Preporučite album

[Hopkins]

photo hosting

Malo starije, ali nema dalje

[Kemal Malovčić]

Drexciya - Neptune's Lair



Vjerovatno jedan od najboljih sastava sa Detroit techno scene. Zvuk Drexciye počiva na pola
puta između čistog Kraftwerskog electro popa i dubokih techno eksploracija. A Neptune's Lair je
njihov klasik.

+ Journey of the Deep Sea Dweller I i II

[Saian]

http://en.wikipedia.org/wiki/The_Spirit_of_Apollo

[dale cooper]

+ Journey of the Deep Sea Dweller I i II

Apsolutno, Journey of the Deep Sea Dweller I i II su esencijalne kompilacije njihovih
singl i EP izdanja.

[Saian]

Several songs from The Baby Huey Story, including "Hard Times", "Listen to Me", and "Mighty Mighty Children", have been frequently sampled by hip hop producers since the 1980s. "Hard Times" alone has been sampled by dozens of artists, including Ice Cube ("The Birth", Death Certificate), A Tribe Called Quest ("Can I Kick It? (Spirit Mix)", People's Instinctive Travels and the Paths of Rhythm), Ghostface Killah ("Buck 50", Supreme Clientele), and others. John Legend and The Roots covered "Hard Times" for their 2010 album Wake Up!. Many people, including the Babysitters themselves, see The Baby Huey Story as a significant and important influence on hip hop music.

On October 28, 1970, James Ramey died of a drug-related heart attack at the age of twenty-six in a Chicago motel room. His funeral was held on November 1, in his native Richmond, Indiana and he was buried there in Glen Havens Memorial Gardens.

[Modest Musorgski]

The Zombies - 1968 - Odessey and Oracle

Fractals are psychedelic. Twenty-foot-tall praying mantises are psychedelic. Wearing other people's glasses is a little psychedelic. But despite pervasive positioning as a halcyon-era psych-pop masterpiece, The Zombies' 1968 pop epic Odessey & Oracle is not so far-out. Direct, narrative threads and often simple songwriting stand in contrast to Oracle's swirling, ornate cover, crafted by a sense-dulled stoner (hence, "Odessey").

While Odessey and Oracle is definitely one of the great rediscovered works of the psychedelic era-- an under-appreciated record of beauty and foresight-- albums like Love's Forever Changes, Van Dyke Parks' Song Cycle, and even the Beach Boys' Pet Sounds, expanded minds with wider sonic palettes and more daring song structures. The Zombies' four-track recordings subsist on the band's unique style and succinct composition: carefully crafted vocal melodies, bold chord changes and winding resolutions, all colored by heavenly harmonies and strings.

The Zombies released just two proper albums, and, as they broke up immediately after recording Odessey and Oracle, had little impact on the pop music of their day. Time, nostalgia, and perhaps the pop critic's penchant for underdogs sewed considerable retroactive gains for our visionaries, who mined the subtleties of 60s pop and found hints of melancholy wistfulness buried beneath the more pedestrian, sunny harmonies they competed with.

The band's biggest hits ("Tell Her No" and "She's Not There", both from the band's eponymous 1964 debut) had cynical undertones, a trend that continued on Odessey. The album's first cut, "Care of Cell 44", strongly recalls the wide-eyed innocence of Pet Sounds' famous "Wouldn't It Be Nice?" but for the fact that the narrator's lover is, more explicitly, daydreaming in jail. Odessey's single, "Time of the Season", is the album's only stereotypically summer-of-love moment; for the most part, darker tones and the dramatic third person feel are ahead of the present-tense late 60s.

While it wasn't exactly "freakout" music aimed at squares, Odyssey and Oracle is still notable for its experimental bend. The Zombies convinced EMI to let them record it at Abbey Road free of all corporate influence (read: no producers), allowing the band to indulge whatever musical fantasies they came up with. Some members of the band-- most prominently keyboardist Rod Argent-- would go on to careers in prog-rock, and seeds of that genre poke through here. The first clue is an unhealthy preoccupation with historical and literary figures, from the Shakespeare quote in the liner notes, to the Faulkner-derived "A Rose for Emily", to "Butcher's Tale (Western Front 1914)"-- inspired by bassist Chris White's WWI obsession-- The Zombies wore over-education on their sleeves. In many ways, Odessey foretells the flowery baroque prose of 10-minute prog epics to come.

Classicism extends to The Zombies' playing as well; they were formally trained musicians with overt interests in "art music" and jazz. More overtly, there's the sectional composition of their songs, apparent in "Changes", which is most emblematic of the jarring cut-and-paste thematic shifts that separated the fans from the great unwashed.

This reissue, not to be confused with 1998's 30th anniversary import, is sharply re-mastered and contains bonus tracks produced and recorded by various Zombies shortly after their breakup. The bonus material is welcome, offering fascinating distillations of each member's personality, although few listeners will probably care much about the archival mono mixes and edits of some tracks.

Though it may not represent the sprawling, tripped-out experimentation of their times, The Zombies' unique brand of lyric wit and daring arrangement expanded the limits of pop. Odessey and Oracle stands as the band's fully realized statement of intent, the parting shot from one of the few originals in the devolving tail-end of the 1960s.

[Modest Musorgski]

[Saian]

http://en.wikipedia.org/wiki/Charles_Br ... 8singer%29

[Modest Musorgski]

Rhys Chatham prepared the outdoor version of A Crimson Grail, featuring 200 guitarists, 16 bassists, five conductors, and one percussionist, for the Lincoln Center Out of Doors Festival performance heard here. Director Steve Lippman, aka FLIP, uses three excerpts from the Nonesuch album as the score to this short film, shot on rolls of expired unexposed Kodachrome Super 8mm, adding in some new cartridges of Color & B&W Ektachrome.

Rhys Chatham - A Crimson Grail



http://www.nonesuch.com/albums/a-crimson-grail

[Modest Musorgski]

Utilizing multiple electric guitars and a single chord, 1977's "Guitar Trio" is composer Rhys Chatham's signature work, and a euphoric, minimal-punk classic. It's an inspired amalgamation - the droning, shimmering harmonics of John Cale and Tony Conrad fused with the power and fury of The Ramones - that had a meteoric impact, placing Chatham at the forefront of the burgeoning No Wave scene. To celebrate the 30th anniversary of this release, Chatham mustered an all-star guitar army for the 3xCD set, featuring members of Sonic Youth, Swans, Tortoise, Godspeed You! Black Emperor, Hüsker Dü, Modern Lovers, Die Kreutzen, and more. "[Rhys Chatham] is one of noise rock's founding fathers. Without him, there would be no Sonic Youth, no Jesus And Mary Chain, no My Bloody Valentine...he remains a towering figure among six-string aficionados" - Chicago Tribune.

Rhys Chatham - Guitar Trio Is My Life! [Box set]

http://www.discogs.com/Rhys-Chatham-His ... se/1290668

Performed by: Rhys Chatham, Thurston Moore, Lee Renaldo, David Daniell, Kim Gordon, Colin Langenus, Alan Licht, Robert Longo, Byron Westbrook, Adam Wills - Electric Guitars, Ernst Brooks III - Electric Bass, Jonathan Kane - Drums. Recorded live Jan-27, 2007. Taken from "Guitar Trio Is My Life!" -

[Obskurni]

Oj postave
Ovo se mora poslušati

[Skream]

Novi album!
Dead Can Dance: Anastasis

[So What!]

Anthrax - Worship Music

Povratnički album Anthraxa objavljen prošle godine je zaista rijedak primjerak pravog thrash/heavy albuma u ovom vremenu. Od 2003. ovaj bend nije objavio ništa novo, a album "We've Come for You All" je bio neki solidan prosjek. Ovaj album je jedno pravo osvježenje iz razloga što je prvi album nakon povratka najboljeg thrash metal pjevača (subjektivno mišljenje) Joeya Belladonne koji je bio pjevač ovog benda za vrijeme njegove zlatne ere u durgoj polovini osamdesetih, a 1992. godine on napušta bend i zamjenjuje ga John Bush sa kojim dolazi i malo drugačiji zvuk Anthraxa.

Metal bendovi iz New Yorka su mi oduvijek bili naročito dragi jer su imali nešto posebno, valjda taj duh New Yorka je odličan dodatak, a bend Anthrax je krajem osamdesetih uživao veću popularnost nego ijedan drugi metal bend koji nije bio glam. Osim što su jedini sa istočne obale koji uvrštavaju u veliku 4 thrash metala, treba istaći da su oni jedni od pionira rap metala sa svojim EP-om "I'm the Man". Njihova obrada pjesme Joea Jacksona, "Got the Time" je u augustu puštena na Marsu zahvaljujući roveru Curiostiy i tako su postali prvi metal bend čija je muzika puštana izvan planete Zemlje.

I nakon nekoliko fascinantnih podataka od ovom bendu da kažem još nešto o ovom albumu. Objavljen je u septembru prošle godine, a za američko tržište ga je objavio Megaforce dok je za Evropu objavljen putem izdavačke kuće i distribucije Nuclear Blast. Album je spoj heavy i thrash metala, a ne sliči puno starom Anthraxu iz perioda albuma poput "Spreading the Disease" ili "State of Euphoria". Album je naišao na odlične kritike, a ni fanovi nisu ostali ravnodušni. Po meni highlight ovog albuma je svakako pjesma The Devil You Know.

[Kemal Malovčić]

andy stott - luxury problems

BOLJE NE MOŽE GORE MOŽE!!!

[dale cooper]

andy stott - luxury problems

BOLJE NE MOŽE GORE MOŽE!!!

Dobar izbor Kemo.
Meni je možda za nijansu slabiji od prošlogodišnjih Passed Me By/We Stay Together ,
ali još uvijek strašno dobar. Zamjerka mi je što vokali u nekim pjesmama ne funkcionišu
baš na najbolji način. Ali Stott je još uvijek sam vrh modernog techna.

Kad smo već kod techna, evo preporuka za meni lično najdraži album ove godine iz tog žanra.

Voices From the Lake - Voices From the Lake:



70-minutni zvučni head trip, koji vam u glavi stvara oživljava slike svega od vlažnih amazonskih
šuma pa do vrhova Himalaja. Album koji je zamišljen da se sluša kao jedna cjelina...i uživa.

[tagomago]

Novi album!
Dead Can Dance: Anastasis

bra'o, iako su mijenjali toliko toga, ili se meni sve to učinilo

dosadnjikavo za konstantno, lijep za povremeno, genije, budala, ja ne znam, iskoristiše ga i za po predstavama... i tako, eno eno

[Kemal Malovčić]

andy stott - luxury problems

BOLJE NE MOŽE GORE MOŽE!!!

Dobar izbor Kemo.
Meni je možda za nijansu slabiji od prošlogodišnjih Passed Me By/We Stay Together ,
ali još uvijek strašno dobar. Zamjerka mi je što vokali u nekim pjesmama ne funkcionišu
baš na najbolji način. Ali Stott je još uvijek sam vrh modernog techna.

Kad smo već kod techna, evo preporuka za meni lično najdraži album ove godine iz tog žanra.

Voices From the Lake - Voices From the Lake:



70-minutni zvučni head trip, koji vam u glavi stvara oživljava slike svega od vlažnih amazonskih
šuma pa do vrhova Himalaja. Album koji je zamišljen da se sluša kao jedna cjelina...i uživa.

stott je genije

a ovaj album što preporučavaš sada, skidam uskoro

[Kemal Malovčić]

po omotu me podsjetilo
na odlične albume
wolfganga voigta
pod pseudonimom
gas

[dale cooper]

po omotu me podsjetilo
na odlične albume
wolfganga voigta
pod pseudonimom
gas

Ima Voigta i u zvuku.

[Kemal Malovčić]

po omotu me podsjetilo
na odlične albume
wolfganga voigta
pod pseudonimom
gas

Ima Voigta i u zvuku.

skinuo sam ga, javim kakav mi je

[dale cooper]

po omotu me podsjetilo
na odlične albume
wolfganga voigta
pod pseudonimom
gas

Ima Voigta i u zvuku.

skinuo sam ga, javim kakav mi je

Znam da si nedavno ovdje spomenuo Tim Heckera, pa da ti preporučim njegov novi
album u suradnji sa Oneohtrix Point Never, Instrumental Tourist se zove.
Prilično je dobro ispao, osjete se najbolji dijelovi i jednog i drugog.

[Kemal Malovčić]

Znam da si nedavno ovdje spomenuo Tim Heckera, pa da ti preporučim njegov novi
album u suradnji sa Oneohtrix Point Never, Instrumental Tourist se zove.
Prilično je dobro ispao, osjete se najbolji dijelovi i jednog i drugog.

poslušao sam sinoć
i instrumental tourist
i voices from the lake
i odlični su
pogotovo drugi

[Obskurni]

Idemo jedan klasik
Avey Tare & Panda Bear (Animal Collective u biti) - Spirit They're Gone, Spirit They've Vanished

Jedan od njihovih najboljih albuma a ako ne i najbolji

[vicious]

Ludi Norvežani, kad sam ih prvi put čuo bili su mi pravo osvježenje... i ostali:

Kaizers Orchestra - Ompa til du dør (2001)

[Obskurni]

@Dale i Moke
Novi Stott je fakat dobar