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A...meni omilen mi je Frank Zappa...za sve koji nisu culi je strogo preporacan...ajmo zapoceti sa ove albume koje su kao inicijacija>>>
1968 - crusing with ruben the jets Neverovatni boo bop, rockalolla sa primese humora i silly pjevanje.
http://rapidshare.com/files/177745153/f ... f47-mf.rar
1969 - hot rats Izvanredni, najbolji album Zappe, snimam prvi put na 16 kanalna mixeta...pun zvuka, ovo je Dark side of the moon u jazz fuzion, prog rock arangemanne....
http://rapidshare.com/files/177749937/f ... f47-mf.rar
1971 - fillmore east june 1971 Kad se pogleda sta su izvele u zivo, sa pjesmom Billy the mountain koja traje neke 20 i vise minuta, sav taj humor...al, neverojatno.
http://rapidshare.com/files/177760036/f ... f47-mf.rar
1973 - over-nite sensation Je isto tako uzivo, al je druga postava...Ima dosta vruci i zeleni...
http://rapidshare.com/files/177764770/f ... f47-mf.rar
1979 - sheik yerbouti Je essencijalni album, dosta od pesme su izvedene na Baby snakes DVD....
http://rapidshare.com/files/177770899/f ... f47-mf.rar
Necu pisati oko Zappa, on je suvise ogroman da bih ga ophvatio u jednum postu...evo ovaj album sta je i kako je>
Description
Frank Zappa Joe s Garage Acts I II
This isthe Central Scrutinizer...
Joe's Garage: Acts I, II & III is a 1979 rock opera by Frank Zappa. The album features Ike Willis as the voice of "Joe", a stereotypical garage band youth who unwittingly journeys through the miasma of the music business. Zappa provides the voice of the "Central Scrutinizer" character—a mechanical voice which narrates the story and haunts Joe's psyche with McCarthyistic 50s-era discouragement and "klix."
The album was originally issued in two parts, the first part being a single LP of Act I, and the second part being a double-LP set of Acts II & III. All three acts were later issued together as a box set, and on compact disc as a double-CD. The major themes of the story include groupie migration, mockery of Scientology, appliance fetishism, garage bands, and above all censorship of music as an art form.
Act I
The opera begins with the Central Scrutinizer's introduction. He explains that his job is to enforce laws which will be passed in the future—including the coming total illegalization of music. The Scrutinizer offers a "special presentation to show what can happen to you if you choose a career in music." He then introduces the opera's protagonist, Joe.
Joe used to be a nice boy who would cut his neighbors' grass until he discovered rock music, and then he would spend all his time playing loud music in his garage, where the neighbors would often call the cops on him. A "friendly counselor" at the police department tells Joe he should "stick closer to church-oriented social activities." Joe finds a new girlfriend named Mary, with whom he would "hold hands and think pure thoughts." However, Mary, a Roman Catholic girl, abandons Joe in order to get a pass to see a band called "Toad-O" with whom she goes on the road—having sex with the band's roadies. Eventually, they abandon her in Miami when she is too tired to do anything.
Mary enters a wet t-shirt contest to try to make enough money to get back home. Joe hears of her exploits, becomes depressed, falls in with a fast crowd, and has sex with a girl who works at the Jack-In-The-Box named Lucille, who gives him an "unpronounceable disease" (alluding to the various sexually transmitted diseases with—to some—difficult to pronounce names) (though he claims it came from a toilet seat).
The Central Scrutinizer – 3:28Joe's Garage – 6:10 Catholic klix – 4:26 Crew Slut – 6:31 Fembot in a Wet T-Shirt (aka Wet T-Shirt Nite) – 4:45 On the Bus (aka Toad-O Line) – 4:19 Why Does It Hurt When I Pee? – 2:36 Lucille Has Messed My Mind Up – 5:43 Scrutinizer Postlude – 1:35
Act II
Joe turns to religion for help, and "pays a lot of money to L. Ron Hoover at the First Church of Appliantology." Hoover identifies Joe as a "latent appliance fetishist". When Joe asks if he should "come out of the closet" he is instead instructed to "go into the closet" to achieve "sexual gratification through the use of machines". In the next song, we learn "The Closet" is the name of a club where humans can copulate with appliances. Joe locates a machine he likes, named Sy Borg, and they return to Sy's apartment. There Joe and Sy have a "groovy orgy" with Sy's roommate, a "modified Gay-Bob doll."
Joe ends up destroying Sy, (whom the Central Scrutinizer calls a "XQJ-37 Nuclear-Powered Pansexual Roto-Plooker") with a golden shower. Joe is thrown in prison after being unable to pay for the damage (having given up all his money to the Church of Appliantology). In jail, Joe is repeatedly gang raped ("plooked") by former musicians and record executives when they're not snorting lines of detergent pretending it's cocaine. This gang is led by a shockingly endowed former promotional agent of a major record company, known as "Bald-Headed John: King of the Plookers" (whose character is based on Zappa's chief of security, John Smothers).
A Token of My Extreme – 5:30 Stick It Out – 4:34 Sy Borg – 8:56 Dong Work for Yuda – 5:03 Keep It Greasey – 8:22 Outside Now – 5:50
Act III
When Joe is released from prison, music has become illegal. He loses his sanity, and begins imagining all the guitar notes he cannot play and a journalist documenting his thoughts. Eventually, he comes to terms with the fact that music is gone, and gets a job at the Utility Muffin Research Kitchen, frosting muffins.
This last act is a direct reference to Zappas own experience of incarceration, when he was imprisoned for ten days during his youth for producing audio "pornography".While incarcerated he was unable to play his guitar so passed the time by imagining lead solos and guitar licks he would like to play.
He Used to Cut the Grass – 8:35 Packard Goose – 11:34 Watermelon in Easter Hay – 9:09 A Little Green Rosetta – 8:15
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