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#51

Posted: 12/09/2006 17:20
by anais_nin
irfan2 wrote: od nekoga sam cuo za tu knjigu, ono, da je super ...
i vjerovatno cu pogledati film ...

ali sta ti sad ocekujes od nas? da komentarisemo film koji nismo gledali? samo je anajs u torontu, i ona je jedina i mogla da ga gleda ...
knjiga jeste fantasticna, i stvarno je vrijedi procitati....ali film nije predstavljen u sklopu festivala, tako da ga ni ja necu moci pogledati dok ne izadje u siroj distribuciji...Tykwer se na festivalu predstavlja samo u sklopu filma Paris, je t'aime, kolaboracije vise rezisera, ukljucujuci Gus Van Sant-a :D

sinoc bila premijera reziserskoj debija Sarah Polley "Away from her" koji je fakat pravo dobar...film je uradjen po kratkoj prici Alice Munro, o starijem bracnom paru koji se mora suociti sa cinjenicom da ona sve vise zadire u dubine alhzaimer-ove bolesti :sad:

#52

Posted: 13/09/2006 10:46
by mamica papucarka
irfan2 wrote:
spongebob wrote:
spongebob wrote:Image

jedan od najambicioznijih filmskih uradaka zasnovanih na literaturi. "Parfem" Patricka Süsskind-a je roman za kojeg su mnogi rekli da ga nije moguce prenijeti na filmsko platno sa svom njegovom zestinom prije svega jer je fokus filma - miris.
Reziseru "Lole" - Tomu Tykveru je prema kriticarima ipak uspjelo neostvarivo: rijec je o jako dobroj ekranizaciji kojoj je prema nekima jedina mana sto je ipak samo interpretacija pisanog djela, a zlobnici tvrde da su i neki centralni aspekti potpuno ispusteni. ali iskreno, ovu primjedbu ne razumijem, jer svako na svoj nacin poima svijet, a autor romana i sam je prodavajuci autorska prava rekao da ne zeli da se ukljucuje u projekat te da nece ni pogledati film.
Radnju filma vam necu prepricavati, najbolje je da procitate knjigu i da nakon toga pogledate film. Knjigu sam poznavao od ranije, a posto Tykvera nakon Lole i "Heaven-a" ( to je prvi film iz trilogije nedavno preminulog Krszystofa Kieszlowskog, drugog, "L`enfer" je rezirao nas oskarovac) ionako gotivim, necu davati svoj sud. Otidjite i pogledajte film, necete se pokajati.
posto je ovaj komentar zlonamjerno zachatan, jos jednom:
od nekoga sam cuo za tu knjigu, ono, da je super ...
i vjerovatno cu pogledati film ...

ali sta ti sad ocekujes od nas? da komentarisemo film koji nismo gledali? samo je anajs u torontu, i ona je jedina i mogla da ga gleda ...
Ja sam gledala reklamu na tv -u jer ovih dana pocinje u kinima. Bas me je zainteresovao i jedva cekam da ga pogledam na dvd-u.
Nego, meni se cini da je to horor film :? :? :?

O cemu se radi??? Hajte ukratko???

#53

Posted: 13/09/2006 19:12
by spongebob
@mama29

objasnjeno mi je da ovo nije tema za predstavljanje novih filmova pa odgovor ide na temi NOVI FILMOVI

@irfan2, film ide od proslog cetvrtka u njemackim kinima, a forumasa iz Njemacke ovdje bruka. no nije ni bitno, odgovor slijedi na drugoj temi.

#54

Posted: 16/09/2006 21:46
by anais_nin
Family blocks Cruz film on amorous maharaja


Image

New Delhi: Hollywood actress Penelope Cruz has been dragged into a row with an Indian aristocrat over plans to film the rags-to-riches story of a Spanish flamenco dancer who bewitched, and married, one of India's most extravagant maharajas.

Tikka Shatrujit Singh, the great-grandson and heir of the Maharaja of Kapurthala in Punjab, objects to the best-seller by Javier Moro, Passion India, on which the film is based, calling it a "gutter book".

"It's full of innuendo and malicious slander. It's beneath my dignity to repeat the nonsense he's written about my family, but it's against all professional ethics," said Singh, a well-known figure on the cocktail circuit and an adviser to the Louis Vuitton company in India. Singh says that his father refused to cooperate with Moro when the author visited the family home a pink replica of Versailles in rural Punjab in 2004 because he felt "uneasy" about his motives.

Legal threat

He plans to get a court injunction restraining Cruz from shooting in India because he says the book "defames" his great-grandfather Jagatjit Singh. "If she is prepared to change the script so that it reflects the true story, then I don't have a problem," he said.

Indians who have grown up on tales of the exploits and excesses of the legendary maharajas, may find it hard to understand why Singh should be so agitated about Moro's account of Kapurthala's roaring affair with the 17-year-old Anita Delgado in 1910. At the time, it was seen as a scandalous liaison, with the court horrified that the maharaja had brought home yet another foreign "adventuress".

At the height of their affair, King Edward VII was shocked when the maharajah and his inamorata were given a suite next to his in Biarritz. In 1910, Delgado became Kapurthala's fifth wife, although he never divorced the other four, who were moved into a smaller palace. But the marriage failed and Delgado ran off with the son of one of the maharaja's older mistresses and returned to Spain, where she died in 1962.

Cruz, who will herself play Delgado, bought the rights to the book, a best-seller in Spain with more than 400,000 copies sold. She is apparently fascinated by Delgado's fairytale journey from a poor dancer in Malaga to the fabulously wealthy Princess of Kapurthala.

According to Moro, Cruz wants the film to be a joint Hollywood-Bollywood production, directed by Shekhar Kapur, of Bandit Queen and Elizabeth fame, and filmed largely on location in India. She has sent Kapur the book to read and is awaiting his response before finding a scriptwriter.

The Bollywood star Amitabh Bachchan has been pencilled in for the lead role as the maharaja, although Moro fears "he might be too old we need a younger Amitabh Bachchan".

Whoever takes the role has big boots to fill. Kapurthala's lifestyle was fantastically opulent; women (and France) were his passion. If a woman he liked wanted a Cartier diamond necklace or a Faberge egg, he procured one instantly. Kapurthala's sugar pink turbans were studded with diamonds, rubies and sapphires. One of his belts had a deep gold topaz in it, the biggest in the world.

A womaniser, the maharaja had 300 women in his harem, servicing his every need. Remembering their names was impossible. The "junior" females simple village klix were known as A1 or B2. For his first wife, the British had been obliged to construct a reclining bed of wood and steel engineered in such a way that the tall, 19-stone, Sikh would not crush the young woman when the time came to consummate the marriage, thus ensuring the future of the Kapurthala dynasty.

'Inspired'

What infuriates Singh is the fact that Moro calls the story a novel "inspired" by Delgado's life in India and yet reproduces family photographs. "If it's fictional, he should remove the pictures," he said.

Moro is mystified at Singh's reaction and urges him to go to the British Museum's India House Library in London to learn about Kapurthala's life.

"All the facts are based on information from the family and the archives. My story about how Kapurthala kept 1,000 passengers on a stationary train waiting for half an hour until he had finished his shave is from the British Museum. I'm sure Singh doesn't even know this story," said Moro.

Moro's relations with Singh and his mother are clearly embittered. He describes them as former royals obsessed with their former glory. "When they go to Kapurthala, they have 200 peasants kissing their feet. He and his mother would never have survived the French Revolution," he said.

#55

Posted: 16/09/2006 21:56
by anais_nin
zadnji trzaji toronto film festivala :D

http://www.sfgate.com/cgi-bin/article.c ... L61N81.DTL

Festival's 2006 Awards Reception Honours Distinguished Canadian and International Titles

Toronto – After 10 days, 352 films, and 27,747 minutes of enthralling cinematic pleasure, the 31st Toronto International Film Festival comes to a close today with a highly-anticipated Awards Reception at the Hilton Hotel Toronto. Four out of the seven winners this year are first time feature filmmakers showcasing the freshest voices in international cinema. Covering topics including family, desperation, spirituality, politics, and globalization, the international landscape of the Festival is highlighted through the winners this year.

SWAROVSKI CULTURAL INNOVATION AWARD
The inaugural Swarovski Cultural Innovation Award honours the artistry, innovation and audacity of one of the Festival’s inventive Visions titles as selected by an international industry jury of major visual artists. This year’s award goes to Özer Kýzýltan’s TAKVA - A MAN’S FEAR OF GOD (Turkey/Germany), which follows a 45-year-old single man whose core belief in – and fear of – God is put to the test. The jury consists of acclaimed London based multi-media performance artist Beth Derbyshire, provocative filmmaker and photographer Olivo Barbieri, and renowned Copenhagen-based artist Jesper Just. Honourable mention goes to Peter Brosens and Jessica Woodworth’s KHADAK (Belgium/Germany/The Netherlands). The award offers a $10,000 cash prize.

PEOPLE'S CHOICE AWARD
The People’s Choice Award is voted on by Festival audiences. This year’s award goes to BELLA (USA), written and directed by Alejandro Gomez Monteverde, which tells the story of two individuals whose lives converge and turn upside down on a single day in New York City. Honourable mentions go to first runner-up, Patrice Leconte’s MON MEILLEUR AMI (France), and second runner-up, Barbara Kopple and Cecilia Peck’s DIXIE CHICKS: SHUT UP AND SING (USA).

DIESEL DISCOVERY AWARD
Joachim Trier’s REPRISE (Norway) is the recipient of the DIESEL Discovery award. A comedic portrayal of two young men whose shared dream of becoming a writer is trampled upon by the harsh face of reality, REPRISE is Trier’s feature filmmaking debut. The Festival press corps, which consists of more than 900 international media, voted on the DIESEL Discovery Award. The award offers a $10,000 cash prize.

PRIZE OF THE INTERNATIONAL CRITICS (FIPRESCI PRIZE)
The Prize of the International Critics (FIPRESCI Prize) is awarded to Gabriel Range’s DEATH OF A PRESIDENT (United Kingdom) “for the audacity with which it distorts reality to reveal a larger truth.” This prize is annually bestowed upon a feature film directed by an emerging filmmaker, and making its world premiere at the Festival. The Festival welcomed an international FIPRESCI jury for the 15th consecutive year. The 2006 jury consists of jury president Klaus Eder (Germany), Géza Csákvári (Hungary), Esin Kücüktepepinar (Turkey), Oscar Peyrou (Spain), and Norman Wilner (Canada).

CITYTV AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The Citytv Award for Best Canadian First Feature goes to Noël Mitrani for SUR LA TRACE D’IGOR RIZZI. Laurent Lucas stars as Jean-Marc Thomas, a former professional soccer player who leaves his native France for Montréal in search of solace and comfort after the death of his Québécois ex-girlfriend. Turning to petty crime in order pay the bills, his life continues to spiral downward to the point where he accepts a job as a hitman. Established by sponsor Citytv, the award carries a cash prize of $15,000. The jury said of SUR LA TRACE D’IGOR RIZZI: “It is a rare treat when a new director’s debut embraces the medium with such originality; a truly cinematic meeting of style and substance [in which] dubious characters [are] in an unforgiving landscape consumed by a perversely romantic pursuit, wrapped in unique wit and a compassionate eye.”

TORONTO-CITY AWARD FOR BEST CANADIAN FEATURE FILM
The Toronto-City Award for Best Canadian Feature Film goes to Jennifer Baichwal’s compelling documentary MANUFACTURED LANDSCAPES, a portrait of Canadian photographer Edward Burtynsky. Baichwal and artistic collaborator and cinematographer Peter Mettler follow the much acclaimed Burtynsky while he travels the globe shooting landscapes transformed through commercial recycling, manufacturing and industrial production, providing an arresting portrait of the effects of globalization through the photographic eye. The jury notes: “From its astonishing first shot to its overwhelming conclusion, this film is a profoundly evocative dialogue between artists of the highest calibre; finding exceptional beauty in the peril of our planet.” Generously co-sponsored by the City of Toronto and Citytv, the Toronto-City Award for Best Canadian Feature Film carries a cash prize of $30,000. Honourable mention goes to Reg Harkema’s MONKEY WARFARE.

CANADIAN FEATURE FILM AWARDS JURY
Winners of the Citytv Award for Best Canadian First Feature Film and the Toronto-City Award for Best Canadian Feature Film were selected by a jury of film industry professionals, consisting of director Jean-Marc Vallée, winner of last year’s Best Canadian Feature Film award for his film C.R.A.Z.Y.; Nick James, editor of Sight & Sound; celebrated film and television writer Karen Walton (GINGER SNAPS, “The Eleventh Hour”), and Academy Award® winning actress Anna Paquin.

SHORT CUTS CANADA AWARD
The Short Cuts Canada Award offers a $10,000 cash prize. The award goes to Maxime Giroux for his short film LES JOURS. Giroux’s austere and exacting approach to composition, movement, and sound brilliantly reinforces this exploration of loss in the days that follow a tragic death in the woods. The jury selected LES JOURS “for its precision and craft, and its subtle exploration of grief.” The 2006 short film jury members are director Aubrey Nealon (A SIMPLE CURVE); short film programmer for the Sundance Film Festival and Outfest: the Los Angeles Gay and Lesbian Film Festival Kimberly Yutani; and producer Steve Hoban (RYAN, GINGER SNAPS).

#56

Posted: 18/09/2006 23:31
by anais_nin
Beatrice_22 wrote:a tebi je najbolji bio....
:D ma bjezi nisam ni trecinu filmova odgledala, da mi vidis liste MUST SEE, na programu sada :D jer dok sam radila znala sam uci makar 10 minuta da vidim kako mi se cini film i je li za gledat ili nije :D pocela sam lagano stavljati komentare o filmovi koje sam odgledala na NOVI FILMOVI, vecina onih na koje sam upala je bila dosta dobra :D Belle nisam pogledala tako da ne znam je li stvarno najbolji, ali meni su na vrhu liste Chacun sa nuit, francuski film i Babel, koji cu sigurno jos makar jednom odgledati (sve tri pricu su dobre, ali mislim da je ona u Japanu najbolje uradjena)....

#57

Posted: 19/09/2006 14:17
by black
Publici se na filmskom festivalu u Torontu najviše svidio meksički film Bella, a kritici onaj u kojem ubijaju Georgea Busha jer 'hrabro iskrivljuje stvarnost kako bi otkrio veću istinu'.


Mladi meksički redatelj Alejandro Gomez Monteverde dobitnik je ovogodišnje nagrade publike na Filmskom festivalu u Torontu za emotivnu dramu Bella o dvoje ljudi čiji se životi isprepletu i potpuno izmijene u jednom danu u New Yorku.

Nagradu Međunarodne udruge filmske kritike za najbolji film dobio je kontroverzni D.O.A.P. (Predsjednikova smrt), Gabriela Rangea za, kako stoji u objašnjenju, "hrabrost kojom iskrivljuje stvarnost kako bi otkrio veću istinu".

Naime, film je zbog svoje temeljne zamisli - smrtonosnog atentata na aktualnog američkog predsjednika Georgea Busha koji se događa 2007. u Chicagu, izazvao velik interes i prije početka festivala.
(net.hr)

#58

Posted: 19/09/2006 14:56
by irfan2
:D minijatura :D minimalizam :D :D

#59

Posted: 22/11/2006 05:47
by anais_nin
SJECHANJE NA ROBERTA ALTMANA

Film Director Robert Altman Dies
Nov 21, 11:38 AM EST


The Associated Press

LOS ANGELES - Robert Altman, a five-time Academy Award nominee for best director whose vast, eclectic filmography ranged from the dark war comedy "M*A*S*H" to the Hollywood farce "The Player" to the British murder mystery "Gosford Park," has died of complications from cancer. He was 81.

"He had lived and worked with the disease for the last 18 months, a period that included the making of his film 'A Prairie Home Companion,'" the director's Sandcastle 5 Productions in New York said in a statement Tuesday. "His death was, nevertheless, a surprise: Altman was in pre-production on a film he had planned to start shooting in February."

He died Monday at Cedars-Sinai Medical Center, surrounded by his wife and children.

A five-time Academy Award nominee for best director, most recently for 2001's "Gosford Park," he finally won a lifetime achievement Oscar in 2006.

"No other filmmaker has gotten a better shake than I have," Altman said while accepting the award. "I'm very fortunate in my career. I've never had to direct a film I didn't choose or develop. My love for filmmaking has given me an entree to the world and to the human condition."

Altman had one of the most distinctive styles among modern filmmakers. He often employed huge ensemble casts, encouraged improvisation and overlapping dialogue and filmed scenes in long tracking shots that would flit from character to character.

Perpetually in and out of favor with audiences and critics, Altman worked ceaselessly since his anti-war black comedy "M*A*S*H" established his reputation in 1970, but he would go for years at a time directing obscure movies before roaring back with a hit.

After a string of commercial duds including "The Gingerbread Man" in 1998, "Cookie's Fortune" in 1999 and "Dr. T & the Women" in 2000, Altman took his all-American cynicism to Britain for 2001's "Gosford Park."

A combination murder-mystery and class-war satire set among snobbish socialites and their servants on an English estate in the 1930s, "Gosford Park" was Altman's biggest box-office success since "M*A*S*H."

Besides best-director, "Gosford Park" earned six other Oscar nominations, including best picture and best supporting actress for both Helen Mirren and Maggie Smith.

It won the original-screenplay Oscar, and Altman took the best-director prize at the Golden Globes for "Gosford Park."

Altman's other best-director Oscar nominations came for "M*A*S*H," the country-music saga "Nashville" from 1975, the movie-business satire "The Player" from 1992 and the ensemble character study "Short Cuts" from 1993. He also earned a best-picture nomination as producer of "Nashville."

No director ever got more best-director nominations without winning a regular Oscar, though four other men — Alfred Hitchcock, Martin Scorsese, Clarence Brown and King Vidor — tied with Altman at five.

In May, Altman brought out "A Prairie Home Companion," with Garrison Keillor starring as the announcer of a folksy musical show — with the same name as Keillor's own long-running show — about to be shut down by new owners. Among those in the cast were Meryl Streep, Lily Tomlin, Kevin Kline, Woody Harrelson and Tommy Lee Jones.

"This film is about death," Altman said at a May 3 news conference in St. Paul, Minn., also attended by Keillor and many of the movie's stars.

Video: Altman on "A Prairie Home Companion"

Gallery: "A Prairie Home Companion" stills

He often took on Hollywood genres with a revisionist's eye, de-romanticizing the Western hero in 1971's "McCabe and Mrs. Miller" and 1976's "Buffalo Bill and the Indians, or Sitting Bull's History Lesson," the film-noir gumshoe in 1973's "The Long Goodbye" and outlaw gangsters in "Thieves Like Us."

"M*A*S*H" was Altman's first big success after years of directing television, commercials, industrial films and generally unremarkable feature films. The film starring Donald Sutherland and Elliott Gould was set during the Korean War but was Altman's thinly veiled attack on U.S. involvement in Vietnam.

"That was my intention entirely. If you look at that film, there's no mention of what war it is," Altman said in an Associated Press interview in 2001, adding that the studio made him put a disclaimer at the beginning to identify the setting as Korea.

"Our mandate was bad taste. If anybody had a joke in the worst taste, it had a better chance of getting into the film, because nothing was in worse taste than that war itself," Altman said.

The film spawned the long-running TV sitcom starring Alan Alda, a show Altman would refer to with distaste as "that series." Unlike the social message of the film, the series was prompted by greed, Altman said.

"They made millions and millions of dollars by bringing an Asian war into Americans' homes every Sunday night," Altman said in 2001. "I thought that was the worst taste."

Altman never minced words about reproaching Hollywood. After the Sept. 11 attacks, he said Hollywood served as a source of inspiration for the terrorists by making violent action movies that amounted to training films for such attacks.

"Nobody would have thought to commit an atrocity like that unless they'd seen it in a movie," Altman said.

Altman was written off repeatedly by the Hollywood establishment, and his reputation for arrogance and hard drinking — a habit he eventually gave up — hindered his efforts to raise money for his idiosyncratic films.

While critical of studio executives, Altman held actors in the highest esteem. He joked that on "Gosford Park," he was there mainly to turn the lights on and off for the performers.

The respect was mutual. Top-name actors would clamor for even bit parts in his films. Altman generally worked on shoestring budgets, yet he continually landed marquee performers who signed on for a fraction of their normal salaries.

After the mid-1970s, the quality of Altman's films became increasingly erratic. His 1980 musical "Popeye," with Robin Williams, was trashed by critics, and Altman took some time off from film.

He directed the Broadway production of "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean," following it with a movie adaptation in 1982. Altman went back and forth from TV to theatrical films over the next decade, but even when his films earned critical praise, such as 1990's "Vincent & Theo," they remained largely unseen.

"The Player" and "Short Cuts" re-established Altman's reputation and commercial viability. But other 1990s films — including his fashion-industry farce "Ready to Wear" and "Kansas City," his reverie on the 1930s jazz and gangster scene of his hometown — fell flat.

Born Feb. 20, 1925, Altman hung out in his teen years at the jazz clubs of Kansas City, Mo., where his father was an insurance salesman.

Altman was a bomber pilot in World War II and studied engineering at the University of Missouri in Columbia before taking a job making industrial films in Kansas City. He moved into feature films with "The Delinquents" in 1957, then worked largely in television through the mid 1960s, directing episodes of such series as "Bonanza" and "Alfred Hitchcock Presents."

Altman and his wife, Kathryn, had two sons, Robert and Matthew, and he had a daughter, Christine, and two other sons, Michael and Stephen, from two previous marriages.

When he received his honorary Oscar in 2006, Altman revealed he had a heart transplant a decade earlier.

"I didn't make a big secret out of it, but I thought nobody would hire me again," he said after the ceremony. "You know, there's such a stigma about heart transplants, and there's a lot of us out there."


Glasajte za najbolji Altmanov film na:


http://www.msnbc.msn.com/id/15831906/?GT1=8717

#60

Posted: 22/11/2006 11:59
by victory

#61

Posted: 26/01/2007 17:45
by anais_nin
Fanning angry at critics
Dakota Fanning, 12, is angry at people who’ve criticized her parents for allowing her to film a rape scene for the movie Hounddog. The criticism moved her to speak up, saying, “[People] were attacking my family and me, and that's where it got too far. Pretty much everybody who talked about it attacked my mother, which I did not appreciate. That was extremely uncalled for and hurtful."

Depp takes singing lessons for role
Johnny Depp has begun taking singing lessons at London’s Air Studios to prepare for the film version of the stage musical, Sweeney Todd. Depp will play the title role—a barber who searches for his wife and child when he’s released from prison. Though Depp has never sung in a film, a source says, “Johnny has a closed set with just him and the director, but I've heard he can hold a note or two.” Tim Burton will direct the film, which is scheduled for a 2008 release.

#62

Posted: 26/01/2007 17:53
by pitt
Smart People is an upcoming American comedy film starring Dennis Quaid and Sarah Jessica Parker. The film was directed by Noam Murro and written by Mark Poirier. It is due to be released in the second half of 2007.

The film centers around the relationships between widowed English professor Lawrence Wetherhold (Quaid) and his son and daughter. The children are students at Carnegie Mellon University, where their father is on the faculty. Lawrence Wetherhold becomes bitter after the death of his wife. He becomes involved in a romantic relationship with a doctor who is a former student (Parker).
Rachel Weisz was originally given the role of Lawrence Wetherhold's love interest. She was replaced by Sarah Jessica Parker before production commenced.

#63

Posted: 03/09/2007 17:34
by anais_nin
evo za par dana novi Toronto Film Festival, lista filmova kilometarska....znam da ima tema o Sarajevo Film Festivalu, ali molim one koji su se i ranije javljali na ovu temu da se ponovo oglase sa preporukama :D u prethodnim godinama su mi dobro sluzile :lol: :D sta se gledalo na SFFu, sta se ne smije propustiti itd itd....selekcija je veca na TIFFu, tako da namjeravam ici gledati sto vise stranih manjih produkcija koje tesko u kina kasnije dolaze :D

#64

Posted: 03/09/2007 17:35
by anais_nin
Spike Lee to chair online film festival

VENICE, Italy - Spike Lee said Saturday the Internet has provided so many opportunities for young filmmakers to showcase their work, there are no more excuses.
ADVERTISEMENT

"I was from the prehistoric age. If you have a film and you're talented and someone is not seeing it, it's your fault," the director said at a news conference announcing the creation of a new online film festival.

Lee will head the jury of the film festival organized by Babelgum, an Internet company that streams videos online for free. The announcement was made on the sidelines of the Venice Film Festival.

Filmmakers who have had their work accepted at other film festivals from January 2007 through next February can begin making their submissions Sept. 15 by uploading their films onto Babelgum's Web site, organizers said. Winners will receive $20,000.

Babelgum users will make the first selection, whittling each category down to 10 films starting in February. The jury will reduce the number to three, with Lee making the final selection. Winners will be announced in April.

Babelgum said it would not accept offensive material — and Lee acknowledged that it would be tricky defining what that meant. Lee said he expected nudity would be ruled out.

"What might be offensive to you might not be offensive to me, and vice versa," Lee said. "Language, I think, is clearer than the visual stuff."

Otherwise, films must be in English or have English-language subtitles and not exceed 45 minutes.

The festival will have six categories, including one recognizing new talent, short films under 20 minutes, documentary, animation, advertising and films that focus on social and environmental issues. Organizers expect about 2,000 submissions.

Babelgum, which was started by the founder of Italy's second-largest telecommunications company Fastweb, launched its site for the general public last March. It uses peer-to-peer technology and focuses on content from independent producers. Competitors include Joost and VeohTV.

#65 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 27/05/2008 16:59
by anais_nin
Sydney Pollack dies
May 27 2008

Image

(BANG) -Oscar-winning film director Sydney Pollack has died of cancer at the age of 73. The American actor, producer and filmmaker - responsible for cinematic landmarks such as 'Out of Africa', 'Tootsie' and 'The Way We Were' - passed away at his Los Angeles home surrounded by his family yesterday (26.05.08).

Pollack was diagnosed with cancer nine months ago and had been bravely battling the illness ever since.

Actor Robert Redford, who worked with Pollack on several films including 'Out of Africa' and 'The Way We Were', said after learning of his late friend's death: "My relationship with Sydney, both professionally and personally, covers 40 years. It's too personal to express."

Pollack originally studied acting in New York before a two-year spell in the army. After returning from service he worked as a stage actor and teacher, before moving to the West Coast of America to direct TV shows.

Pollack married one of his former students, Claire Griswold, with who he had three children. He moved into movie directing in 1962 with 'War Hunt' on which he met Redford.

In 1982, Pollack's comedy 'Tootsie', starring Dustin Hoffman, received 10 Academy Award nominations, while in 1985, 'Out of Africa' won Pollack the Oscar for Best Director.

His last big screen work was this year's 'Made of Honour' in which he played Patrick Dempsey's character's father.

#66 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 29/05/2008 15:23
by omar little
anais_nin wrote:Sydney Pollack dies
May 27 2008

Image

(BANG) -Oscar-winning film director Sydney Pollack has died of cancer at the age of 73. The American actor, producer and filmmaker - responsible for cinematic landmarks such as 'Out of Africa', 'Tootsie' and 'The Way We Were' - passed away at his Los Angeles home surrounded by his family yesterday (26.05.08).

Pollack was diagnosed with cancer nine months ago and had been bravely battling the illness ever since.

Actor Robert Redford, who worked with Pollack on several films including 'Out of Africa' and 'The Way We Were', said after learning of his late friend's death: "My relationship with Sydney, both professionally and personally, covers 40 years. It's too personal to express."

Pollack originally studied acting in New York before a two-year spell in the army. After returning from service he worked as a stage actor and teacher, before moving to the West Coast of America to direct TV shows.

Pollack married one of his former students, Claire Griswold, with who he had three children. He moved into movie directing in 1962 with 'War Hunt' on which he met Redford.

In 1982, Pollack's comedy 'Tootsie', starring Dustin Hoffman, received 10 Academy Award nominations, while in 1985, 'Out of Africa' won Pollack the Oscar for Best Director.

His last big screen work was this year's 'Made of Honour' in which he played Patrick Dempsey's character's father.

:( :( :( :( :(

Pa ovo nisam cula, kako mi je zao, bas volim i cijenim njegov rad...

#67 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 30/05/2008 02:22
by max_power
Bas sam prije neki dan gledao njegov film The firm, kad ujutru citam umro Pollack :( :(

#68 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 06/07/2008 00:22
by anais_nin
TIFF reveals award-winning lineup

Canadian filmmaker Atom Egoyan will be premiering his latest film at the Toronto International Film Festival in September.

‘Adoration’, starring Scott Speedman, Devon Bostick and Arsinee Khanjian, focuses on a high school student coming to terms with a shocking lie that turns his family life upside down.

Organizers revealed 27 international films for the Festival including ‘The Class’ (‘Entre les murs’), the winner of the Palme d'Or at this year’s Cannes Film Festival and the Italian film ‘Gomorrah’ which won the Cannes grand prize.

The South Korean film, ‘The Good, The Bad, The Weird’ will have a gala screening which will serve as its North American premiere. The Kim Jee-woon film is South Korea’s most expensive movie ever and was inspired by Sergio Leone’s ‘The Good, the bad and the ugly’.

In its 33rd year, the Festival runs this year from Sept. 4 to 13.

GALA PRESENTATION


The Good, The Bad, The Weird Kim Jee-woon, South Korea North American Premiere


In the 1930s, Northeast Asia lies in chaos. The Korean Peninsula has fallen to Japanese Imperialists. Many Koreans have retreated to the vast wilds of Manchuria, including a thief named Tae-gu (The Weird). A train robbery lands Tae-gu with a mysterious map promising untold treasure, but cold-blooded hitman Chang-yi (The Bad) and bounty hunter Do-won (The Good) are also hot on the trail of the map. On the heels of them all is a larger, more powerful cast of characters, including Chinese, Russian and Korean bandits, the Japanese army and the Korean resistance.

In true western style, it all builds towards the climactic final showdown - a breathtaking bullet ballet. Starring Jung Woo-sung, Lee Byung-hun, and Song Kang-ho, The Good, The Bad, The Weird is a Barunson Co. Ltd. Film Division and Grimm Pictures production, produced by Choi Jae-weon and Kim Jee-woon, and executive produced by Miky Lee.


SPECIAL PRESENTATIONS

Adoration Atom Egoyan, Canada North American Premiere


The twelfth feature film from celebrated Canadian filmmaker Atom Egoyan. High school student Simon (Devon Bostick) is caught up in family history, technology and a shocking and explosive lie that intertwines the lives of his uncle (Scott Speedman) and his French teacher (Arsinée Khanjian), while forcing him to reconcile conflicting memories of his deceased parents (Noam Jenkins and Rachel Blanchard).

Un conte de Noël Arnaud Desplechin, France North American Premiere

A dysfunctional family, torn apart by illness, death and loss, come together for Christmas in the North of France. Exploring the relationships among them, one by one they open up to acceptance, forgiveness and understanding. Winner of a Special Prize at the 2008 Cannes Film Festival, Desplechin's (Rois et Reine, TIFF 2004) Un Conte de Noël stars Catherine Deneuve, Jean-Paul Roussillon, Mathieu Amalric, Anne Consigny, Melvil Poupaud, Emmanuelle Devos and Chiara Mastroianni.


Entre les murs Laurent Cantet, France North American Premiere

From celebrated filmmaker Laurent Cantet (Vers le Sud, TIFF 2005) comes the winner of the Palme d'Or at this year's Cannes Film Festival. Armed with the best intentions, François and his fellow teachers prepare for a new year at a high school in a tough neighbourhood. Cultures and attitudes often clash in the classroom - a microcosm of contemporary France and the world at large. François's extravagant frankness often takes his students by surprise, and his ethics are put to the test when his students begin to challenge his methods.


Gomorrah Matteo Garrone, Italy North American Premiere


Power, money and blood - these are the "values" that the residents of the Province of Naples and Caserta have to face every day. They hardly ever have a choice, and are almost always forced to obey the rules of the "system," the Camorra. Only a lucky few can even think of leading a normal life. Five stories are woven together in this violent scenario, set in a cruel and apparently imaginary world, but one that is deeply rooted in reality. Winner of the Grand Prix at the Cannes Film Festival.



MASTERS

24 City Jia Zhang-ke, China North American Premiere


A state-owned factory in Chengdu is shut down, giving way to a luxury apartment complex called 24 CITY. Reflecting on the life of work that binds them all, old workers, factory executives and yuppies assemble the history of China. Written and directed by filmmaker Jia Zhang-ke (Still Life, TIFF 2006; Useless, TIFF 2007), 24 City stars Joan Chen, Zhao Tao, Lv Liping and Chen Jianbin.


Four Nights with Anna Jerzy Skolimowski, Poland/France North American Premiere

From influential Polish filmmaker Jerzy Skolimowski comes the story of Leon, a hospital worker who once witnessed the brutal rape of Anna, now a young nurse working in the same hospital. Secretly forcing himself into her life, and her bedroom, Leon develops an intense fixation with Anna that begs the question, "how far will he go?"


Of Time and the City Terence Davies, United Kingdom North American Premiere


Acclaimed British director Terence Davies (Distant Voices, Still Lives; TIFF 1988) returns to his native Liverpool and to his filmmaking roots to capture a sense of the city today and its influences on him growing up in the late 40s and early 50s.


Le Silence de Lorna Jean-Pierre Dardenne and Luc Dardenne, Belgium/France/Italy North American Premiere

Lorna, a young Albanian woman living in Belgium, becomes entangled in a sham marriage orchestrated by mobster Fabio, an arrangement that will end in murder if Lorna chooses to keep silent. Best Screenplay winner at Cannes 2008, Le Silence de Lorna is written, directed and produced by two-time Palme d'Or winners Jean-Pierre and Luc Dardenne (L'Enfant, TIFF 2005).


Three Monkeys Nuri Bilge Ceylan, Turkey/France/Italy North American Premiere

Winner of Best Director at this year's Cannes Film Festival, Nuri Bilge Ceylan (Climates, TIFF 2006) tells the story of a dislocated family battling the odds to stay together by covering up the truth.



REAL TO REEL

Blind Loves Juraj Lehotský, Slovakia North American Premiere


Finding one's place in this world is not an easy thing for any person, but how much more difficult can it be for someone who is blind?



VISIONS

Liverpool Lisandro Alonso, Argentina/France/Netherlands/Spain/Germany North American Premiere


During an Atlantic crossing, Farrel asks the captain of the freighter he is sailing for permission to go ashore at the next port. He wants to visit the place where he was born to find out if his mother is still alive.


Service Brillante Mendoza, Philippines/France North American Premiere


The Pineda family operates a run-down movie house that shows sexy double features. While they endure each other's sins and vices, the matriarch, Nanay Flor, receives a long-awaited court decision on the bigamy case filed against her estranged husband.



VANGUARD

Waltz with Bashir Ari Folman, Israel/France/Germany North American Premiere


One night in a bar, an old friend tells director Ari Folman about a recurring nightmare. The two men conclude that there's a connection to their Israeli Army mission in the Lebanon War in the early 1980s. An astonishing and powerful animated feature that journeys into the director's memory in search of some missing pieces.


DISCOVERY

Hunger Steve McQueen, United Kingdom North American Premiere


Winner of this year's Caméra d'Or at the Cannes Film Festival, Hunger follows Bobby Sands and the other political inmates of Northern Ireland's Maze Prison in 1981 as they seek to gain special category status for republican prisoners.


Medicine for Melancholy Barry Jenkins, USA Canadian Premiere

Two African-American twentysomethings wake up in bed together having no recollection of how they arrived there. Wandering the streets of San Francisco, the pair meditate on issues of race, class, identity and gentrification, exploring sights of the city less seen in today's cinema.


The Paranoids Gabriel Medina, Argentina International Premiere


At once an unmotivated procrastinator, fearsome hypochondriac and unenthused children's party entertainer, Luciano is on the fast track to nowhere. When his successful friend arrives from Spain, Luciano is forced to face the realities of his own uninspired existence.


Salamandra Pablo Agüero, Argentina/France/Germany North American Premiere

In the valley of El Bolson in Patagonia - a haven for renegades from all over the world - Alba and Inti try to build a normal life as mother and son.



Three Blind Mice Matthew Newton, Australia International Premiere

Tension mounts between three young Australian naval officers as they hit the streets of Sydney before being shipped out to Iraq. Written and directed by Matthew Newton, who also stars.



Tony Manero Pablo Larraín, Chile/Brazil North American Premiere


Santiago de Chile, 1978. Dancer Raúl Peralta is obsessed with imitating Tony Manero, John Travolta's character in Saturday Night Fever. His quest for stardom seems within his grasp when a TV station announces a Manero impersonation contest.



Tulpan Sergey Dvortsevoy, Germany/Switzerland/Kazakstan/Russia/Poland North American Premiere


Before he can realize his ambition of becoming a shepherd, Asa must first get married. Tulpan, his sole prospect for a future bride, rejects Asa due to his big ears. But Asa refuses to give up. Winner of this year's Un Certain Regard Prize at the Cannes Film Festival.


CONTEMPORARY WORLD CINEMA

Acne Federico Veiroj, Uruguay/Argentina/Spain/Mexico North American Premiere


At age 13, Rafael loses his virginity thanks to arrangements made by his older brother. His first kiss, however, proves harder to get.



Linha de Passe Walter Salles and Daniela Thomas, Brazil North American Premiere


In the heart of São Paulo, four fatherless brothers try to find a way out from their preordained paths. Reuniting directors Salles (The Motorcycle Diaries, TIFF 2004) and Thomas, Linha de Passe garnered Best Actress (Sandra Corveloni) at Cannes 2008.


O'Horten Bent Hamer, Norway/Germany/France North American Premiere

In the driver's cab of a train journeying through the Norwegian countryside, Odd Horten is on his penultimate journey from Oslo to Bergen. Tomorrow he'll make his last trip. But, for the first time in almost 40 years, he will arrive too late and miss his last departure.


Lion's Den Pablo Trapero, Argentina/South Korea/Brazil North American Premiere

Julia awakes in her apartment one morning, pregnant and in the company of the bloodied bodies of two men who had been her lovers. In an instant, her life becomes that of a single mother in prison.


Restless Amos Kollek, Israel/Germany/Canada/France/Belgium North American Premiere

Recently discharged from the Israeli army, Tzach travels to New York to confront his father Moshe, a struggling artist who left his family behind some twenty years ago.


Revanche Götz Spielmann, Austria North American Premiere

Alex is an errand boy; Tamara, a prostitute. Entwined in a forbidden love affair, both are determined to escape the Viennese brothel where they work. But carrying out their plan proves fateful once police officer Robert walks into their lives.

#69 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 12/01/2009 16:02
by anais_nin
Here is the complete list of winners at the 66th annual Golden Globes:

MOTION PICTURES:

—Picture, Drama: "Slumdog Millionaire."

—Picture, Musical or Comedy: "Vicky Christina Barcelona."

—Actor, Drama: Mickey Rourke, "The Wrestler."

—Kate Winslet, "Revolutionary Road."

—Director: Danny Boyle, "Slumdog Millionaire."

—Actor, Musical or Comedy: Colin Farrell, "In Bruges."


Cecil B. DeMille Award: Steven Spielberg
.


—Actress, Musical or Comedy: Sally Hawkins, "Happy-Go-Lucky."

—Supporting Actor: Heath Ledger, "The Dark Knight."

—Supporting Actress: Kate Winslet, "The Reader."

—Foreign Language Film: "Waltz With Bashir."

—Animated Film: "Wall-E."

—Screenplay: Simon Beaufoy, "Slumdog Millionaire."

—Original Score: A.R. Rahman, "Slumdog Millionaire."

—Original Song: "The Wrestler" (performed by Bruce Springsteen, written by Bruce Springsteen), "The Wrestler."

TELEVISION:

—Series, Drama: "Mad Men."

—Actor, Drama: Gabriel Byrne, "In Treatment."

—Actress, Drama: Anna Paquin, "True Blood."

—Series, Musical or Comedy: "30 Rock."

—Actor, Musical or Comedy: Alec Baldwin, "30 Rock."

—Actress, Musical or Comedy: Tina Fey, "30 Rock."

—Miniseries or Movie: "John Adams."

—Actress, Miniseries or Movie: Laura Linney, "John Adams."

—Actor, Miniseries or Movie: Paul Giammatti, "John Adams."

—Supporting Actress, Series, Miniseries or Movie: Laura Dern, "Recount."

—Supporting Actor, Series, Miniseries or Movie: Tom Wilkinson, "John Adams."

#70 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 17/03/2009 22:05
by anais_nin
Natasha Richardson critically hurt in Quebec ski accident

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Tony-award-winning actress Natasha Richardson, who was taken to a Montreal hospital with a serious head injury following a ski fall yesterday, left the hospital at 12:30 this afternoon in an ambulance.

The actress has left the country, said Michelle Simard, a spokesperson for Hôpital du Sacré-Coeur de Montréal, where she was admitted yesterday.

Simard said she did not know where Richardson was headed.

A spokesperson at the Pierre Elliott Trudeau Airport said she could not comment because Richardson left Canada aboard a private jet operated by a company that is independent from the airport authority.

Richardson was accompanied by her husband, actor Liam Neeson.

A Toronto Star reporter was the only media representative to watch as Richardson, lying heavily-wrapped in blankets in an intensive-care bed, tubes covering her face, was loaded into a yellow ambulance at the hospital.

Neeson was already crouched down inside the back of the ambulance watching as she was loaded. He looked extremely worried.

Handlers asked the reporter to leave.

A nurse who accompanied the family down from the fifth floor intensive care unit later refused to say where Richardson was headed, although it was later revealed she was being taken to the airport.

Richardson suffered the fall during a ski lesson at Mont Tremblant yesterday.

Richardson, the daughter of actress Vanessa Redgrave and wife of Neeson, was in "perfect condition" after a tumble on the beginner hill during the lesson yesterday. But an hour after the fall, she complained of headaches and was taken to a local hospital with a head injury, a spokesperson for the resort confirmed today.

"Mrs. Richardson was on a private lesson yesterday and she fell while getting the lesson," said Catherine Lacasse, a spokesperson for Mont Tremblant ski resort.

"The ski instructor saw her fall and called patrol. Two ski patrollers came down and checked her vital signs. She was still in perfect condition. She was breathing and laughing. But we just wanted to make sure she was okay."

The fall, which occurred on the Nansen beginner trail around 3 p.m., did not appear to be serious, Lacasse said.

But the ski patrol took her down to the bottom of the slope and insisted she see a doctor, Lacasse said.

Lacasse said Richardson refused and said she instead wanted to go back to her room at the resort's Hotel Quintessence, where it is believed she had been staying since Sunday.

As a precaution, Lacasse said, the ski instructor as well as the ski patrol accompanied Richardson to her room. They again recommended she see a doctor, and the ski instructor stayed with her at her hotel.

Lacasse said that approximately an hour after the incident, Richardson said she was not feeling well. "She had a headache and then accepted to go to the hospital and an ambulance came."

Lacasse said Richardson was not wearing a helmet and did not collide with anything when she fell.

The actress was initially taken to Centre Hospitalier Laurentien, near the ski lodge at Mont Tremblant, which is about 130 kilometres northwest of Montreal, but was transported to Hôpital du Sacré-Coeur de Montréal at around 5 p.m.

Lacasse said she was waiting to hear from the hospital for an update on Richardson's condition. "That's the missing information," she said.

Neeson had been in Toronto on the set of his new movie Chloe, but left for Montreal when he learned of the accident.

A family member said she learned of the accident early this morning.

"We know that she has had an accident but we really do not know any more details," said Kika Markham, who is married to Richardson's uncle, Corin Redgrave. "We are very concerned."

Redgrave told London's Evening Standard: "I have heard this morning from a family representative about Natasha's accident and am very saddened."

This morning, Mont Tremblant's municipal police told the Star they were not called to the accident scene and did not have any information on Richardson's status. They have since visited the resort to see if they could help, Lacasse said.

Richardson, an acclaimed actress of both screen and stage, was born May 11, 1963 in London to actress Vanessa Redgrave and Oscar-winning British director Tony Richardson, who died in 1991.

Richardson comes from a long line of thespians: her grandfather Michael Redgrave, grandmother Rachel Kempson, uncle Corin Redgrave, aunt Lynn Redgrave and cousin Jemma Redgrave are all actors.

Her sister, Joely, is also an actress on the television series Nip/Tuck, while her half-brother Carlo (from her mother's relationship with Franco Nero) is a writer and director.

"I know the pressures of being the daughter of a great actress. But it's inspiring. You learn so much that other people don't get to learn until later on," she has said.

Film credits include The Parent Trap, Patty Hearst, The Handmaid's Tale, Nell, Widow's Peak, Maid in Manhattan, Asylum and The White Countess, in which she starred with her mother and aunt, Lynn Redgrave.

But many believe her best performances have come on the stage with acclaimed performances in The Seagull (with her mother), Hamlet, Cabaret (for which she won a 1998 Tony award) and A Streetcar Named Desire.

She also co-starred with her acclaimed mother in the 2007 film Evening, the story of the unconditional love that binds a mother and her two daughters.

"Having the chance to work with your mother, who is an extraordinary actress, is a dream come true," she said.

Richardson and Redgrave are reportedly slated to star in a 2010 Broadway revival of Stephen Sondheim's A Little Night Music.

Richardson set her ambitions on performing as young as four, when her father directed her mother in The Charge of the Light Brigade.

She likes to say she wasn't that different as a kid, that like any other young girl growing up she was excited by hearing that it was Jessica Lange or Jack Nicholson on the phone.

"It is an advantage. I'm very lucky because I learned lots of things by osmosis, by just being around my parents, (things) other people would have to start learning from scratch."

Without revealing her acting pedigree, she entered London's Central School of Speech and Drama at 17, which initially led to a career in regional theatre, then later to film and television roles.

At 22, she co-starred with her mother in the West End production of Chekhov's The Seagull, for which she won the London Drama Critics' Award for Most Promising Newcomer.

It was at this time she fell in love with Robert Fox, the play's producer, and they married in 1990. That year she won a London Theatre Critics' Award for her work in Anna Christie.

When a Broadway production was planned, Natasha suggested Neeson, whom she had never met, to be her co-star. It was not only clear to her but to the audience too, that the couple shared a fiery chemistry on stage.

Natasha once said: "It was a very painful time realizing I was in an unhappy marriage but I didn't ever believe I would be with Liam. That wasn't an option for us then."

In 1992, she divorced Fox and moved to New York to make a fresh start. Liam joined her and three weeks after they finished filming Nell, they married. She later admitted she was hesitant about entering a relationship with the 6-foot-4 boxer-turned-actor because they were so "chalk and cheese."

She said: "Liam is a great help to me and I help him because we understand and support one another. You have to ride the waves."

Richardson has been married to Oscar-nominated Schindler's List star Neeson since 1994. Their wedding guest list included Steven Spielberg and his wife, Kate Capshaw; Mia Farrow; Emma Thompson; and director Ron Shelton.

The couple have two sons, Michael and Daniel, and live in upstate New York. Natasha and Liam made a rule that they never leave their boys for more than two weeks without one of them being there. Natasha has a reputation for throwing lavish dinner parties at her family home and regular guests include Ralph Fiennes and Meryl Streep.

With files from Canadian Press and Reuters

#71 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 21/04/2009 20:10
by anais_nin
za ljubitelje Feist (i sama sam takva :D) - novi kratki film

New Feist Video (Feat. Cillian Murphy) - "The Water"

So many actors getting work on Stereogum today. The new Feist video for The Reminder's fluid and spacious gem "The Water" is a 15 minute piece written and directed by Kevin Drew and starring David Fox, Cillian Murphy, and Leslie. Back in 2007, Kevin Drew interviewed Cillian for Under The Radar and bonded with the thespian over their shared Irish heritage and love for Broken Social Scene. In the making of featurette you'll find along with the video here, Drew says he thought Murphy and Leslie shared similar eyes, which is code for they are both hot people, and this realization inspired him to conceive a narrative. Kevin brought the idea to Feist and they settled on this Reminder song to soundtrack it, or at least the three minutes of it that aren't awash in silence, cigarettes, and the two lines of dialogue. Better "The Water" than "Feel It All"; the film opens with Cillian and David dragging a body through the snow, and its eerie uncertainty doesn't snap into focus until a crumpled photo toward the end establishes the roles and relations. It's not Kevin's first directorial effort, but certainly his most ambitious.


http://stereogum.com/archives/video/new ... 63601.html

film mozete pogledati ovde :)

http://vodpod.com/watch/1534850-new-fei ... ian-murphy

#72 Re: VIJESTI i NOVITETI IZ SVIJETA FILMA....

Posted: 05/06/2009 19:42
by anais_nin
David Carradine found dead in Bangkok

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Actor David Carradine, 72, best known for his role as Kwai Chang Caine in the 1970s Kung Fu television series, was found dead in a hotel room in Bangkok, Thailand Thursday morning. Though he was found naked with a rope around his neck and genitals – co-workers and friends don’t believe it was suicide, something that his wife is denying as well. Director Adam Rifkin says: “I find it extremely hard to believe that David — who was such a hard-working, energetic and beloved Hollywood legend — was done in by his own hand.” David’s rep told TMZ: “We can confirm 100% that he never would have committed suicide. It was an accidental death. Everybody is in shock.” It appears now that Carradine likely died of asphyxiation, when an auto-erotic sex game went wrong, according to police. Carradine, who also starred in the Kill Bill movies and played his Kung Fu character’s grandson in the 1990s series Kung Fu: The Legend Continues, was reportedly in Bangkok to shoot his latest film, Stretch. David was the eldest son of legendary actor John Carradine. His brothers Keith Carradine and Robert Carradine are also both successful actors. Married five times, David leaves behind his wife of four years, Annie Bierman. He is also survived by three children from different marriages/relationships — Calista, Kansas and Tom (whose name at birth was “Free”). Results from an autopsy are expected to be released on Saturday.