Preporučite album

[Kemal Malovčić]

ove hipnoze zlo&naopako čine se ko prava stvar, eno im kreatura na coveru ko frontman laibachov

joj te analogije


udri

o care sa dobrim imenom dobrodošo

i za nicer eb

[Atticus Finch]

Talk Talk - Spirit Of Eden (1988)
Talk Talk - Laughing Stock (1991)

[dale cooper]

Talk Talk - Spirit Of Eden (1988)
Talk Talk - Laughing Stock (1991)

Nenadjebivi klasici. Ja bih dodao još i The Colour Of Spring gdje su se počeli nazirati
obrisi onoga što je uslijedilo na ova dva albuma. Plus što sadrži neke od boljih
pop hitova 80-tih (Life's What You Make It i Living in Another World)

[tagomago]

o care sa dobrim imenom dobrodošo

i za nicer eb

hvala, moke, pomno sam nick birala

pa sad taj


je l...

[hrastov žižak]

MATTHEW WUETHRICH,
Published: January 13, 2003
Sun Ra and His Arkestra: Jazz in Silhouette

In the jazz universe, Sun Ra typically travels in an unknown, distant galaxy of his own. He is on the map, but understood and given his proper significance by only a loyal few. Most know his esoteric philosophising, lavish stage shows, and outward-bound music, but those features only scratch the surface of Ra’s music. Recorded in 1958, Jazz in Silhouette stands as an overlooked masterpiece, a work that shows Ra not as a mere curiosity or backwater galaxy, but as a major creative force in the jazz universe, a center of gravity around which many of jazz’s major developments have orbited.

This album simply inspires, no matter what perspective you adopt: rhythm, melody, ensemble or mood. You can listen to John Gilmore sculpt his solo on “Saturn” with sensitivity and flair, or Hobart Dotson extemporize with grace and wit on the two-beat gospel number “Hours After”.

Or you could listen to how Ra integrates all of his marvelous sidemen with the intent of creating a bold yet highly disciplined group sound. Ra ingeniously weaves together the nostalgic, almost sentimental themes and counter-themes that make up Hobart Dotson’s “Enlightenment”, and in doing so he transforms the material from the everyday to something transcendent. On “Saturn” he subtly blends the abstract melody and rapid propulsion of bebop with more conventional big band themes without sacrificing the essential character of either. The tune swings hard and the soloists still create challenging lines.

Ra and the Arkestra continually invent intriguing rhythmic ideas, like on the burning “Velvet”. The rhythm section plays in a brisk 4/4 while the rest of the ensemble deftly navigates an arrangement that seems intent on creating confusion with irregular accents and off-balance phrases. But the Arkestra plays so precisely that they create weightlessness instead, and one cannot help but be uplifted by their force.

Continuing the inventive rhythmic interplay is the dark “Ancient Aiethopia”. However, unlike the other compositions, it lacks any harmonic progression, and Ra foregrounds the varied percussion that the Arkestra was starting to utilize at this time. Most importantly, it points towards the direction the Arkestra would head in the next decade. Namely, the Arkestra begins to blur the distinction between rhythm and melody, thereby creating more freedom in the ways that both could develop. Ra himself has stated that the two are inseparable. Here, Boykins' bass, the floor toms and Ra’s left hand set up an interlocking pulse. Ominous brass figures and a percussive flute solo follow, then Dotson builds a penetrating solo on the prevailing mood of mystery and distance. Ra most distinctively blurs the rhythm/melody line in an interlude that grows out Dotson’s melodic ideas, yet still forcefully follows the pulse pattern already established.

Jazz in Silhouette shows Ra doing what he did like few others: looking at the past, present and future simultaneously while maintaining a unified musical direction. Ra’s Arkestra swings intricate big band charts worthy of Ellington, never forgetting their blues roots. They precisely play angular bop melodies in an orchestra setting. They explore the wide-open modal frontier that was opening up and also foreshadow the prominent role percussion would play in the coming years. Combine these elements with bold solos that gleam with warmth and precision, splashes of Afro-Cuban rhythms and Ra’s imaginative writing- what results is a captivating set of music that not only firmly establishes Ra in the jazz tradition, but actually puts him on its leading edge, pointing the direction forward.

Track Listing: 1.Enlightenment 2.Saturn 3.Velvet 4.Ancient Aiethopia 5.Hours After 6.Horoscope 7.Images 8.Blues at Midnight

Personnel: Sun Ra: piano; John Gilmore: tenor sax; Marshall Allen: alto sax, flute; Pat Patrick: baritone sax, flute; Hobart Dotson: trumpet; Julian Priester: trombone; Charles Davis: baritone sax; James Spaulding: alto sax, flute; Ronnie Boykins: bass; William Cochran: drums

[Obskurni]

Auuu kako je ovo dobar album

[Saian]

MATTHEW WUETHRICH,
Published: January 13, 2003
Sun Ra and His Arkestra: Jazz in Silhouette

fala za ovo

[hrastov žižak]

MATTHEW WUETHRICH,
Published: January 13, 2003
Sun Ra and His Arkestra: Jazz in Silhouette

fala za ovo

Nema na čemu. Ovo mu jedan od klasičnijih albuma. Inače je suviše avangardan, atonalan. Teški luđak bio i to bez droga

[Kemal Malovčić]

o care sa dobrim imenom dobrodošo

i za nicer eb

hvala, moke, pomno sam nick birala

pa sad taj


je l...

o carice onda

probaj i ovo http://en.wikipedia.org/wiki/Sacrilege_(album)

[Izmedju CVile i DMalte]

novi Spiritualized, "Sweet heart, sweet light", izdat za Fat Possum...Hey Jane, prvi single

[Verocious]

Ludi Remi Gaillard me dovede do ovog banda pa skidoh album i preslusah. Moze se preporuciti

Les Ramoneurs de Menhirs - Dans an diaoul

Uglavnom francuski keltski punk s karakteristicnim zvucima Bretanje, valjda



To je to, zarazno poprilicno

[Kyuss]

Janus - Gravedigger


Epitaph - Epitaph


Zarathustra - Zarathustra

[antidroid]

Ludi Remi Gaillard me dovede do ovog banda pa skidoh album i preslusah. Moze se preporuciti

Les Ramoneurs de Menhirs - Dans an diaoul

Uglavnom francuski keltski punk s karakteristicnim zvucima Bretanje, valjda
:

Svaka cast! Popravi mi dan

[Modest Musorgski]

[LSD]

[So What!]

Bili u Sarajevu s početka prošle decenije, je li ih neko slučajno gledao?

[dale cooper]

Ne znam kako, ali mislim da nisam spomenuo ovaj album do sada. Vjerovatno sve ukupno moj
omiljeni album ove godine i iako 2012 još nije gotova, mislim da će ga teško šta ukloniti
sa broja 1.



Uticaj techna, ambienta, post dubstepa i drugih raznih frakcija elektronske muzike se mogu pronaći
na ovom albumu, međutim krajnji rezultat je nešto sasvim novo i neočekivano. Muzika koja zvuči
kao da ne dolazi sa ovog svijeta. Actress (aka Darren Cunningham) je sigurno jedan od najinovativnijih
i najprogresivnijh izvođača koji danas djeluju u elektronskoj muzici. Kao što su nekada to bili Aphex Twin ili
Autechre.

[Obskurni]

Stavio sam ga bio ja kad je tek izašao
Fakat jedan od boljih albuma što sam poslušao ove godine

[Saian]

oldi bat goldi

[Kemal Malovčić]

dejl kuper,

preslušo sam substratu,

odlična je

[dale cooper]

dejl kuper,

preslušo sam substratu,

odlična je

Baš mi je drago što ti se sviđa Kemo.
To je jedan od albuma sa kojim sam uplovio u vode modernog ambienta.
A fan ambienta sam bio još otkako sam čuo Enove pionirske albume.

[sorge_sa]

kakav ludjak

i koliko samo fali Peppersima

[Obskurni]

Ide jedan klasik
A Silver Mt. Zion - Born into trouble as the sparks fly upwards

Tako puno emocije i čistog instrumentalisanja

[dale cooper]

Mene ovo potpuno obuzima zadnjih dana:

Ricardo Donoso: Assimilating The Shadow



Električno synth sanjarenje negdje između Gottschinga i Emeraldsa.
Dame i gospodo plutamo u svemiru.

[Modest Musorgski]

Snowman - Absence