Hands (Warm Heart)
9. Diamond Nights - The Girl's Attractive
10. Flashlight Brown - I'm A Human
11. Him - Wicked Game
12. KT Tunsall - Other Side Of The World
13. Minnie Driver - Hungry Heart
14. Rascal Flatts - Feels Like Today

[The_Fluid]

The Texas Chainsaw Massacre - OST

1. Immorally Insane(PANTERA) .mp3
2. Below The Bottom(HATEBREED) .mp3
3. Pride(SOiL) .mp3
6. Pig(SEETHER) .mp3
7. Down In Flames(NOTHINGFACE) .mp3
8. Self Medicate(40 BELOW SUMMER) .mp3
12. Archetype [ Remix ] (FEAR FACTORY) .mp3
13. Enshrined By Grace(MORBID ANGEL) .mp3
15. Stay In Shadow(FINGER ELEVEN) .mp3
16. Ruin(LAMB OF GOD) .mp3
18. Five Months(CORE-TEZ) .mp3

http://dl.zvuki.ru/3/0246/mp3/1.mp3
http://dl.zvuki.ru/3/0246/mp3/2.mp3
http://dl.zvuki.ru/3/0246/mp3/3.mp3
http://dl.zvuki.ru/3/0246/mp3/6.mp3
http://dl.zvuki.ru/3/0246/mp3/7.mp3
http://dl.zvuki.ru/3/0246/mp3/8.mp3
http://dl.zvuki.ru/3/0246/mp3/12.mp3
http://dl.zvuki.ru/3/0246/mp3/13.mp3
http://dl.zvuki.ru/3/0246/mp3/15.mp3
http://dl.zvuki.ru/3/0246/mp3/16.mp3
http://dl.zvuki.ru/3/0246/mp3/18.mp3

[The_Fluid]

The Hulk - [SOUNDTRACK]-2003

1. Main Title
2. Prolouge
3. Betty's Dream
4. Bruce's Memories
5. Captured
6. Dad's Visit
7. Hulk Out!
8. Father Knows Best
9. ...Making Me Angry
10. Gentle Giant
11. Hounds Of Hell
12. The Truth Revealed
13. Hulk's Freedom
14. A Man Again
15. The Lake Battle
16. The Aftermath
17. The Phone Call
18. End Credits
19. Set Me Free

http://www.megaupload.com/?d=9TWQ110L

[The_Fluid]

Jay & Silent Bob Soundtrack


1. Interlude Cue Music
2. Jay's Rap
3. Stroke 9 - Kick Some Ass
4. Holden on Affleck
5. Dave Pirner - Tube of Wonderful
6. Cyber Savvy
7. Minibar - Choked Up
8. Doobie Snacks
9. Steppenwolf - Magic Carpet Ride
10. Jay & Justice
11. Bon Jovi - Bad Medicine
12. Stealing Monkeys
13. PJ Harvey - This is Love
14. Advice From Above
15. Marcy Playground - The Devil's Song
16. Idiots vs. the Internet
17. Run DMC - Tougher Than Leather
18. Willenholly's Woe
19. Bob Schneider - Bullets
20. Touching a Brother's Heart
21. Thomas Rusiak - Hiphopper
22. Two Thumbs Up
23. Bloodhound Gang - Jackass
24. A Smooth Pimp and a Man-Servant
25. Morris Day and the Time - Jungle Love
26. NWP
27. Afroman - Because I Got High

http://www.megaupload.com/?d=SMMBRO1B

[The_Fluid]

Young Man With A Horn - OST

http://rapidshare.de/files/10244440/youngmanhorn.zip

Based on the life of the legendary trumpeter Bix Beiderbeck (here played by 33 years old Kirk Douglas) YOUNG MAN With A HORN is a rare movie from 1950, in which dramatic and musical content combine to vividly depict an era when jazz was beginning to impose itself as a vibrant, new form of music. It contains a special mood. where melodic sounds of jazz music mixes with beautiful women and smoky clubs. The beauties are Lauren Bacall and Doris Day, both young actress at the time, with only 25 years old. Bacall plays the same cold good person woman she would play in most of her films but Doris is wonderfully bright, revealing all her fine talents. In a part that called equally on her acting and her singing capabilities, she delivered a great perfomance and sang several standards ("The Very Tought Of You", "Too Marvelous For Words", "I Only Have Eyes For You", "With A Song In My Heart",...) with instrumental backing by Harry James, who served as the film's technical advisor and dubbed Douglas' trumpet solos.
Since both Doris Day and Harry James were signed to the same label, shortly after the film was released, on March 11, 1950, Columbia Records rushed a 10" soundtrack album (CL 6106), consisting of eight studio recordings they had made together following their work on the film (the cover of this original release is included in the zip file). Four years later, on August 9, 1954, that album was reissued on an expanded 12" version (CL 582) that added four more selections. So here you have this final album, plus a bonus track ("Moanin' Low"), which was heard in the film at the very beginning.

[victory]

odlican soundtrack iz, mozda, najboljeg filma iz proslogodisnjo-ovogodisnje holivudske produkcije. dobar, posten i cestit film koji bi na vrijednosti i tezini dobio puno vise da je napravljen koju godinu ranije



Good Night, And Good Luck (2005)

http://www.megaupload.com/?d=W8FEU7QA

Dianne Reeves's cool contralto, fronted by a quicksilver combo featuring saxophonist Matt Catingub and pianist Peter Martin, provides the flowing jazz soundtrack to George Clooney's 1950s, film detailing the epic struggle between the legendary TV newsman Edward R. Murrow and the Communist-baiting Senator Joseph McCarthy. Reeves' delivery is flawless and swinging on these mostly mid-tempo/ballad takes on several timeless classics (including Nat King Cole's "Straighten Up and Fly Right," Duke Ellington's "Solitude," and the bouncy Dinah Washington hit "TV is the Thing This Year"). Two other selections, "Pick Yourself Up" and "Too Close for Comfort," dance with a Latin lilt; the lone instrumental, "When I Fall in Love," is as romantic as they come. Mr. Murrow, who profiled both Ellington and Louis Armstrong on his pioneering See it Now show, loved jazz, so it's fitting that the music's grounding in freedom of expression and improvisation counterweighs the horrors of McCarthy's liberty-killing abuses. --Eugene Holley, Jr.
--------------------
"Good Night, And Good Luck" follows the legendary Edward R. Murrow (David Straithairn) during the broadcaster's on-air confrontations with Senator Joseph McCarthy. Murrow, the then host of the CBS series, "See It Now," exposed the infamous politician's deceit, bullying, and manipulation in one of history's most courageous moments of journalism, an act that helped bring an end to the tyranny of the blacklist and the House Un-American Activities Committee anti-Communist hearings. "Good Night, And Good Luck" is directed by George Clooney, who co-wrote the script with the film's producer Grant Heslov. Clooney also stars as CBS News producer Fred Friendly.
"Good Night, And Good Luck" is shot entirely in black and white, with much of the mood and atmosphere created by the smoky jazz soundtrack and the gorgeous vocal talents of three-time GRAMMY(r) Award-winner Dianne Reeves. Clooney handpicked each of the songs featured in the movie, which Reeves, one of the preeminent jazz vocalists in the world today, also performs on screen.
The soundtrack for "Good Night, And Good Luck" much of which was recorded live on film, features an original song, "Who's Minding the Store," along with such classics as "Too Close for Comfort," "Straighten Up and Fly Right," "One for My Baby," and "How High the Moon."

1. Straighten Up And Fly Right
2. I’ve Got My Eyes On You
3. Gotta Be This Or That
4. Too Close For Comfort
5. How High The Moon
6. Who’s Minding The Store?
7. You’re Driving Me Crazy
8. Pretend
9. Solitude
10. TV Is The Thing This Year
11. Pick Yourself Up
12. When I Fall In Love (Instrumental)
13. Into Each Life, Some Rain Must Fall
14. There’ll Be Another Spring
15. One For My Baby

[victory]

Donnie Darko (2001)

http://s10.yousendit.com/d.aspx?id=1T5D ... JRC0KC6LVB

If you haven’t already seen the film, well, you should, I mean I’m not forcing you, you could go on in your life perfectly happy in the knowledge that you haven’t, but you could also watch it and be inspired by the exploration into the nature of angst in the 1980s set against the backdrop of metaphysics. Or you could just be reminded of/introduced to the vibrant music the Eighties did actually hold. The soundtrack plays host to bands that have since split, since had singers hang themselves (accidentally or not), and since had singers frequent a certain city bar on a regular basis. Is it any wonder then that the album is one of the most poignant, wistful albums (soundtrack or not) you’re likely to hear this year? INXS and ‘Never Tear Us Apart’ start the morose ball a-rollin’ with haunting synthesized strings that stab you with emotion that remind us that Michael Hutchence wasn’t all that bad afterall. Tear For Fears go on to steal the show; if ‘Head Over Heals’ was released for the first time now Mansun fans would be screaming for blood, but as it is it seems TFF were well ahead of the game. Amongst the classical numbers that set the melancholic tone of the film come the rather pointless inclusions of music from Jim Cunningham’s infomercials. Other notables on the soundtrack are obviously Joy Division’s ‘Love Will Tear Us Apart’ (one of the best songs ever written - simple as!) and Echo & the Bunnymen’s 'Killing Moon' which sums up the film in a few delightfully desolate minutes. Misery-me-do.

1. Carpathian Ridge
2. The Tangent Universe
3. The Artifact & Living
4. Middlesex Times
5. Manipulated Living
6. Philosophy of Time Travel
7. Liquid Spear Waltz
8. Gretchen Ross
9. Burn it to the Ground
10. Slipping Away
11. Rosie Darko
12. Cellar Door
13. Ensurance Trap
14. Waltz in the 4th Dimension
15. Time Travel
16. Did you Know Him?
17. Mad World
18. Mad World (remix version)

[victory]

Buena Vista Social Club (1997)

http://s49.yousendit.com/d.aspx?id=1MMF ... X18OYSTFS0

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright

1. Chan Chan
2. De Camino A La Vereda
3. El Cuarto De Tula
4. Pueblo Nuevo
5. Dos Gardenias
6. Y Tu Que Has Hecho
7. Veinte Anos
8. El Carretero
9. Candela
10. Amor De Loca Juventud
11. Orgullecida
12. Murmullo
13. Buena Vista Social Club
14. La Bayamesa

[victory]

1492: Conquest of Paradise (1992) Vangelis

http://www.sendspace.com/file/8hbdk7

"Chariots of Fire", "Antarctica" and "Blade Runner" were three of the most memorable soundtracks of the 80's. How Vangelis manages to be so consistently good is something of a mystery, but with "1492" he does it again: this is one of the most memorable soundtracks of the 90's. The title track is sheer brilliance, with its eminently hummable central melody and rousing, dramatic vocals. The melody is revisited towards the end of the album ("Twenty Eighth Parallel"), while the vocally rich intervening tracks range from darkly atmospheric ("Monastery of La Rabida", "Light and Shadow") to soft and ethereal ("Deliverance, "West Across the Ocean Sea").
The album's transition from the dark ambience of low-pitched vocals ("Conquest of Paradise") to the higher pitch of piano melodies ("Pinta, Nina, Santa Maria") produces in the listener a sense of having been taken on a journey. This is precisely what one would hope for in a soundtrack that parallels Columbus's sea voyage. The tracks flow effortlessly into one another to create a rare and deeply evocative musical experience.

Although the title track is available on compilation albums such as "Portraits", only the full album can produce the full experience. "1492" is one of Vangelis's best works

1. Opening
2. Conquest of Paradise
3. Monastery of La Rabida
4. City of Isabel
5. Light and Shadow
6. Deliverance
7. West Across the Ocean Sea
8. Eternity
9. Hispanola
10. Moxica and the Horse
11. Twenty Eighth Parallel
12. Pinta, Nina, Santa Maria (Into Eternity)

[victory]

Blade Runner (1994)

http://rapidshare.de/files/10899589/BlRu.zip.html

For years, the soundtrack to Blade Runner held legendary status among fans of Greek synthesist Vangelis. Except for a few cuts on the Themes compilation, it had never been released on vinyl or CD, although there was an orchestral version of the score. But in 1994, 22 years after Vangelis composed the dark, edgy soundtrack to director Ridley Scott's archetypal science fiction thriller, the music of Blade Runner came out in all its cybernoir glory.
Vangelis couched his electrosymphonic score in percussive rhythms and shadowed timbres. Effectively interpolating dialogue from the film, the CD moves from the threatening tension of "Blush Response" to the ethereal wordless vocal of Mary Hopkin over a water-drop synthesizer sequence on "Rachel's Song." A few tracks, notably "Love Theme" with Dick Morrisey's smarmy saxophone solo, drip with Hollywood sentimentality, but Vangelis quickly wipes that away with the hyperdrive of "Blade Runner (End Titles)." --John Diliberto

1. Main Titles
2. Blush Response
3. Wait for Me
4. Rachel's Song
5. Love Theme
6. One More Kiss, Dear
7. Blade Runner Blues
8. Memories of Green
9. Tales of the Future (vocode
10. Damask Rose
11. Blade Runner (End Titles)
12. Tears in Rain
13. Tema de Semnatura a Compani

[victory]

Requiem for a Dream (2000)

http://s46.yousendit.com/d.aspx?id=0GAD ... FKAVRWLTWE

Composer Clint Mansell made his impact as a soundtrack composer known with his production of the Pi soundtrack. On that disc, the former vocalist for UK group Pop Will Eat Itself melded an abstract 20th-century classical sensibility to electronica with great (and eerie) results. On Requiem for a Dream--the follow-up film from Pi director Darren Aronofsky--Mansell repeats his magic. Here, teamed with the Kronos Quartet--one of the world's foremost (and most progressive) string quartets--Mansell fuses big-beat, ambient, and driving chamber music. The result is a mesmerizing aural complement to an already mesmerizing film. Dark, unpredictable, and thoroughly engrossing. --Jason Verlinde

1. Summer: Summer Overture
2. Summer: Party
3. Summer: Coney Island Dreaming
4. Summer: Party
5. Summer: Chocolate Charms
6. Summer: Ghosts of Things to Come
7. Summer: Dreams
8. Summer: Tense
9. Summer: Dr. Pill
10. Summer: High on Life
11. Summer: Ghosts
12. Summer: Crimin' and Dealin'
13. Summer: Hope Overture
14. Summer: Tense
15. Summer: Bialy and Lox Conga - Moonrats
16. Fall: Cleaning Apartment
17. Fall: Ghosts-Falling
18. Fall: Dreams
19. Fall: Arnold
20. Fall: Marion Barfs
21. Fall: Supermarket Sweep
22. Fall: Dreams
23. Fall: Sara Goldfarb Has Left the Building
24. Fall: Bugs Got a Devilish Grin Conga
25. Winter: Winter Overture
26. Winter: Southern Hospitality
27. Winter: Fear
28. Winter: Full Tense
29. Winter: The Beginning of the End
30. Winter: Ghosts of a Future Lost
31. Winter: Meltdown
32. Winter: Lux Aeterna
33. Winter: Coney Island Low

[dalmatinka]

Ima li tko od Ennija Moriconnea glazbu iz filmova

- Za šaku dolara
- Za dolar više
- Dobar, loš, zao

please?

[victory]

The Million Dollar Hotel (2000)

http://rapidshare.de/files/8634829/13_- ... l.zip.html

Amazon.com's Best of 2000
Wim Wenders's films are inextricably linked to their companion soundtracks, with music playing as essential a role as any star actor--just see Wings of Desire, Until the End of the World, and Paris, Texas for proof. And now we have The Million Dollar Hotel. On this outing Wenders turns to U2's Bono, who not only contributes two tracks from his band but also collaborates with a host of klix artists, including Bill Frisell, Brian Eno, and Daniel Lanois. Even without the film, the songs resonate with a haunting glory. --Tod Nelson
---------------
The soundtrack to a Wim Wenders joint is often as creative and satisfying as the movie itself (see Until the End of the World and Wings of Desire), serving not only as a companion to the film but as a stand-alone work of art. The Million Dollar Hotel is no exception, indeed it ups the ante. The film is based on a story conceived and written in part by U2's Bono, and his influence is all over the score. U2 contribute three stunning songs, most notably a collaboration with Daniel Lanois, "The Ground Beneath Her Feet," a soaring pop ballad with lyrics penned by writer Salman Rushdie (from his novel of the same name) that stands among the best U2 cuts ever recorded. In addition, Bono joins the all-star "Million Dollar Band" (comprising Mr. Fly himself, Daniel Lanois, Bill Frisell, Brian Eno, and others) for a host of great tracks, including the ethereal groove of "Never Let Me Go." And as if that weren't enough, The Million Dollar Hotel also features a duet between Brad Mehldau and Frisell ("Tom Tom's Room"), a surprisingly smoky cover of Lou Reed's "Satellite of Love" by model-actress-chanteuse Milla Jovovich, and a raved-up, Americanized, Spanish-language version of the Sex Pistol's "Anarchy in the U.K." ("Anarchy in the USA") sung by Tito Larriva with the Million Dollar Band. Despite such a wide ranging host of contributors, Bono's sure hand keeps the album within the same emotional spectrum, colored by a kind of melancholic longing and a wistful wonder, resulting in not only one of the best and most original soundtracks ever recorded but a sure nominee for Album of the Year. --Tod Nelson

1. The Ground Beneath Her Feet - U2 with Daniel Lanois
2. Never Let Me Go - Bono and the MDH Band
3. Stateless - U2
4. Satellite Of Love - Milla Jovovich and the MDH Band
5. Falling At Your Feet - Bono and Daniel Lanois
6. Tom Tom's Dream - The MDH Band
7. The First Time - U2
8. Bathtub - The MDH Band
9. The First Time (Reprise) - Daniel Lanois and the MDH Band
10. Tom Tom's Room - Brad Mehldau with Bill Frisell
11. Funny Face - The MDH Band
12. Dancin' Shoes - Bono and the MDH Band
13. Amsterdam Blue - Jon Hassell, Greg Arreguin, Jamie Muhoberac, Peter Freeman
14. Satellite Of Love (Reprise) - The MDH Band featuring Daniel Lanois, Bill Frisell, Greg Cohen
15. Satellite Of Love (Danny Saber Remix) - Milla Jovovich with Jon Hassell and Danny Saber
16. Anarchy In The USA - Tito Larriva and the MDH Band

[victory]

Ima li tko od Ennija Moriconnea glazbu iz filmova

- Za šaku dolara
- Za dolar više
- Dobar, loš, zao

please?

The Good, The Bad & The Ugly

http://rapidshare.de/files/6803290/GOOD.rar
http://rapidshare.de/files/6816665/BADUGLY.rar

The gifts of film composer Ennio Morricone have not been overestimated by the recent hype piled upon them. The Good, the Bad, and the Ugly is one of his seminal works, its power only slightly diminished by its status as one of Morricone's overplayed warhorses. As with only the best film music, it is inexorably linked with the movie it accompanies, and it's wonderfully enjoyable even if you've never seen the film. Purists and aficionados will crow about its ubiquity, but anyone remotely interested in movie music and evocative, atmospheric composition deserves to hear this score. --Keven McAlester

1. The Good, The Bad, and The Ugly (Main Title)
2. The Sundown
3. The Strong
4. The Desert
5. The Carriage Of The Spirits
6. Marcia
7. The Story Of A Soldier
8. Marcia Without Hop
9. The Death Of A Soldier
10. The Ecstasy Of Gold
11. The Trio (Main Title)

[Zadig]

The Pianist (2002)

http://s65.yousendit.com/d.aspx?id=2AKF ... BZCPGW2R18

Roman Polanski's telling of famed Polish composer-pianist Wladyslaw Szpilman's survival in the Nazi-controlled Warsaw ghetto can't help but be infused with the director's deepest passions: he himself escaped the Kraków ghetto as a boy of 7. The musician's status as a musical hero to the oppressed Polish Jews of World War II was surpassed only by that of Chopin, the composer who was at the core of Szpilman's repertoire. Thus this score revolves tightly around Chopin's music, with modern Polish pianist Janusz Olejniczak paying passionate homage to both his musical and national forebears, the haunting strains of the Nocturne in C-sharp Minor setting the film's historical and dramatic tone. The underscore of previous Polanski collaborator Wojciech Kilar (The Ninth Gate, Death and the Maiden) is represented here by the soulful "Moving to the Ghetto," a cue that helps anchor the soundtrack's troubling time and place with understated grace. The collection concludes with a rare, remastered performance of Chopin's Mazurka Op. 17, No.4 by Szpilman himself, recorded in Warsaw in 1948. --Jerry McCulley

1. Nocturne in C-Sharp minor (1830)
2. Nocturne in E minor, Op. 72, No. 1 Lis
3. Nocturne in C minor, Op. 48, No. 1
4. Ballade No. 2 in F Major, Op. 38
5. Ballade No. 1 in G minor, Op. 23
6. Waltz No. 3 in A minor, Op. 34, No. 2
7. Prilude in E minor, Op. 28, No. 4
8. Grande Polonaise for Piano and Orchestra (preceded by an Andante Spianato), Op. 22
9. Andante spianato in G Major
10. Grande Polonaise in E-flat Major
11. Moving to the Ghetto Oct. 31, 1940
12. Mazurka in A minor, Op. 17, No. 4

pofato sam manje vise sve na ovoj zadnjoj stranici
koje ludilo, ne stizem hard ocistiti.
Ima li sanse da se ovaj ponovo seeduje, ali samo ali samo samo samo
ako nije problem

viktore, dolazim svako vece kuci i prvo sto radim je palim komp i idem na sa-x, ali ne na diskusije nego na ziku.
ovaj zadnji sto si mi nabavio ovaj Horspower je ludilo!!!

pozdrav. ]
ako nemre seedovat, nema veze, ulovicu ga na torrentu nekom

poz

[victory]

Life as a House (2001)

http://s13.yousendit.com/d.aspx?id=17I6 ... 8ZKL8M9TLJ

While Irwin Winkler's bittersweet film constructs a touching allegory--Kevin Kline's character is diagnosed with terminal cancer and sets about both salvaging a relationship with his estranged son and building the house of his dreams--it's also the kind of story that requires a deft musical touch, one that embodies a sense of buoyant optimism even as it heads toward the dramatically inevitable. Alternating between vibrant, rhythmic passages carried largely by mallet instruments (and resembling a more structured take on similar Tom Newman cues) and the melancholy of his quietly effective writing for strings and solo piano, Mark Isham's score strikes an almost perfect emotional balance amid a minefield of potential bathos. It also fuses some of the composer's modern minimalist composing instincts and spacious sense of dynamics with the more traditionally pastoral, resulting in emotionally introspective music that is considerably more than the sum of its parts. --Jerry McCulley

1. If I Could Kiss You
2. Round Robin
3. Tear It Down
4. Love Is Not Enough
5. I'm Happy Today
6. Leap
7. Sunscreen and Bycicles
8. Promise
9. Build This House With Me
10. Leap of Faith
11. Building a Family
12. I'll Take This One
13. I Built Myself a Life

[victory]

Viktory, udarnice

Casablancu - molim te

Casablanca (1997)

http://rapidshare.de/files/8622338/C1.rar
http://rapidshare.de/files/8624530/C2.rar
http://rapidshare.de/files/8625200/C3.rar
http://rapidshare.de/files/8627802/C4.rar
http://rapidshare.de/files/8628533/C5.rar

Its exotic locale, the romantic chemistry of Humphrey Bogart and Ingrid Bergman with a gripping equation of star-crossed romance and hard-boiled valor made Casablanca an Oscar-winning surpise that erased Warner Brothers studio executives' disappointment in George Raft for not signing on as Rick, the suave, mysterious proprietor of the café that serves as ground zero for this timeless 1942 classic. Max Steiner's urgent score, and the equally contentious insertion of Dooley Wilson's now indelible saloon reading of "As Time Goes By," has made the film's music an integral piece of this pop cultural puzzle, finally enjoying a formal soundtrack issue more than a half century after theatrical release. As part of Rhino's ambitious soundtrack project with Turner Entertainment, which owns the film, Casablanca is anything but tossed-off, restoring extensive portions of the original score along with evocative dialog excerpts and annotating the history of the film and its sonic counterpart. Here's looking at you, kid. --Sam Sutherland

01 - Medley - Main Title, Prologue
02 - Dooley Wilson - Medley (It Had to Be You, Shine)
03 - Dooley Wilson - Knock on Wood
04 - Humphrey Bogart - Rick and Renault
05 - Ingrid Bergman - Arrival of Ilsa and Victor at Rick's
06 - Ingrid Bergman - Play it, Sam...Play 'As Time Goes By'
07 - Humphrey Bogart - 'Of All The Gin Joints In All The Towns In All The World . . .'
08 - Warner Bros. Studio Orchestra - Medley- Paris Montage
09 - Warner Bros. Studio Orchestra - Medley- At La Belle Aurore
10 - Ingrid Bergman - Ilsa Returns to Rick's
11 - Warner Bros. Studio Orchestra - Medley (Die Wacht Am Rhein, La Marseillaise)
12 - Ingrid Bergman - Ilsa Demands the Letters
13 - Ingrid Bergman - Rick Confronts Ilsa and Laszlo
14 - Ingrid Bergman - Airport Finale, 'Here's looking at you, kid...'
15 - Warner Bros. Studio Orchestra - Medley (Shine, It Had to Be You)
16 - Dooley Wilson - Dat's What Noah Done
17 - Dooley Wilson - Knock on Wood
18 - Warner Bros. Studio Orchestra - Medley (Ilsa Returns, As Time Goes By)
19 - Warner Bros. Studio Orchestra - Medley (Laszlo, As Time Goes By)
20 - Dooley Wilson - As Time Goes By (complete vocal)

[victory]

Queer as Folk (2001)

http://rapidshare.de/files/10880514/QAF_1.zip.html

Boy crazy, girl crazy, or somewhere in between, the Pittsburgh inhabitants of Showtime's eyebrow-raising Queer as Folk series all meet on middle ground: the dance floor. This relentlessly upbeat soundtrack of flavor-of-the-month dance-club anthems and campy synth-pop is confectionary fun that never loses its wits. Katty B.'s remake of the Footloose classic "Let's Hear It for the Boy" is a hoot, as is a cover of Divine's 1984 single "You Think You're a Man," which devolves into a naughty call-and-response of "boy" and "toy" that would make Madonna's early years seem tame. The good mood continues with Alcazar's frenzied "Crying at the Discotheque," which contains the intriguing couplet "The golden ties, the silver years / You wore a tie like Richard Gere." Add Kristine W.'s undeniable dance hit "Lovin' You," the Cher-like Heather Smalls's "Proud," and Mint Royale's Abba-kissed "Shake Me," and a taste of nostalgia kicks in. That said, the album knows when to quit; thankfully, there are no clichéd Gloria Gaynor or Donna Summer remixes to be found, just a batch of friendly, sexy tracks that perfectly complement the show's revved-up characters. --Kristy Martin

1. Spunk (Synth-Version) - Greek Buck
2. Dive In The Pool - Barry Harris
3. You Think You're A Man - Full Frontal
4. Proud - Heather Small
5. Lovin' You - Kristine W
6. Crying At The Discoteque - Alcazar
7. Suffering - Jay-Jay Johanson
8. Shake Me - Mint Royale
9. Summerfire - B-U
10. Start Rockin' - Antiloop
11. Do Ya (Feel The Love) - Love Inc.
12. Let's Hear It For The Boy - Katty B
13. High School Confidential - Carole Pope
14. Straight To...Number One - Touch And Go
15. Spunk ('Thank You!' Version) - Greek Buck

[victory]

Queer as Folk: The Second Season (2002)

http://rapidshare.de/files/10881875/QAF_2.zip.html

Those who don't understand going out for the Friday night happy hour, imbibing liberally, and then heading out for the 4 a.m. butt-shifter should avoid this mix at all costs. It's an ode to the bridge-and-tunnel clubbers, a tribute to the Gap dancers of our world, a wink at gym-goers nationwide and a general nod to modern K-tel disco lovers. No-brainer floor-thumpers such as Kim English's "Everyday" and Etta James's "Miss You (Illicit Remix Edit)" are groovers and shakers, while Satoshi Tomiie's "Sneaky One (featuring Deanna)" and Mandalay's "Beautiful (Calderone After Hour Mix)" are sweaty 3.30 a.m. grinders. For Kings (and Queens!) everywhere, Second Season is simple, straight-up, disco-house sugar. --Steffan Chirazi

1. Hide U (John Creamer & Stephane K. Creamer Remix Edit) - Kosheen 2. Absolutely Not (Chanel Club Mix Edit) - Deborah Cox
3. Everyday (Hex Hector & Mac Quayle Club Mix) - Kim English
4. Caught Up (Guido Osario Vocal Mix) - DJ Disciple featuring Mia Cox
5. Rising (Original Mix) - Elle Patrice
6. Sneaky One (Original Mix) - Satashi Tomiie featuring Deanna
7. Harder, Better, Faster, Stronger (Pete Heller's Stylus Remix) - Daft Punk
8. Star Guitar (Pete Heller's Expanded Mix) - The Chemical Brothers
9. Miss You (Illicit Remix Edit) - Etta James
10. Plenty (Fade Mix) - Sarah McLachlan
11. Underwater (Mauve's Dark Vocal Mix) - Delerium featuring Rani
12. Beautiful (Calderone After Hour Mix) - Mandalay

[victory]

Queer as Folk: The Fourth Season (2004)

http://rapidshare.de/files/10883000/QAF_4.zip.html

all the QAF soundtrack CD's do such a great job of catching the feel of the show, from the thumpa thumpa on the dance floor to the tender moment between characters. And this disc is no exception. Great dance tunes on this one.

1. Cue The Pulse To Begin (QAF Theme) - Burnside Project
2. Attitude - Suede
3. I'm The Main Man - Jason Nevins
4. Train - Goldfrapp
5. Love of The Loveless
6. Scream - Ima Robot
7. You Are My Joy - Reindeer Section
8. Understanding The New Violence - The Uncut
9. Satellite - TV On The Radio List
10. If I Were A Man - Andrea Menard
11. 7 Minutes - Circlesquare
12. Sanctuary - Origene
13. Strobe's Nanafushi - Kodo
14. Wonderful Life - Black

[victory]

Labyrinth (1986)

http://www.zshare.net/download/labyrinth-zip.html

From great songs like 'Underground' and 'magic dance' from the greatly talented David Bowie to instromentals from the famous Terry Jones who also wrote the screenplay to the movie. Songs from the movie 'Labyrinth' great songs in a great film.

1. Opening Titles Including Underground - David Bowie
2. Into The Labyrinth - Trevor Jones
3. Magic Dance - David Bowie
4. Sarah - Trevor Jones
5. Chilly Down - David Bowie
6. Hallucination - Trevor Jones
7. As The World Falls Down - David Bowie
8. Goblin Battle - Trevor Jones
9. Within You - David Bowie
10. Thirteen O'Clock - Trevor Jones
11. Home At Last - Trevor Jones
12. Underground - David Bowie

[victory]

Wicker Park (2004)

http://www.zshare.net/download/wpscore-zip.html

Minimalist composer, electronic whiz kid, and frequent Steven Soderbergh collaborator Cliff Martinez wraps an Eno-esque blanket of chilly sunlight and subdued dread around the Josh Hartnett thriller Wicker Park. Martinez's hypnotic work on Traffic and Solaris complemented Soderbergh's intimate narrative style, so it's no real surprise that he attacks the suspense genre with the same amount of elegant subtlety. Plot boilers like Wicker Park are at their most effective when the lights are low and the only sound is the mounting of a boot at the foot of the stairs, and Martinez's ability to lay back and let the blood pressure rise is apparent throughout, utilizing loops and whistles -- as well as strings -- like Thomas Newman scoring an episode of The X-Files. As a stand-alone listening experience, Wicker Park suffers from a lack of memorable motifs and cues, but makes for a delicious and melancholy soundtrack for a rainy afternoon in the attic. ~ James Christopher Monger, All Music Guide

1 Following Daniel (2:38]
2 Compact (1:59)
3 What Size Shoe? (2:04)
4 Sorry Martinez, Cliff (3:36)
5 Finally, You Two Meet (1:58]
6 Will I See You? (1:56)
7 Hello, Who's This? (6:02)
8 My Dad's Famous Potatoes Martinez, Cliff (2:47)
9 I Am Not What I Am (1:30)
10 I Didn't Go to China (1:54)
11 Have a Good Trip (2:12)