pokretna muzika u mp3 slikama

[victory]

Magnolia (1999)

http://www.zshare.net/download/magnolia-zip.html

The much anticipated follow-up to Paul Thomas Anderson's Boogie Nights, Magnolia features a specially orchestrated soundtrack, largely written and performed by Aimee Mann ('Til Tuesday member and sadly overlooked solo artist). Mann's voice has always been a suitable vehicle for conveying emotional turmoil and indelible sadness, and several tracks here ("Build That Wall," "You Do," "Driving Sideways") do so with the rich melodicism that informs her best work. Producer Jon Brion's sprightly horn arrangements for "Momentum" are an unexpected (though not completely unwelcome) splash of cold water. Only Mann's cover of the Harry Nilsson-penned Three Dog Night hit "One" backfires, as it simply doesn't deliver the same effective climax as the original. The two Supertramp tracks from their Breakfast in America LP tacked on at album's end are incongruous (though they cut down the degrees of separation between them and Mann to an incredible one!). However, for anyone with an interest in Mann's melodic songwriting, there are eight worthy originals waiting for you. --Rob O'Connor

1. One
2. Momentum
3. Build That Wall
4. Deathly
5. Driving Sideways
6. You Do
7. Nothing Is Good Enough (Instrumental)
8. Wise Up
9. Save Me
10. Goodbye Stranger - Supertramp
11. Logical Song - Supertramp
12. Dreams - Gabrielle
13. Magnolia - Jon Brion

[boogy]

Hvala za "High Fidelity"

Još bih pitao ako se negdje može "iskopati" "The Tarantino Connection"

Ovaj cd nekom dadoh i nestade, znaš kako to već bude.




1. Interview (Spoken Word) - Quentin Tarantino
2. Misirlou - Dick Dale & His Del-Tones
3. Dark Nights - The Blasters Listen Listen
4. Little Green Bag - George Baker Selection
5. Graceland - Charlie Sexton Listen Listen
6. Girl, You'll Be A Woman Soon - Urge Overkill
7. Waiting for The Miracle - Leonard Cohen
8. A Little Bitty Tear - Burlives
9. Interview - Quentin Tarantino
10. Stuck In The Middle With You - Stealers Wheel
11. You Never Can Tell - Chuck Berry
12. (Love Is) The Tender Trap - Robert Palmer
13. Sweet Jane - Cowboy Junkies
14. Harvest Moon - Bedlam
15. Foolish Heart - The Mavericks
16. Vertigogo - Combustible Edison

[victory]

Hvala za "High Fidelity"

Još bih pitao ako se negdje može "iskopati" "The Tarantino Connection"

Ovaj cd nekom dadoh i nestade, znaš kako to već bude.

Interesantno je da se meni ista stvar desila sa mojim originalnim "The Tarantino Connection" diskom. Samo sto je moj disk koji sam posudio drugu bio ukraden iz njegovog auta, zajedno sa ostalim stvarima.

Ako naletim na link imacu te u vidu.
-------------------------


The Motorcycle Diaries (2004)

http://s10.yousendit.com/d.aspx?id=3Q8H ... N6TS0BG2HD

Argentine filmmaker Walter Salles (Central Station, Behind the Sun chronicles the epic, 8000 mile motorcycle journey of two friends---one of whom is Ernesto "Che" Guevara---in his compelling story of personal, geographic, and political discovery. Composer Gustavo Santaollala, one of the leading figures in Argentine rock and pop (and the producer behind 2003 Latin Grammy Record and Album of the Year winner Juanes) infuses Salles' unusual road movie with a multi-faceted score that draws not only on his country's rich national musical heritage, but on the same restless musical instincts Santaollala brought to his equally haunting music for 21 Grams. As on that score, his primary instrument is again the guitar, though the seductive electric fretwork of the previous film takes a backseat to acoustic stylings that range from indigenous folk-rooted charm to nervous, electronic-backed soundscapes. Further underscoring the score's expansive, post-modern sensibilities are Maria Esther Zapata's saucy take on the tango-novelty "Chipi Chipi," the composer's own retro-energetic "Que Rico El Mambo" and the evocative contemporary ballad, "Al Otro Lado Del Rio," by Jorge Drexler. --Jerry McCulley

1. Apertura
2. Lago Frias
3. Chichina
4. Chipi Chipi - Performed by Maria Esther Zamora, "Polito" Gonzalez, Jorge Lobos, Cuti Aste, Roberto Lindl
5. Montana
6. Sendero
7. Procesion
8. Jardin
9. La Partida
10. La Muerte De La Poderosa
11. Lima
12. La Salida De Lima
13. Zambita
14. Que Rico El Mambo - Performed by Damasco Perez Prado
15. Circulo En El Rio
16. Amazonas
17. Cabalgando
18. Leyendo En El Hospital
19. El Cruce
20. Partida Del Leprosario
21. De Usuahia A La Quiaca
22. Revolucion Caliente
23. Al Otro Lado Del Rio - Performed by Jorge Drexler

[Zadig]

victory:


NAJBOLJI SI
HVALA ZA PARIS TEXAS

[/b]

[victory]

Pulp Fiction (1994)

http://s40.yousendit.com/d.aspx?id=2FWJ ... VYA9L96SHY

Dick Dale's surf-guitar provided the memorable title theme ("Misirlou"), for Quentin Tarantino's 1994 smash, and although that sound runs throughout the soundtrack (along with bits and pieces of dialog from the movie), this is a pretty eclectic bunch of really terrific songs. I don't know how it all manages to hang together, but it does (you might say the same for the interwoven stories in the movie). Where else are you going to find Chuck Berry, Maria McKee, Al Green, The Statler Brothers, Kool & the Gang, Urge Overkill (singing a Neil Diamond ballad!), Ricky Nelson, Dusty Springfield, and the Tornadoes (among others) one album? McKee's beautiful "If Love is a Red Dress (Hang Me in Rags)" is a standout, partly because it's less familiar. One of the few soundtracks of the '90s that went into the CD player and stayed there for weeks and months thereafter. --Jim Emerson

1. Misirlou - Dick Dale & His Del-Tones
2. Royale With Cheese - John Travolta
3. Jungle Boogie - Kool & The Gang
4. Let's Stay Together - Al Green
5. Bustin' Surfboards - The Tornadoes
6. Lonesome Town - Ricky Nelson
7. Son Of A Preacher Man - Dusty Springfield
8. Bullwinkle Part II - The Centurians
9. You Never Can Tell - Chuck Berry
10. Girl, You'll Be A Woman Soon - Urge Overkill
11. If Love Is A Red Dress (Hang Me In Rags) - Maria McKee
12. Comanche - The Revels
13. Flowers On The Wall - The Statler Brothers
14. Personality Goes A Long Way - John Travolta
15. Surf Rider - The Lively Ones
16. Ezekiel 25:17 - Samuel L. Jackson

[victory]

The Mission (1992)

http://s27.yousendit.com/d.aspx?id=05PI ... IG0QNC4DMW

Ennio Morricone's Academy Award-nominated score captures the conflict between 18th-century Jesuit missionaries trying to convert the native Indians, and the slavers who want to destroy them. In keeping with the serious subject matter and epic scope of Roland Joffé's film, the score is by turns grave, lyrical, and tense. Ever inventive, Morricone mixes liturgical chorales, native drumming, and Spanish-influenced guitars, often in the very same track, to capture the drama of the culture clash. His trademark lyricism also comes through, notably in the beautiful themes for "Gabriel's Oboe" and "The Mission." Not as over-the-top as his well-known spaghetti Western scores, The Mission shows Morricone at his dramatic best. --Heidi MacDonald

1. On Earth As It Is In Heaven
2. Falls
3. Gabriel's Oboe
4. Ave Maria Guarani
5. Brothers
6. Carlotta
7. Vita Nostra
8. Climb
9. Remorse
10. Penance
11. The Mission
12. River
13. Gabriel's Oboe
14. Te Deum Guarani
15. Refusal
16. Asuncion
17. Alone
18. Guarani
19. The Sword
20. Miserere

[victory]

Master and Commander (2003)

http://www.megaupload.com/?d=XY7FU4XL

..the violin melodies, the cello pieces and the powerful drums. A great listen as well as a great enhancement to a good movie.

1. The Far Side Of The World
2. Into The Fog
3. Violin Concerto No. 3 'Straussburg' K.215, 3rd Movement
4. The Cuckold Came Out Of The Amery (Traditional)
5. Smoke N' Oakum
6. Fantasia On A Theme - Barry Wordsworth
7. Adagio From Concerto Grosso Op. 6. No. 8 In G Minor Christmas Concerto - Arcangelo Corelli
8. The Doldrums
9. Prelude (From The Unaccompanied Cello Suite No. 1 In G Major, BWV 1007 - Yo-Yo Ma
10. The Galapagos
11. Folk Medley: O'Sullivan's March/Cuckold Came Out Of The Amery/Mother Hen/Mary Scott/Nancy Dawson - Jim Walker
12. The Phasmid
13. The Battle
14. Boccherini La Musica Notturna Delle Strade Di Madrid No. 6, Op. 30
15. Full Circle

[victory]

All About Lily Chou-Chou - BREATHE (2000)

http://www.zshare.net/download/breathe-kokyu-zip.html

This is the vocal version featuring the songs used in the film, as performed by the Japanese singer Salyu who assumes the fictional persona of Lily Chou-Chou in Iwai's film. The music sounds somewhat like that of Bjork's, makes for a great listen even if you've never seen the film.

1) Arabesuku
2) Ai no Jikken
3) Erotic
4) Hikousen
5) Kaifukuruzu Kizu
6) Hoowa
7) Tobenai Tsubasa
8] Kyoumei
9) Glide

Lily Chou-Chou are Salyu Takeshi Kobayashi, Shunji Iwai

-----------------



All About Lily Chou-Chou - Arabesque

This is the version with the Debussy pieces and piano tinkling.

http://www.zshare.net/download/arabesque-zip.html

1 Sight
2 Dalyn
3 Moon Light
4 Chamberline
5 Under The Leaf
6 Tsubasa wo Kudasai
7 Natsu no Kaze no Kami
8 Pulse
9 Mermaid
10 Rumble Fish
11 Yume (Dream)
12 Prelude
13 Song of Arabesque
14 Amairo no Kami no Otome
15 Detune
16 Proton
17 Ether Tune
18 Arabesque no.1

[victory]

Lost In Translation (2003)

http://www.sendspace.com/file/1qzfn4

Sofia Coppola has, with two elegant movies, proved herself a talented director with a keen eye for interior life. She's also got great ears. For Lost in Translation, the story of a May-December friendship in Tokyo between two displaced Americans, the score is a tonic for jetlag. Coppola prescribes a dose of shoegazer pop, from My Bloody Valentine's chiming "Sometimes" to Jesus & Mary Chain's fuzzed-out "Just Like Honey." The music nails the hazy conscious state of actors Bill Murray (as a movie star with a midlife crisis) and Scarlet Johansson (as an emotionally marooned twenty-something). It also provides a safe, warm envelope in which they can enact their overseas adventures. Working with producer Brian Reitzell, whose band Air scored her previous Virgin Suicides, Coppola lured Valentine's Kevin Shields into providing several slices of dreamy indie-rock and sonic wallpaper, as stylish as it is formless. There's a welcome bit of Japanese goofiness, a funhouse-mirror reflection of U.S. folk-rock courtesy of early-1970s band Happy End. And a "hidden" track provides the audio of Murray, in the film, doing his sleepy karaoke version of Roxy Music's "More Than This." --Marc Weidenbaum

1. Intro/Tokyo
2. City Girl - Kevin Shields
3. Fantino - Sebastian Tellier
4. Tommib - Squarepusher
5. klix - Death In Vegas
6. Goodbye - Kevin Shields
7. Too Young - Phoenix
8. Kaze Wo Atsumete - Happy End
9. On The Subway - Brian Reitzell & Roger J Manning Jr
10. Ikebana - Kevin Shields
11. Sometimes - My Bloody Valentine
12. Alone In Kyoto - Air
13. Shibuya - Brian Reitzell & Roger J Manning Jr
14. Are You Awake? - Kevin Shields
15. Just Like Honey - The Jesus & Mary Chain

[victory]

The Village (2004)

http://www.megaupload.com/?d=PY7WVIB2

In the wake of his Sixth Sense triumph, young director M. Night Shyamalan shrewdly marketed himself as a marquee draw, a thriller auteur in the vein of Hitchcock and DePalma. In the process he's also run headlong into one of Hollywood's truest adages: There's no such thing as a sure thing. But while his tale of an isolated hamlet ringed by mysterious, threatening 'others' met with tepid reviews and disappointing box office, it also underscored another filmmaking truism: So-so films can still be blessed with magnificent musical scores. This hauntingly beautiful, yet thoroughly contemporary orchestral soundtrack by James Newton-Howard distinguishes itself at every turn, becoming a clear standout in the ongoing collaboration between the composer and Shyamalan. While similar fusions of minimalist and post-modern musical influences can sometimes seem not much more than hollow intellectual exercises, Newton-Howard inhabits his hypnotic arpeggios and droning rhythms here with an evocative undercurrent of the mysterious and mystical. The composer leans heavily on solo violin to conjure a mock folk tradition of indistinct origins, wedding it to a contemporary classical sense that's as seamless as it is distinguished. -- Jerry McCulley

1. Noah Visits
2. What Are You Asking Me?
3. The Bad Color
4. Those We Don't Speak Of
5. Will You Help Me?
6. I Cannot See His Color
7. Rituals
8. The Gravel Road
9. Race To Resting Rock
10. The Forbidden Line
11. The Vote
12. It Is Not Real
13. The Shed Not To Be Used

[victory]

link upotrebljiv jos samo dan ili najvise dva



Cirque Du Soleil - Le Best of (2004)

http://s59.yousendit.com/d.aspx?id=25WN ... V990XM3JDG

2004 Canadian-only Collection Culled from the Stunning Series of Programs from the Incomparable Company that Merges Dance, Music, Death Defying Acrobatics and Sheer Creativity....genius!

1. Egypte
2. Alegria
3. Pokinoi
4. Querer
5. Kumbalawe
6. Ombra
7. Reveil
8. Nostalgie
9. Vocea
10. Stella Errans
11. Gamelan
12. Liama

[victory]

Baz Luhrmann's La Boheme (Highlights from the 2002 Original Broadway Cast) [2002]

http://www.megaupload.com/?d=FBG4VWIQ

With the visually dazzling efforts of his "Red Curtain" film trilogy behind him (Strictly Ballroom, Romeo + Juliet, Moulin Rouge), director Baz Luhrmann set his sights on Broadway and a reworking of his triumphant, career-forging 1990 Australian Opera production of Giacomo Puccini's evergreen tearjerker, La Boheme. With it now set in 1957, six young voices alternate in bringing the tale of the doomed love affair between the seamstress Mimi (Lisa Hopkins, Wei Huang, Ekaterina Solovyeva) and the writer Rodolfo (Alfred Boe, Jesus Garcia, David Miller) to life in its original Italian on this cast album. Other than using the vocal dream-team gambit, Luhrmann has played Puccini's music surprisingly straight in this production, a sharp contrast to the dizzying musical cut-and-paste of Moulin or his tellingly titled pop album, Something for Everybody. It's a wise tack, and wholly in step with the director's stated goal of emphasizing the story's timeless drama while keeping the operatic masterpiece true to itself for a new audience. The staging may showcase Luhrmann's dazzling production, but the music here is still pure Puccini. --Jerry McCulley

1. Non sono in vena
2. Che gelida manina
3. Si, mi chiamano Mimi
4. O, soave fanciulla
5. E via I pensier!
6. Quando me'n vo'
7. Chi l'ha richiesto?
8. Mimi?! Speravo di trovarvi qui
9. Marcello, finalmente!
10. Addio! Che! Vai?
11. Dunque: e proprio finita!
12. O Mimi tu piu non torni
13. Gavotta! Minuetto
14. C'e Mimi...
15. Sono andati?
16. Oh! Dio Mimi!

[victory]

link upotrebljiv jos samo dan ili najvise dva



March of the Penguins (2005)

http://s23.yousendit.com/d.aspx?id=2KBQ ... AYSFMZ5PIW

The journey of this documentary from the country where it was made, France, to America is almost as circuitous as the one taken by its titular birds on their trip across Antartica. In France, various actors voiced the penguins, giving them anthropomorphic qualities; but this approach didn't test well in the U.S., and it was replaced with a voiceover from Morgan Freeman. In France, the soundtrack to La Marche de L'Empereur (the original title) was done by Émilie Simon and it's a wonder of quirky, poppy electronics--definitely not what you'd expect from an animal doc.
Simon's music was scratched for the U.S. version, which gets a rather more generic score by Alex Wurman. Typical of Wurman's low-key approach, the track "The Harshest Place on Earth" is anything but harsh. It's a lullaby predictably punctuated by piano and flute--the go-to instruments when Hollywood composers want to evoke feel-good uplift. There's a lot of drama in March of the Penguins, but little has made it onto this CD. --Elisabeth Vincentelli

About the Artist
Composer Alex Wurman credits his wide range of composition styles to his early classical training, a lifelong love of jazz and an expert knowledge of the most advanced technology. In "March of the Penguins," Wurman has musically captured both nature's beautify and its harsh trials of the polar winter. In addition, Wurman's emotional score is magically weaved within the rich soulful voice of Morgan Freeman, narrator of the film.

1. The Harshest Place On Earth
2. Walk Not Alone
3. The March
4. Found Love
5. The Egg Arrives
6. The Mother's Second Journey
7. Arrival At The Sea
8. Walk Through Darkness
9. First Steps
10. The Dangers Remain
11. Reunited
12. Going Home For The First Time

[victory]

About a Boy (2002)

http://files.filefront.com/About_A_Boy_ ... einfo.html

Q Magazine - 4 out of 5 stars
"...Original and gladdening music..." Included in Q Magazine's "The 50 Best Albums of 2002."
---
What's a budding musical genius to do in the pent-up lull between albums? Mercury Prize-winning singer-songwriter Badly Drawn Boy (nee Damon Gough), in his spare time between heralded debut THE HOUR OF BEWILDERBEEST, and a follow-up to be released later in 2002, approached the filmmakers adapting Nick Hornby's acclaimed novel ABOUT A BOY about the soundtrack for the film starring Hugh Grant. There's no question to the logic of the combination as Gough's sublimely literate, disaffected yet still charmingly breezy pop music fits the story of life's apparent losers at two stages of life, one an apathetic womanizer approaching his 40s, the other a bullied misfit boy passing into his teens, between whom an unlikely friendship ensues. A folky singer/songwriter scoring songs to help set the tone of a movie about unlikely friendship could stir up memories of Cat Stevens's unreleased soundtrack for "Harold & Maude," a fair enough assessment. In a similar fashion (but in its own way), Badly Drawn Boy's take on ABOUT A BOY weaves a mournful, yet upbeat tapestry drawing from its source material while managing to enrich the story itself. There are even some pop megahit hooks such as in the rolling "Silent Sigh" and in the head-bobbing, ostensible theme song "Something To Talk About."

1. Exit Stage Right
2. Peak You Reach
3. Something to Talk About
4. Dead Duck
5. Above You, Below Me
6. I Love N.Y.E.
7. Silent Sigh
8. Wet, Wet, Wet
9. River-Sea-Ocean
10. Spat
11. Rachel's Flat
12. Walking Out of Stride
13. File Me Away
14. Minor Incident
15. Delta (Little Boy Blues)
16. Donna & Butzon

[victory]

link upotrebljiv jos samo dan ili najvise dva




The Red Violin (1999)

http://s58.yousendit.com/d.aspx?id=1520 ... INJWKWOKSX

Amazon.com's Best of 1999
Leave it to composer John Corigliano and violinist Joshua Bell--two of biggest names in classical music--to team up and create one of 1999's best soundtracks. For many, the soundtrack to The Red Violin was just as impressive as the film, a moving blend of gypsy, folk, and classical compositions. --Jason Verlinde

Amazon.com essential recording
Normally we think of a musical instrument as a passive object in the service of a performing artist. But what if that instrument is itself a work of art, containing the secrets of the various owners through whose hands it has passed over the centuries? That's the premise behind this intriguing film by François Girard (director of 32 Short Films About Glenn Gould). It traces the story of a legendary violin (thought to be possessed by an immortal soul) from its birth in 17th-century Italy through Mozart's Vienna, Victorian England, and revolutionary China to its present-day fate on the auction block. The score, in suggesting the violin's unique aura, therefore carries much of the burden of the story, and it brings together some of the most klix talents in contemporary classical music. Composer John Corigliano's richly eclectic and poetic score--encompassing classical elegance, gypsy passion, and angst-ridden harmonies--etches vivid portraits of the film's various epochs but also gives an overarching sense of unity to the episodic character of the script. It's essentially a set of remarkably imaginative variations for violin and orchestra on a theme of haunting pathos and is a substantial work of music in its own right. As the soloist, Joshua Bell saturates the eponymous instrument with personality. His combination of virtuoso bravura and soulful phrasing almost seems to lead the violin to the brink of human speech. Conductor Esa-Pekka Salonen shapes the exchange between orchestra and violin into tautly dramatic dialogue. The disc also includes a powerful related work on the theme used in the score, the Chaconne for Violin and Orchestra, which confirms Corigliano's status as one of today's leading and most personally communicative American composers. --Thomas May

1. The Red Violin: Anna's Theme
2. The Red Violin: I. Cremona: Main Title
3. The Red Violin: I. Cremona: Death Of Anna
4. The Red Violin: I. Cremona: Birth Of The Red Violin
5. The Red Violin: I. Cremona: The Red Violin
6. The Red Violin: II. Vienna: The Monastery
7. The Red Violin: II. Vienna: Kaspar's Audition; Journey To Vienna
8. The Red Violin: II. Vienna: Etudes; Death Of Kaspar
9. The Red Violin: III. Oxford: The Gypsies; Journey Across Europe
10. The Red Violin: III. Oxford: Pope's Gypsy Cadenza Listen Listen
11. The Red Violin: III. Oxford: Coitus Musicalis; Victoria's Departure
12. The Red Violin: III. Oxford: Pope's Concert
13. The Red Violin: III. Oxford: Pope's Betrayal
14. The Red Violin: IV. Shanghai: Journey To China
15. The Red Violin: IV. Shanghai: People's Revolution; Death Of Chou Yuan
16. The Red Violin: V. Montreal: Morritz Discovers The Red Violin
17. The Red Violin: V. Montreal: Morritz's Theme
18. The Red Violin: V. Montreal: The Theft
19. The Red Violin: V. Montreal: End Titles
20. The Red Violin: 'The Red Violin': Chaconne For Violin And Orchestra

[victory]

Jonathan Livingston Seagull (1973)

http://rapidshare.de/files/9486789/seagull.part1.rar
http://rapidshare.de/files/9487194/seagull.part2.rar

Neil Diamond puts himself into the shoes of a character, Jonathan Livingston Seagull, writing and singing music compelling and rich in texture and melody, to fit the portrait perfectly in a movie under the same name. Recorded in 1973 for CBS under the pop/rock style genre, Diamond had much help in order to make this into reality. Commend Tom Catalano for the musical direction and Lee Holdridge for the splendid and compelling orchestra and string arrangements. Though Diamond only sings on a few tracks, he does it so with the grace and smooth flair that brings enchantment only like he can. Romantic, fresh, and lively, this album fits the piece of the puzzle the motion picture needed so perfectly. A word of praise and thanks also goes out the hundred-plus musicians rallied to perform orchestral duties. ~ Shawn M. Haney, All Music Guide

1 Prologue (3:19)
2 Be (6:28]
3 Flight of the Gull (2:23)
4 Dear Father (5:12)
5 Skybird (1:12)
6 Lonely Looking Sky (3:12)
7 Odyssey: Be/Lonely Looking Sky/Dear Father (9:28]
8 Anthem (3:03)
9 Be (1:06)
10 Skybird (2:18]
11 Dear Father (1:14)
12 Be (3:26)

[victory]

Mysterious Skin (2005)

http://www.sendspace.com/file/nsjlbb

"...shaped nicely by a seductive underlay of ambient music from Harold Budd and Robin Guthrie..."
----------
Cocteau Twins guitarist Robin Guthrie and legendary composer Harold Budd team to create a soundtrack of lush and atmospheric soundscapes to award-winning writer-director Gregg Araki’s critically-acclaimed new drama MYSTERIOUS SKIN. Guthrie and Budd’s sparse, tonal music reflects the contemplative journey of troubled boyhood friends Neil (Joseph Gordon-Levitt) and Brian (Brady Corbet), whose lives as young adults weave them down a slippery and dangerous path of self-discovery in MYSTERIOUS SKIN. The film, based on the Scott Heim novel, has been hailed by critics as writer-director Gregg Araki's finest film to date, and has been selected for the Sundance, Venice and Toronto Film Festivals. Araki’s career spans nearly 20 years, during which he has written, directed, and produced many controversial and edgy films, exploring and dissecting the strange currencies of sexual relationships. His credits include SPLENDOR, THE DOOM GENERATION and NOWHERE.

1 Neils Theme
2 The Memories Returning
3 Snowfall
4 Neils Farewell
5 Childhood Lost
6 Halloween
7 A Silhouette Approaches
8 Goodbye to Wendy
9 Brians Nightmare/The Unknown, Part One
10 Twilight
11 The Unknown, Part Two
12 The Discovery
13 Loitering
14 The Writing on the Wall
15 One True Love
16 Crushed - Cocteau Twins
17 Galaxy - Curve
18 Drive Blind - Ride
19 Samskeyti - Sigur Ros
20 Catch the Breeze - Slowdive
21 Dagger - Slowdive
22 Golden Hair - Slowdive

[The_Fluid]

victory,
imas li drugi link za Mr. & Mrs. Smith, ovaj je down?

[victory]

Mr. & Mrs. Smith, ovaj je down?

---------------



Loose Change (2000)

http://s41.yousendit.com/d.aspx?id=10XP ... C8APDJIIXD

The soundtrack to Loose Change mostly features contributions from garage and punk revival bands, including Rocket From the Crypt, Blink 182, the Supersuckers, Pivit, Fluf, Sprung Monkey, the Road Kings, and more. It's the rare soundtrack that makes for a musically cohesive listen apart from the movie. ~ Steve Huey, All Music Guide

1. Middle Man - Jack Johnson
2. Dancing With Myself - Blink 182
3. My Own Country - Pennywise
4. American Made - Sprung Monkey
5. Cyber Christ - Pivit
6. Twenty IV - Furious IV
7. Demons - Los Infernos
8. Devil's Dance Floor - Flogging Molly
9. Stand By - Double Drive
10. The Professional - The Scotch Greens
11. Heads Are Gonna Roll - Rocket From The Crypt
12. Stuff N Nonsense - Supersuckers
13. Hurdy Gurdy Monkey Shine - Road Kings
14. Only One - Jeremy Kay
15. Stand In Your Line - Fluf

[victory]

Silent Hill (Akira Yamaoka) (vol.1,2,3 and 4) ukljucujuci remix izdanje

http://s49.yousendit.com/d.aspx?id=0UTY ... 95LQG1836J

Chances are you've never heard of him, but even if you have, chances are you don't own any of his CDs. He's not a singer, and he doesn't play any instruments - unless, of course, a computer and a room full of synthesizers count.

Akira Yamaoka is a Japanese composer who created the music for Konami in some of their video games. (No, not "Metal Gear Solid." Bug off, fanboys.) Besides "Castlevania: Symphony of the Night," he has lent his hand in creating the scores for two cult classics, "Silent Hill" and "Silent Hill 2."

In 1999, his work on the dark and ambient sounds in "Silent Hill" was released as a soundtrack. This disc contains almost every piece of music heard during the game, but it isn't easy to find. Ordering online would be your best bet.

The game is revered for its distinct sound. The music is designed not to scare suddenly, in B-movie fashion, but to slowly increase the tension and build on the psychological fears of the player. The translation from the game screen to the headphones doesn't lessen the impact.

Songs like "Kill Angel" and "My Daughter, the Devil" sound ominous for a reason. Instead of the standard, tantalizing vocals over a melodic beat you usually hear in a normal song, Yamaoka's music is full of grinding metal, irregular banging sounds, screeching white noise, and sudden stops accompanied by, as strange as it might sound, sobbing.

"But that's not music!" you say? I disagree. This soundtrack accomplishes everything it sets out to do. It gets your blood flowing and your heart pumping. But don't take these sounds as a bad sign - there are instruments. A characteristic guitar sound is there for many of the songs, as well as a general drumbeat. A piano also makes itself heard in a few of the songs, but not necessarily in the manner you might expect.

You might assume all this would be nothing more than horrible noise. But, if you listen, you'll not only feel a sudden rush of adrenaline, you'll actually feel energized. This music is really scary, and nothing gets the ol' ticker going faster than a little fear.

While "She" and "Esperandote" carry tunes you might hum, the prize of the soundtrack is "Lisa." This short acoustic piece is quite the tear-jerker, especially to fans who've seen the segment it accompanies. I won't be a spoiler, but it's pretty sad.

This soundtrack obviously isn't for everybody, but for those who have the taste for it, it's a wonderful bit of spooky music. Just keep it away from small children and dogs.

Silent Hill (Japanese: サイレントヒル) is the title of a survival horror video game franchise, produced by Konami. As of 2004 there are five games available (one available only in Japan), all of which were released to strong sales and critical acclaim. The Silent Hill games are distinguished from other games in the same genre, such as Resident Evil, in that the focus is far more on character, story, and atmosphere rather than action and violence. The games' story lines unfold like that of a film, and multiple resolutions are possible depending upon what decisions the player makes during gameplay. Often, the player is left to wonder whether or not a sequence viewed in the game has actually occurred in the game's reality.

[Zadig]

Walk the Line (2005)

http://s5.yousendit.com/d.aspx?id=18LCY ... 8GOF37AVPO

For Walk the Line, his biopic of country legend Johnny Cash, director James Mangold took a different tactic than director Taylor Hackford did with his Ray Charles bio, Ray. Where Hackford used Charles' classic original recordings for Atlantic as the heart of the film, Mangold decided to use new recordings for his movie, hiring producer T-Bone Burnett, the mastermind behind the surprise soundtrack success of the Coen Brothers' old-timey O Brother, Where Art Thou?, to steer his cast through re-creations of the classic Sun sound. Burnett skillfully conjures that lean, muscular, mysterious sound for his Walk the Line work, keeping all the performances direct and unadorned -- "Ring of Fire" even has its mariachi horns stripped from it -- and hiring a bunch of pros, including Sun vet Jack Clement, as the backing band. All this means that on a pure sonic level, Walk the Line is quite successful, but as a soundtrack album, it's still a bit of a disconcerting listen because it is, after all, actors singing as part of their performance. Listening to Joaquin Phoenix sing Johnny Cash's words and Reese Witherspoon sing as June Carter, it's hard not to shake the feeling that their on-record performances are part of a greater scheme that is impossible to discern without the film as a whole. That said, both Phoenix and Witherspoon give serious, sincere performances that are quite effective, particularly when they're supported by Burnette's crackerjack production. Strangely enough, it's the cameos from the other musicians featured in the film that ring a discordant note: Tyler Hilton's Elvis Presley and, especially, Waylon Malloy Payne's cartoonish Jerry Lee Lewis are too close to caricatures to be effective, while Shooter Jennings' "I'm a Long Way from Home" and Johnathan Rice's "You're My Baby" (which regrettably drops the "little wooly booger" from Cash's original tune) are just a shade too modern in their approach to fit comfortably among the earnest, faithful re-creations that surround them. So, Walk the Line winds up being a curious yet enjoyable listen. By no means does this replace the Cash or Carter originals, but it's a good tribute to both musicians, while providing some fascinating insight to the art and craft of Phoenix and Witherspoon as actors. ~ Stephen Thomas Erlewine, All Music Guide

1. Get Rhythm - Joaquin Phoenix
2. I Walk the Line - Joaquin Phoenix
3. Wildwood Flower - Reese Witherspoon
4. Lewis Boogie
5. Ring of Fire - Joaquin Phoenix
6. You're My Baby
7. Cry Cry Cry - Joaquin Phoenix
8. Folsom Prison Blues - Joaquin Phoenix
9. That's All Right - Tyler Hilton
10. Juke Box Blues
11. It Ain't Me Babe - Joaquin Phoenix, Reese Witherspoon
12. Home of the Blues - Joaquin Phoenix
13. Milk Cow Blues - Tyler Hilton
14. I'm a Long Way from Home - Shooter Jennings
15. Cocaine Blues - Joaquin Phoenix
16. Jackson - Joaquin Phoenix, Reese Witherspoon

uf, nestade


al fala svejedno za sve ostale!

[victory]

Walk the Line (2005)

http://s5.yousendit.com/d.aspx?id=18LCY ... 8GOF37AVPO

For Walk the Line, his biopic of country legend Johnny Cash, director James Mangold took a different tactic than director Taylor Hackford did with his Ray Charles bio, Ray. Where Hackford used Charles' classic original recordings for Atlantic as the heart of the film, Mangold decided to use new recordings for his movie, hiring producer T-Bone Burnett, the mastermind behind the surprise soundtrack success of the Coen Brothers' old-timey O Brother, Where Art Thou?, to steer his cast through re-creations of the classic Sun sound. Burnett skillfully conjures that lean, muscular, mysterious sound for his Walk the Line work, keeping all the performances direct and unadorned -- "Ring of Fire" even has its mariachi horns stripped from it -- and hiring a bunch of pros, including Sun vet Jack Clement, as the backing band. All this means that on a pure sonic level, Walk the Line is quite successful, but as a soundtrack album, it's still a bit of a disconcerting listen because it is, after all, actors singing as part of their performance. Listening to Joaquin Phoenix sing Johnny Cash's words and Reese Witherspoon sing as June Carter, it's hard not to shake the feeling that their on-record performances are part of a greater scheme that is impossible to discern without the film as a whole. That said, both Phoenix and Witherspoon give serious, sincere performances that are quite effective, particularly when they're supported by Burnette's crackerjack production. Strangely enough, it's the cameos from the other musicians featured in the film that ring a discordant note: Tyler Hilton's Elvis Presley and, especially, Waylon Malloy Payne's cartoonish Jerry Lee Lewis are too close to caricatures to be effective, while Shooter Jennings' "I'm a Long Way from Home" and Johnathan Rice's "You're My Baby" (which regrettably drops the "little wooly booger" from Cash's original tune) are just a shade too modern in their approach to fit comfortably among the earnest, faithful re-creations that surround them. So, Walk the Line winds up being a curious yet enjoyable listen. By no means does this replace the Cash or Carter originals, but it's a good tribute to both musicians, while providing some fascinating insight to the art and craft of Phoenix and Witherspoon as actors. ~ Stephen Thomas Erlewine, All Music Guide

1. Get Rhythm - Joaquin Phoenix
2. I Walk the Line - Joaquin Phoenix
3. Wildwood Flower - Reese Witherspoon
4. Lewis Boogie
5. Ring of Fire - Joaquin Phoenix
6. You're My Baby
7. Cry Cry Cry - Joaquin Phoenix
8. Folsom Prison Blues - Joaquin Phoenix
9. That's All Right - Tyler Hilton
10. Juke Box Blues
11. It Ain't Me Babe - Joaquin Phoenix, Reese Witherspoon
12. Home of the Blues - Joaquin Phoenix
13. Milk Cow Blues - Tyler Hilton
14. I'm a Long Way from Home - Shooter Jennings
15. Cocaine Blues - Joaquin Phoenix
16. Jackson - Joaquin Phoenix, Reese Witherspoon

uf, nestade


al fala svejedno za sve ostale!

Zadig, evo novi link za Walk the Line

http://www.megaupload.com/?d=MAGU0GO8

[Zadig]

volim kesa,
danke majstore danke

[victory]

Stand By Me (1986)

http://s58.yousendit.com/d.aspx?id=1UD5 ... LDF874RDP2

This is one of those soundtracks that may have worked better during the vinyl era. Most of the tunes here (each and every one a '50s rock classic) are likely already in the CD collections of fans of this kind of music. That's probably the case with Buddy Holly, Ben E. King, the Del Vikings (two cuts here), the Coasters, Jerry Lee Lewis, and perhaps Shirley & Lee. It's probably not true of the Chordettes' "Lollipop," but that tune is used to such great effect in this terrific flick that you may just want to watch the video again. You can't go wrong with 10 feel-good classics. --Bill Holdship

1. Everyday - Buddy Holly
2. Let The Good Times Roll - Shirley/Lee
3. Come Go With Me - Del Vikings
4. Whispering Bells - Del Vikings
5. Get A Job - Silhouettes
6. Lollipop - Chordettes
7. :Yakety Yak - COASTERS
8. Great Balls Of Fire - Jerry Lee Lewis
9. Mr. Lee - Bobbettes
10. Stand By Me - Ben E. King

[victory]

Old Boy [Yeong Wook Jo] (2005)

http://s57.yousendit.com/d.aspx?id=024N ... QEBJQQNKK1

Soundtrack to the 2004 Cannes Film Festival Award Winning Korean Film. Music by Choe Seung-yeon, I Ji-su, and Sim Hyeong-jun.

1. Look Who's Talking
2. Somewhere In The Night
3. Count Of Monte Cristo
4. Jailhouse Rock
5. In A Lonely Place
6. It's Alive!
7. Searchers
8. Look Back In Anger
9. Vivaldi " Four Seasons"
10. Room At The Top
11. Cries And Whispers
12. Out Of Sight
13. For Whom The Bell Tolls
14. Out Of The Past
15. Breathless
16. Old Boy
17. Dressed To Kill
18. Frantic
19. Cul-De-Sac
20. Kiss Me Deadly
21. Point Blank
22. Farewell, My Lovely
23. Big Sleep
24. Last Waltz