Forum Klix.ba

PAPS wrote:Sinoć pročitah u novinama, negdje u rubricu; kultura pa nešto o "jazz"_u, da je Rabih Abou-Khalil ima novi zvučni zapis a danas to vidim na sa-x...
aferim za ovo

Jos samo danas u vasem gradu, a sutra ko zna gde

Year: 2004
Style: Turkish traditional, instrumental
Country: Turkey
Quality: 192 kbps
Size: 73 MB (5% recovery information included)

Louis Delgado
El hechizo de Babilonia


Album : El hechizo de Babilonia
Artist : Luis Delgado
Release date : 2001
Number of discs : 1
Total size : 56,9MB
Total time : 01:01:34

Tracks:
1. El Diwan De Las Poetisas (2:11)
2. Me Desea (8:27)
3. El Hechizo De Babilonia (4:16)
4. El Relámpago (6:44)
5. Gibralfaro (5:48)
6. El Vergel Ignorado (7:24)
7. Es Bueno Todo Lo Que Surge De Vos (3:25)
8. Tinmel (3:10)
9. La Puerta De Los Pescadores (5:32)
10. La Doncella Del Rio Y El Valle Del Guadíx (7:32)
11. Clara (6:53)

@128 Kbit/s mp3

Performers:
Mariem Hassan: Voice and T`bel
Herminia Hungenel: Voice and chorus
Maria del Mar Bonet: Voice
Jaime Muñoz: Kaval, Clarinete, Axabeba, Nei
Javier Bergia: Dumbek
Hossam Ramzy: Doholla, Rik, Dundu, Toura, Daff, Karkatak, y Tabla Egipcia
El Arabí Serghini Mohamed: Voz en el corte7, Viola, Tar, Tarrijas y coros.
Luis Delgado: Oud Oriental, Oud Andalusi, Saz Turco, Cumbuç Turco, Guitarra E-Bow, D´arbouka, Santur, Tar, Sonajas, Mandolina, T´billat, Cantaras de Oaxaca, Guimbri, Suissen, Buzuk arbi, Bendhir Magrebi, Zanfona, Coros y programación de ordenador.
The poets are the following ones:- Umm Al Kiram Bint Al-Mu`tasim ibn Sumadih
- Nazhum Bint Al-Quila
- Hansa Bint Al Hayy Al-Rakuniyya
- Qasmuna Bint Ismail
- Umm al-Ala Bint Yusuf al-Hiyariyya
- Hamda Bint Ziyat Al Mu

Download:

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zahvaljujem

imas na youtube i skidaj

Vrelo su na svom debi albumu Preko Reke
http://www.sarajevo-x.com/forum/viewtop ... start=2125 obradile pesmu Brovi. Evo originala. Album Vrela mozete skinuti u celosti ili samo pesmu Brovi.

Year: 2007
Style: Electronic, Folk, World, & Country, Jazz, Pop
Country: Turkey
Quality: 192 kbps
Size: 108 MB (5% recovery information + artwork included)

Tracklist:
01. Askin Yolu - Barboros Erköse Emsemble
02. Gülümcan - Murat Isbilen
03. Hamamda Ilk Gözyasi - Can Atilla
04. I Love You - Ömer Faruk Tekbilek
05. Istanbul Istanbul Olali - Sezen Aksu
06. Salkim Hanimin Taneleri (Açilis Müzigi) - Tamer Çiray
07. Yagmurla Gelen - Göksel Baktagir
08. Türkish Mix / Bir'den Bir'e - Rana Erkan, Anjelika Akbar, Zara
09. Iki Nefes / Two Breath - Alihan Samedov, Sadrettin Özçimi
10. Istanbul 1:26 Am - Orient Expressions
11. Hayalname - Mercan Dede
12. Amak-i Hayal -Mehmet Cemal Yesilçay
13. Ask (Love) - Turkish Delight
14. Istanbul Dream - Trance Istanbul Project, Dj Kambo

Year: 2008
Style: nuevo flamenco
Country: Iran, Spain
Quality: 192 kbps
Size: 97 MB (5% recovery information & artwork included)

Tracklist:
1. Cadiz 4:32
2. Fuego Gitana 4:26
3. Azul 5:04
4. Golden Touch 4:49
5. Passion 5:01
6. Treasures 4:54
7. Barcelona 4:51
8. Blue Paradise 5:00
9. Moonlight Café 4:46
10. Treasures From Spain 4:54
11. Barcelona Sunsets 4:59
12. Casa Patas 4:30
13. Fire Within 4:40
14. Your Lovely Smile 4:44 Armik, the internationally renowned Nuevo flamenco guitarist/composer/producer, offers this amazing compilation of his most inspired and spontaneous expressions. This excellent collection shares Armik's special guitar skills and world-class technique. Tracks, Cadiz, and Fuego Gitana are two recently written songs, which speak to a more contemporary version of flamenco fire, each flying high enough to embrace suave melodies from the winds of passion.

Artist: Loudovikos ton Anogeion
Style: neoethno
Country: Greece
Albums:
1993 To Meintani
1995 Harmatousa
1997 Pili Tis Ammou
1998 To Ohi Apokoimithike Stin Agalia Tou Nai
2001 Anoixa mantarini kai se thymhthyka
2006 Gremo den ehoun ta poulia

Loudovikos ton Anogeion with his gentle voice, the compelling lyricism of his songs and his emotionally sensitive arrangments have enchanted Greek audiences for years. His midnight concerts in historic settings have cult status, and his CDs habitually top the Greek charts, staying there for weeks. His lyrics are inspired by his profound knowledge of the way of life, the feelings and the klix of the people who live here. In the foreword to this edition, Loudovikos wrote: "Up here on the barren slopes of Mount Psiloritis, people listen to the spirit of the stones. We sing of unrequited love and the paths it takes. And we still sing of death in a deeply erotic way. The people of the mountains are closer to the heavens."


Album: To Meintani
Year: 1993
Quality: 192 kbps
Size: 62 MB (5% recovery information included)
Tracklist:
1. POIO TO HROMA TIS AGAPIS
2. PARETRA EROS ARANI - SYMMETEHEI I DAFNI PANOURGIA
3. TO ANTHOHAMOGELO - DAFNI PANOURGIA
4. KI AN TRAGOUDO TON EROTA
5. ENA AIDONI XEHASMENO - DAFNI PANOURGIA
6. S'TO 'PA MIA
7. TO MEINTANI
8. ARHAIA NYMFI - DAFNI PANOURGIA
9. PISO APO TA KALAMIA
10. LEYKO TRAGOUDI
Album: Harmatousa
Year: 1995
Quality: 128 kbps
Size: 48 MB (5% recovery + artwork included)
Tracklist:
I Agapi Tragoudietai Panda (4:21)
To Rodi (4:30)
To Nima Ton Keron (4:06)
Ismini (3:29)
Ta Dakria einai Dio Logio (6:25)
O Mikros Alitis (3:49)
To Xilino Palto (4:58)
O Ikaros (3:09)
I Proti Ahtina (3:30)
To Asimenio Nifiko (6:23)
An einai Kai O Erontas Se Theli (3:32)
Album: Pili Tis Ammou
Year: 1997
Quality: 192 kbps
Size: 59 (5% recovery information included)
Tracklist:
Ioulios ki o Anemos (3:06)
Kourasmeni Neraida (4:58)
Mana (4:32)
Anoihto Parathiro (1:49)
To Gramma Tou Nayti (2:48)
To Aroma (3:59)
Pili Tis Ammou (3:47)
Salomi (Malamas & Lizetta Kalimeri) (4:05)
Dodeka Ta Ohi (5:06)
To Xero Pos Yparheis (2:12)
To Neló (Water) (3:50)
Album: To Ohi Apokoimithike Stin Agalia Tou Nai
Year: 1998
Quality: 192 kbps
Size: 62 kbps (5% recovery information included)

Tracklist:
Milia (2:47)
Meryl (3:39)
Yakinthos (3:12)
To Voulismeno Aloni (Venetsanou) (3:52)
Gyreyo Na 'Rtheis (2:47)
Kafeneion "To Meltemi" (2:51)
Mideia (Kana) (3:07)
Tis Agapis To Vivlio (3:33)
Mana Kai Gios (Kalimeri Lizeta) (2:48)
To Krasi Tou Dionysou (3:25)
H Hartorihtra (Kalimeri Lizeta) (4:49)
(3:08)
To Ohi Apokoimithike Stin Agalia Tou Nai (2:53)
Album: ANIXA MADARINI KE SE THIMITHIKA
Year: 2001
Quality: 291 kbps
Size: 72 MB (5% recovery information included)
Tracklist:
1 O THRINOS TIS ERMIONIS
2 PORTRETO MIAS NERAΪDAS (ORHISTRIKO)
3 IERIA
4 FRAGKOKASTELO
5 ASPRO KRINO
6 DIARKIS HORISMOS
7 ANIXA MADARINI KE SE THIMITHIKA
8 I KALAMIA KE O ANEMOS
9 O EROTAS MILAI
10 O EROTEFMENOS FOURNARIS
11 ALFAVITA
12 I AFONI STAHTI
13 TOU LIMANIOU O YIOS
14 NANOURISMA
15 KIMMATOUDE MOU TA SPLAHNA
Year: 2006
Quality: 192 kbps
Size: 66 MB (5% recovery information + artwork included)
Tracklist:
1 TAXIDI STIN POLI 4:20
2 TO DAKRI 2:51
3 KE ME ROTAS 3:55
4 ANATHEMASE EROTA 3:53
5 ME TA HRISA TA HTENIA 3:14
6 O FAROS 3:56
7 O MAVROS KAVALARIS 2:54
8 ARHANGELOS 3:10
9 TO MIROLOI TIS FOKIAS 2:34
10 I GERAKINA 4:01
11 VATOUS KE AGKATHIA 2:58
12 SAN IDA NA HOREVIS

Jos nesto Indijanske muzike ako ima..uzeli su me definitivno.

Kontam odseliti na Planinu.

Dzemidzic wrote:Jos nesto Indijanske muzike ako ima..uzeli su me definitivno.

Kontam odseliti na Planinu.

01. Tribu - Sagral Nirvana
02. Pachuly & Friends - Wakan Tanka Vision
03. Ah Nee Mah - Rhythm Of The Heart
04. Alborada - Ananau
05. Mato Grosso - Dancing Under The Moon
06. Wayra Nan - Allin Quampy
07. Lakota Sioux - From Across The River
08. Alborada - White Buffalo
09. Reencuentros - Chirapaq
10. Fearsome Brave - O - Loa - Ki - Lee
11. Joseph Fire Crow - Mother Wolf
12. Pachuly & Friends - Forget Your Sorrows
13. Primeaux & Mike - Earth Drone
14. Outro - Sic'E Ceya Ce (Mother Earth Round Dance)



1. Chariots of fire
2. Good bye my love good bye
3. Greace
4. Griego
5. I cant stop loving
6. Italiano
7. Libertad
8. Melody
9. Memory
10. Negros
11. Paloma
12. Rose
13. Time to say goob bye


01. Great Spirit Dance
02. Fire
03. Ceremony To Mother Earth
04. Closer To Far Away
05. The Wolf Dance
06. Voices Of The Wind
07. Flight Song
08. Masked Dance
09. Spirit Whistle
10. Buffalo Trail
11. Smoke Signals
12. Trails Of Our Ancestors

Hvala black

MAKIS ABLIANITIS
Style: Neoethno
Country: Greece
Web: http://www.makisablianitis.com with guests such as Maria Farantouri, Hariprasad Chaurasia, Fuat Saka, Dragan Dautovski, Giorgos Maglaras, Glen Velez, Ross Daly, Manolis Lidakis

Tracklist:
1. LOVE SECRET
2. ASTRO KRIFO
3. ETERNAL SONG
4. SUN WALK
5. BAHAR
6. DHAULAGIRI
7. MI MOU ARNITHIS
8. SKY COLOURS
9. HAND BUILT
10. BALLOON TRAVELER
11. RIVER
12. SEABIRD
13. WOOD, STEEL, AIR
14. SAGARMATHA
15. ASTRO KRIFO

Total time: 64:47 This disk has its soft and hard edges exquisitely balanced. The guitar work is pristine and the use of some unusual instruments makes it a collector's item. For those of you whose cd collections have reached a size where even an excellent disk is not worth buying - here is a disk which is unique. Put it in its own section and revel in it.
----------------------------------------------------
The album 'BAHAR' (LM020) by Makis Ablianitis was released in December 2000 and it immediately became a great success. Ablianitis was invited at the 'Ethnic & Jazz Festival' ( Athens ) in the spring of 2001 to perform 'BAHAR'. And therefore, the opportunity for Ablianitis' group to be formed was presented. 'BAHAR' crossed the borders and became known worldwide. The French company 'George V Records' included the piece "Love Secret" in the collection of "BUDDHA BAR" for the 40 th anniversary of Amnesty International. Three more record companies ( Stereo Deluxe, Kriztal, 4 Fun Music) have asked for pieces from 'BAHAR' to be included in their collections. Ablianitis' group appeared in Constantinople in the spring of 2002 and in the summer of the same year it participated in the festival of Ohride and a month later at the "New Age & World Music Festival" at Skopje . The following spring the group performed for the second time for the audience of Constantinople that had supported "BAHAR" so fanatically.

After all these live performances there was a new inspiration in the music of "BAHAR". The direct communication with the audience, the chemistry among the members of the group but also the musicians' improvisational mood has created a new, completely different and very interesting version of 'BAHAR'. Yet, it's not just about the already known pieces. Ablianitis has written new pieces especially for his concerts, and has rearranged the pieces of other musicians (Imaginary Traveller/ Brian Keane). Therefore, the material of the live recordings of 'BAHAR' is now completely different from that of the original record.


Tracklist:
1. BAHAR 6:41
2. UNDER THE SKY 5:10
3. LOVE SECRET 7:03
4. HAND BUILT 6:32
5. DHAULAGIRI 5:42
6 ETERNAL SONG 4:06
7. RIVER 4:15
8. SUN WALK 7:26
9. WOOD STEEL AIR 6:00
10. MASALA 5:44
11. SEABIRD 7:06
12. IMAGINARY TRAVELLER 7:26
13. BALLOON TRAVELLER 5:52
Featuring: Tigran Sarkisian, Fotis Mylonas, Dimitris Papanikou, Vassilis Pouseos, Giannis Papagiannoulis, Mohamed Arafa

Tracklist:
1. ANANDA
2. KISMET/ MOIPA
3. BABA I (So Near So Far)
4. BABA II (So Bright So Dull)
5. BABA III (So Light So Heavy)
6. DESERT LAND
7. PANAGARA
8. ELEVEN TOWERS
9. GANGA
10. ABSENCE
11. TRE CIME
12. FEED THEM ALL
13. MESSOGIOS
14. LOST CARAVAN
15. KISMET (instrumental) Featuring Manolis Lidakis (voice), Fuat Saka (vocals), Hariprasad Chaurasia (bansuri). Giorgos Maglaras, Tigran Sarkissian, Nikos Paraoulakis, Vangelis Karipis, Nikos Kapilidis, Tanya Nikoloudi, Yiannis Papayiannoulis and… Dragan Dautovski.

Seven years after the golden CD BAHAR (LM020), and three years after BAHAR LIVE, under the sky (LM035), Makis Ablianitis releases his new album. KISMET, the fate that controls our lives or the fate that we make (?): a title that was not accidentally used, as Ablianitis writes at his dedication to his father.

This time Makis Ablianitis is travelling to internal landscapes: to the past, the memories, the emotions. And as we travel from track to track our emotions change from melancholic to optimistic, from down-tempo to up-tempo.

Biography from official website:

Makis Ablianitis is an inspired composer and one of the most important guitar players in Greece. His relationship with music began at the age of 15 when he got his first guitar. He studied theory by attending seminary courses of Theodoros Antoniou and at the Center of Contemporary Musical Research. Following this, he studied higher theory by graduating from the classes of Fugas and Orchestration with excellent. He concluded his studies at the Berklee Music College of Boston with a scholarship. The period of his studies at Berklee was decisive for his later course as a musician, because at the same time of his studies, he had the ability to play with renowned musicians of the Boston jazz scene.

In 1993 he formed the quartet ‘Jazz Steps’ and in 1995 the group ‘Jazz Crew’. During the period of 1996 - 1998 he was a member of the ethnic group of Michalis Nikoloudis and Omar Faruk Tekbilek, performing at the concerts they gave in Greece and abroad.
His debut took place in 1997 with the album ‘FLAME KEEPER’ (THESIS / 1997). An integral part for his carrier also was his collaboration with the ‘ARTS, DANCE & MUSIC PRODUCTIONS’, in November 1999. It involved the very successful BROADWAY shows in Athens.
At his second album 'BAHAR' (LIBRA MUSIC / 2000), Ablianitis met the world famous Indian flute player, Pt. Hariprasad Chaurasia, and one of the best Greek singers, Manolis Lidakis. Not only 'BAHAR' is a very interesting project, but also it was hit at once. Ablianitis formed his own group and toured Greece, FYROM and Turkey. His music became famous, and many labels ask for license to include tracks of BAHAR in their collections. On January 2004 was released MOSAIC (LIBRA MUSIC), the album of the famous Greek singer Maria Farantouri (featuring: Glen Velez, Fuat Saka, Pt. Hariprasad Chaurasia, Ross Daly). Ablianitis has given 3 songs to Farantouri and made all the arrangements of the album.

In the spring of 2004 he formed the group “HOT ORGANIC TRIO”. The trio plays original songs and jazz standards, with the distinctive sound, that only the trio: guitar- hammond organ- drums, can create.
On December 2004, released the album ‘BAHAR Live under the sky’, with songs from the ‘BAHAR’ cd, and new songs that recorded live.
The listener who has already listened to ‘BAHAR’ will feel here the value of live, since the communication with the audience, but also among the musicians is determinative and it is that, which gives to the musician the impulse to ‘take off’. The melodic lines are changing, following the vividness of the moment and in their turn they influence and are influenced by the audience’s reaction.
Makis Ablianitis has numerous participations on festivals and concerts all over the world, while he is also involved with the tuition of jazz music by teaching guitar, modern harmony and orchestration at various Conservatories in AthensAt this time period Makis Ablianitis released his new cd ‘KISMET’, featuring among others: Manolis Lidakis, Hariprasad Chaurasia, Fuat Saka, Dragan Dautovski, and Giorgos Maglaras.

2008 | VBR | 79 MB

Some Papasov fans might be slightly disappointed at the absence of vocals from Ivo’s mercurial wife, Maria Karafizieva, but there’s a real focus to these blistering, Balkan-flavoured tunes. Papasov’s playing is sometimes broiling and spicy, sometimes considered (almost ethereal) in its reflection, but it’s always at the centre of arrangements that illustrate the power of putting together a sterling set of support musicians and enveloping them in a big, spacious production sound.

Highlights include the rip-roaring opening track, and on this and the more melodic ‘Tinner’s Dance’, Ivo’s dazzling virtuoso runs are underpinned by percussion that crackles with energy. ‘Sunrise’ is moodier, almost menacing in tone and positively begs for inclusion on an arty East European cinema verité soundtrack.

Speaking of films, there’s a nice oriental nod in the direction of Henry Mancini on ‘Pink Panther’, the smooth tone invigorated by Papasov’s innate tendency to stray adventurously into wild and soaring improvisational runs.

Technically brilliant but with a fresh, energetic approach, the only real drawback to Dance of the Falcon is that some of the jazz tinges (especially the guitar and keyboard flourishes) seem superfluous, and in fact at times they’re buried almost apologetically in the mix. There is also a danger that the sheer breathless virtuosity will become overwhelming for some — don’t expect to be humming too many catchy melodies after hearing this album. But with Paposov’s wild gypsy past rushing like an invigorating whirlwind through this recording, Dance of the Falcon is one of the most thrilling — if challenging — releases of the summer.

IVO PAPASOV (IBRYAMA)



Musicians:
Ivo Papasov - clarinet
with:
Kosta Kolev, Dimiter Trifonov - arrangements, conductor
Peter Ralchev - accordion
Trifon Trifonov - saxophone
Yuri Yanakov
Stefan Angelov
Neshko Neshev
Thrace Orchestra and other orchestras

tracklist:

1. Slow Song and Bachevsko Horo (5'48")
2. Ivailovsko Horo (3'46")
3. Slow Song and Haskovska Ruchenitsa (4'07")
4. Spasovsko Horo (3'27")
5. Dyadkova Ruchenitsa (3'51")
6. Papazliisko Horo (3'53")
7. Slow Song and Stamboliiska Ruchenitsa (3'05")
8. Chelekovsko Horo (5'15")
9. Dulboshka Ruchenitsa (3'27")
10. Mariikono Horo (3'13")
11. Kurdjaliiska Ruchenitsa (4'12")
12. Hristuyanovo Horo (5'08")
13. Papazliiska Ruchenitsa (4'12")
14. Kurdjaliisko Horo (4'23")
15. Kolarovsko Horo (4'31")
16. Iliikovo Horo (4'25")

TogetheR AgaiN




1. Oriental - Papasov, Ivo

2. Lenorije Chaje - Papasov, Ivo

3. Filips Kyuchek - Papasov, Ivo

4. Belomorsko Horo - Papasov, Ivo

5. Na Trapeza - Papasov, Ivo

6. Kurdzhaliiska Ruchenica - Papasov, Ivo

7. Star Dimo and Mama Radojcho Gulsceshe - Papasov, Ivo

8. Balkanski Kyuchek - Papasov, Ivo

Jedan od najboljih orkestara istocne Evrope. Cosmic Moldavian music. Za neupucene, poceti sa albumom Virtuozii Basarabiei

NICOLAE BOTGROS SI ORCHESTRA LAUTARII
Albums:
Drag mi-i cantecul si neamul ...... 128 kbps, 73 MB
Ma mindresc cu lautarii ...... 160 kbps, 59 MB
Orchestra Lautarii (2000) ...... 128 kbps, 112 MB
Orchestra Lautarii ...... 128 kbps, 64 MB
Virtuozii Basarabiei ...... 256 kbps, 110 MB


Album: Drag mi-i cantecul si neamul
Tracklist:
01. Hora martisorului (1:48)
02. Hai la hora mare (3:07)
03. Asta-i nunta de boieri (3:55)
04. Trece vremea (4:06)
05. Dragul maicutei fecior (5:33)
06. Astazi este ziua mea (3:25)
07. Mai barbate, omule (1:59)
08. Ia mai da crasmare, vin (2:10)
09. Draga mi-i vara la oi (2:51)
10. Nalt e dealul, jos e vale (2:54)
11. Azi e nunta-n satul meu (2:05)
12. Mierlita cand e bolnava (3:55)
13. Foaie verde untdelemn (4:24)
14. De-acasa cand am plecat (3:41)
15. Azi e hora-n sat la noi (2:09)
16. Am avut doi megiesi (3:01)
17. Cand aud ca-i sarbatoare (2:33)
18. Te-am vazut ieri suparat (2:57)
19. Merg la hora si-oi juca (2:30)
20. Vai vai vai copiii mei (4:20)
21. Hai dorule (2:46)
22. Noi la nunta am cantat (3:16)
23. Supararea bate-o Doamne (2:39)
24. Am trait bine cu jocul (2:07)
Album: Ma mindresc cu lautarii
Tracklist:
De la Cluj la Chisinau (2:09)
Sirba olteneasca (2:26)
Joc moldovenesc (1:36)
Mandra floare-i trandafirul (3:55)
Azi e ziua mamei mele (3:22)
Sarba de nunta (2:32)
Hora lautareasca (1:51)
Erita fecioara (4:02)
Du-ma dorule mai tare (2:54)
Inimioara cu dor mult (2:39)
Sirba de la sud (2:04)
Ca la breaza (2:55)
Mi-i dor de parintii mei (4:24)
Sirba lui Marcel Budala (2:32)
S-a dus badea militar (4:02)
Zi-i, scripcare (1:53)
Hora de la Gostinari (4:58)
Cind eram pe Ialomita (3:47)
Album: Orchestra Lautarii (2000)
Tracklist:
Batuta Moldoveneasca (1:22)
Ciocarlia (2:35)
De Cand Ne-a Aflat Multimea (6:25)
De Trei Ori In Jurul Mesei (3:28)
Doina Banatului (4:40)
Dor De Casa (2:56)
Track 06 (3:22)
Hai Romani De Peste Sate (2:16)
Hora Basarabiei (2:31)
batrineasca (2:46)
Track 12 (2:08)
Track 03 (2:43)
Hora Mare 2 (1:50)
Hora Martisorului (1:46)
Hora Moldoveneasca (2:21)
Hora Si Sarba In Stil Lautaresc (5:10)
In Amintirea Lautarilor (4:55)
In Drum Spre Casa (5:12)
Joc de nunta (2:20)
Joc din Bugeac (1:38)
Joc Moldovenesc (1:22)
Lacrimile Prutului (6:52)
Lautareasca Lui Trigube (4:44)
Lautareasca (2:16)
Melodie Lautareasca (2:58)
Omagiu Lui Nicolae Sulac (6:16)
Polca Noua (2:08)
Sarba De Concert (1:41)
Sarba Din Batrani (2:09)
Sarba Moldoveneasca (2:26)
Sarba Olteneasca (3:20)
Sarba Zarnestenilor (2:55)
Sirba Si Coragheasca (4:54)
Suita Din Banat (5:36)
Taraneasca de la Stefanesti Co (2:36)
Album: Orchestra Lautarii
Tracklist:
1 Hora Mărţişor
2 Sârba Bădicenilor
3 Hora mare
4 Sârba lăutărească
5 Melodie de ascultare
6 Hai români de peste sate
7 Hora şi sârba în stil lăutăresc
8 Polca nouă
9 Sârba
10 Bătuta moldovenească
11 Sârba din bătrâni
12 Hora de la Vad
13 Învârtita
14 Hora lui Gh. Ghindă
15 Sârba de la tata
16 Hora moldovenească
17 Suita din Banat
18 Lăutăreasca
19 Sârba de concert
20 Hora cu bucluc

Album: Virtuozii Basarabiei
Tracklist:
01 - Sarba de concert
02 - Hora mare
03 - Batuta taraneasca
04 - Sarba zarnestenilor
05 - Joc pastoresc
06 - Joc de nunta
07 - Coragheasca pe 12
08 - In amintirea lautarilor
09 - Hora visului meu
10 - Joc moldovenesc
11 - Sarba moldoveneasca
12 - Hora moldoveneasca
13 - De cand ne-a aflat multimea
14 - Sarba olteneasca
15 - Brau oltenesc si muntenesc
16 - O polca noua
17 - Doina Banatului
18 - Hora Basarabiei
19 - Hora Martisorului
20 - Hora cu bucluc

Ma Xiaohui
The Spirit of my Erhu


Album : The Spirit of my Erhu
Artist : Ma Xiaohui
Release date : 2006
Number of discs : 1
Genre : Traditional
Total Time : 01:09:26
Total size : 63,6 MB

Tracks :
01 - A Shepherdess On The Tianshan Mountains
02 - A Clear Night
03 - Horse Race
04 - The Spirit Of My Erhu
05 - On The Grassland
06 - Raindrops On The Banan Plant
07 - A Candid Old Farmer
08 - Listening To The Sighing Of Pines
09 - A Town In Jiang-Nan
10 - Birds In Lonely Mountains
11 - A Little Ballad Of He-Nan
12 - Changed Is The Mountain Village

@ 128 Kbit/s mp3

Xiaohui Ma (马晓晖, pinyin: Mǎ Xiǎohuī) an erhu player and composer from Shanghai, China. She is one China's few first-class traditional artists embracing an international career. Critics have referred to her as "an artist who speaks with the world through Erhu" and "a musician who plays with heart."

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Year: 2008 (release date: october 6)
Style: funky brass, new orleans funk
Quality: 320 kbps
Size: 99 MB (5% recovery information included)
Tracklist:
01. Its Real (Lack Of Afro Remix) 5:34
02. Get Up (Diesler Remix) 4:59
03. Its Real (Pavlov & Mishkin Remix) 3:30
04. We Are The One (Natural Self Remix) 4:01
05. Whats My Name (Aldo Vanucci Remix) 4:07
06. Jisten To Me (Hint Remix) 6:03
07. Sexual Healing (Me&You Re-edit) 8:57
08. Mish Mash (Unforscene Remix) 4:48
09. Get Up (Unforscene Remix) 3:25

Press Release :
"New Orleans' finest" - The Guardian
"The sound of the summer" - Time Out
"Makes brass sound cool and sassy again" - The Daily Telegraph
"Turning the songs of Snoop Dogg and Marvin Gaye into New Orleans masterpieces" - Word Magazine

After wooing fans with the raucous charm of their debut album ‘Rock With The Hot 8' (featuring that "Sexual Healing" cover) and the raw party energy of their live shows, Hot 8 Brass Band are back in town.
It's been a busy old year - they completed a sell-out UK and European tour in February, appearing on The Culture Show (BBC 2); laying down a couple of tracks for the new Basement Jaxx album; and recording live sessions for BBC Radio 1 and BBC 6Music while they were over here.

Hot 8 will be touring the UK between 29th July - 10th August, including a high profile spot at The Big Chill festival (2nd August); gigs including Brighton (30th July) and London (31st) and a host of other festivals. They have also had requests to play on major UK chat shows and in the BBC's Electric Proms so you may be seeing them from the comfort of your living room soon.

Available as a digital download-only release to coincide with their forthcoming UK tour, this remixes album kicks off with the seriously funky, hi-energy Lack Of Afro Remix of "It's Real", with wayward wah wah guitars and heavy hitting drums; ditching the vocal for a full on instrumental jam.

Tru Thoughts label-mate Natural Self applies his innately classy beat-making and production skills to "We Are One", laying a stripped back, bassy reggae-style groove under the lush, multi-layered horns. Those who are familiar with Natural Self's latest album ‘The Art Of Vibration' - which came out in June to great reactions and radio play from Mark Lamarr (Radio 2) and Gilles Peterson (Radio 1) - will know that a strident, funky horn section is a prominent feature in his own compositions.

Hint's rework of "Jisten To Me" has got his light yet energetic touch running right through it, transforming the flowing big brass number into a cheeky dancefloor track, isolating a single horn hook and fashioning a catchy break. All the tricks and quirky electronic touches that have made Hint's own tracks, such as "At The Dance" and "The Tremmuh" such massive DJ weapons in recent years, are out in force. Hint's hotly-anticipated new album ‘Driven From Distraction' is out on 28th July.

The famously wonderful Hot 8 Brass Band cover of "Sexual Healing" features here too, edited to a slightly more manageable five minutes by Me&You - aka Tru Thoughts' TM Juke and Robert Luis.

Unforscene seamlessly weave their trademark atmospheric textures through "Mish Mash" and give "Get Up" an eerie, ominous edge, cranking up the marching beat and the tension levels to eleven. Diesler takes the chunky jazzy hip hop of "Get Up" and gives it a dusting down for the dancefloor, while "It's Real" comes out of Palov & Mishkin's studio with a cheeky cut'n'paste hip hop vibe, scratching and a big ol' beat. One of the most out-there remixes on this collection is Aldo Vanucci's makeover of "What's My Name", with an insistent hook and a dancehall-style vocal taking it to another sphere.

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The members of the Hot 8 were all born and raised in New Orleans; many of them began playing together in high school. In 1995 they came together and began playing traditional New Orleans brass band music professionally.

Founded by Bennie Pete, Jerome Jones, and Harry Cook in 1995, the band has played in traditional Second Line parades hosted each Sunday by a Social Aid and Pleasure Club ever since. The Hot 8 are famous for playing all day in the sun, then hopping to a club gig and playing through the night. But even more than their boundless energy, what makes the Hot 8 special are the sounds they coax from their well-loved, well-worn horns.

The Hot 8 Brass Band has toured in Japan, Italy, France, Spain, Finland, England, and Sardinia. They play regularly at the New Orleans Jazz & Heritage Festival ("Jazz Fest") and have played in the Village Halloween Parade in New York City, the Putumayo World Musics Concert of Thanksgiving in New Orleans, the Mardi Gras day Zulu parade, San Antonio Zulu Association Festival, the City of New Orleans New Year's Celebration and Mo' Fest, the Tom Joyner Morning Show, and the Master P music video Hootie Hoo.

Following Hurricane Katrina and the devastation wrought upon New Orleans, The Hot 8 became the featured band in the SAVE OUR BRASS! relief project, which brought music to evacuee shelters, temporary trailer parks, and communities that have reached out to New Orleanians. As a result, the Hot 8 Brass Band have been featured on CNN, Nightline, WDSU-TV (New Orleans) and in the New York Times.

Year: 2008 (release date: October 13)
Style: traditional
Country: Cuba
Quality: vbr
Size: 112 MB (5% recovery information included)

Tracklist:
Disc: 1
1. Chan Chan
2. De Camino a la Vereda
3. El Cuarto de Tula
4. La Enganadora
5. Buena Vista Social Club
6. Dos Gardenias
7. Quizas, Quizas
8. Veinte Anos
Disc: 2
1. Orgullecida
2. Y Tu Que Has Hecho?
3. Siboney
4. Mandinga
5. Almendra
6. El Carretero
7. Candela
8. Silencio The landmark Buena Vista Social Club concert at Carnegie Hall-July 1, 1998-was both the start of a remarkable story and the culmination of a dream. This one-time-only event elevated veteran Cuban performers like Ibrahim Ferrer, Ruben Gonzalez, Compay Segundo and Omara Portuondo to long-overdue status as international stars, and it transformed the BVSC's already critically acclaimed album into a commercial juggernaut. Since then, the Grammy-winning Buena Vista Social Club, recorded at Havana's Egrem Studio by guitarist Ry Cooder, has sold over eight million copies, making it the best-selling world music album ever, and the 'Buena Vista Social Club Presents' imprimatur has come to represent an unwavering mark of quality. The evening also became the dramatic heart of German filmmaker Wim Wenders' popular, Oscar-nominated documentary, also called Buena Vista Social Club. No one who saw it could be unmoved by the sight of an elderly performer like Ferrer taking in the skyscraper vistas of New York City or being overwhelmed by rapturous applause after he sang. This live set, then, is the crucial link to everything that happened before or after the Buena Vista Social Club as a group of musicians and as a brand; it's the album fans have eagerly awaited for a decade.
'With the bittersweet delicacy of a classic bolero,' said The New York Times in a review of the concert, 'the Buena Vista Social Club simultaneously celebrated the vitality and virtuosity of its musicians and mourned the era they embody.' The cultural significance of BVSC's performance was matched by its political momentousness; this concert offered a rare opportunity for these master Cuban musicians, coming together for the first time as a single ensemble, to freely play their classic songs for an American audience. This two-CD set preserves an important, but sadly evanescent, moment when borders and bureaucracies miraculously disappeared in the name of art. As singer Portuondo, who would subsequently embark on her own successful American tour, recalled, 'I felt triumphant seeing how we all worked together as a group, seeing how the music reached the audience...We felt so elated to be able to share our music. All of us had known each other for many years and played together many times, but it was a unique and unrepeatable occasion that our culture and our roots could reach the public through such a beautiful concert with all of us there together on the stage.'
To build awareness and anticipation for the live set, Nonesuch released a digital single of 'Chan Chan,' the concert's opening number and arguably the
BVSC's signature song, on July 1, the 10th anniversary of the concert date. The two-disc package also includes candid, often quite moving, first-person reminiscences from many of the surviving participants about the days-and hours-leading up to the concert and the once-in-a-lifetime experience of the evening itself. As album producer and fellow performer Cooder puts it, 'Listening to the tapes of the concert for the first time in ten years, I'm struck by what an amazing musical event it was. You'll never hear it again, people of this caliber working together. They were dramatic personalities and they're nearly all gone. There's nobody left like that anymore.'

Album was released by two of Russia’s leading lights in the world of folk music. In particular these are Sergei Starostin and Andrei Kotov, together with Vladimir Volkov (double bass/viola), and Leonid Fedorov, lead singer of rock staples Auktsyon.

Year: 2008
Style: throat singing
Country: Tuva
Quality: VBR kbps / Joint-Stereo
Size: 57 MB (5% recovery information included)
Tracklist:
01. Mezhegey 4:21
02. Daglarym 3:00
03. Ergim Syaryym / Song of Hope 4:33
04. Artyy Sayir 5:43
05. Erge Chokka / Unneeded 6:27
06. Dembildey / Nomad Dance 6:02
07. Chashpy-Hem / Chashpy River 6:28
08. Ovyur Hadip 3:56
09. Bai-Taiga 4:22

Playtime: 44:58 min

Kaigal-ool Khovalyg - voice, igil, doshpuluur
Chanzy Radik TYULYUSH - voice, byzaanchi, khomuz, amarga
Sayan Bapa - voice, doshpuluur, marinhuur, guitar
Alexey Saryglar - voice, tungur (drum), dazhaaning khavy (rattle)
Sholban Salchak - percussion instruments, igil

The long expected studio album of Huun-Huur-Tu was created in cooperation with famous singer Sainkho from Tuva. The aim was to produce an album based on ballads, with sounds of silence and nature, closed to the great enviroment of central Asia. The listener should dive into the nature and take time for "Mother-Earth! Father-Sky!" The music infers itself to the listener at the moment he/she takes time to relax.

What surprises and delights people who visit Tuva for the first time is that vast expanse of pristine nature.
The tenderness of springs, the wildness of rivers, the calmness of lakes, framed by severe, age-old mountains.
And in Tuva, people are amazed by the immense sky, always blue in the daytime, and infinitely starry at night. And what else? Tuvan melodies.
They have probably been sounding out for a thousand years between the great sky and the pristine earth.
And this calls to mind the words of Sotpaa Sat, the greatest story-teller of Tuva: "Mother-Earth! Father-Sky!"
"In this world, all plants and human beings have their father and mother; that is how the deity created it. Man's father is the sky, they say. From the very beginning, the sky was man's father, so people say."
"Once upon a time, when the flat thing used to float by like the wind, and the round thing used to roll by like a ball, three storms raged in this world. First the fire storm blazed and covered the world with flames. Then the water storm brought a flood and triumphed over the fire storm, putting the fire out, so they say.

Finally the tempest began and razed the high mountain of Sumber-Uula to the ground. The Earth speck emerged from the Sumber-Uula Taiga, which the tempest had destroyed, and crushed the water spout and dried the flood.

People say the tempest created this world. In the place of the tempest, rivers, mountains, valleys, seas and mankind appeared. So they say. Since that time, Father Sky and Mother Earth have coexisted and cannot live without each other. If the fire of the white sky goes and heaven vanishes, then all the living things and beings on Earth will perish..."

"Mother-Earth, I beg you to grant me happiness. Mother Earth, I beg you to grant me luck. Mother-Earth, I beg you to protect and care for my children. Mother-Earth, I beg you to protect my home and origins."
--------------------------------------------------------------
The American producer and critic Ted Levin writes:
"It was shortly after the ensemble HUUN-HUUR-TU left Los Angeles to return to Tuva on the heels of a recording session for the sound track (by Ry Cooder) of a new Hollywood film about Geronimo, the chief of the Apaches, that I sat down to write these notes and realized that I'd forgotten to ask the members of HUUN-HUUR-TU a crucial question: what does HUUN-HUUR-TU mean in Tuvan, and why did they choose it as their monike? I picked up the phone and dialed Kyzyl, the capital of Tuva. In a few seconds, I was speaking with Alexander Bapa, the percussion player in HUUN-HUUR-TU (whose instrumentarium includes a conch shell, an enormous goat-skin shamanic drum, and a rattle made from the ankle bones of a sheep enclosed in a bull testicle. 'HUUN-HUUR-TU' means the vertical separation of light rays that you often see out on the grasslands just after sunrise or just before sunset.

Officially prohibited to foreigners, Tuva had achieved legendary status among a small group of devotees fascinated by the phenomenon of throat-singing, in which a single vocalist produces two or even three notes simultaneously by selectively amplifying harmonics naturally present in the voice. For these devotees, part of the allure of Tuvan throat-singing has undoubtedly been the mystery of Tuva itself. Ringed by mountains, desert, and thick taiga forest where descendants of the aboriginal Siberian forest people still herd reindeer. Tuva seems to be on the way to nowhere.

During the last few years, the political and cultural barriers that isolated Tuva for so long have begun to crumble. Much has changed there since my visit in 1987, when xenophobic officials gave the order to give a whole town a fresh coat of paint before the arrival of our expedition. Additionally all amateur musicians were released from work for one week to be able to prepare the songs that we wanted record. Tuva has welcomed foreigners interested in its culture and nature. Today Tuvans have begun to travel widely to present their remarkable musical art to a steadily increasing, diverse public. The ensemble HUUN-HUUR-TU is a product of Tuva's increasing worldliness."

In 1992 HUUN - HUUR - TU was founded by Sasha Bapa, his brother, Sayan, and two other musicians, Kaigal-ool Khovalyg and Albert Kuvezin. Ever since they have tried to focus on the performance of "old and forgotten songs", as Sasha put it. Sasha, Sayan, and Kaigal-ool were refugees of one of the large state-managed song and dance ensembles that became fixed institutions of the public cultural life during the Soviet era. For decades these ensembles with their glitzy performances of folk music or pseudo folk music offered the only possibility for young musicians to play indigenous music for a living. But throughout the privatization of the music business in the former Soviet Union, many musicians decided to abandon these state ensembles and formed their own groups. The musical results have decidedly been mixed.

The members of HUUN-HUUR-TU have devoted themselves to learning oId songs and tunes but at the same time their performances reflect the values of innovation as much as tradition. For example, the very notion of an ensemble like HUUN-HUUR-TU is new to Tuva: Most Tuvan music has traditionally been performed by a solo singer or instrumentalist, and musicians have tended to specialize in a particular genre or musical style. These genres and styles in turn have deep roots in particular kinds of social occasions. By contrast, HUUN-HUUR-TU's eclectic concert presentations of old songs and tunes fall between the cracks of Tuvan musical life. "In Tuva, there's still no real context for what we do," says Sasha Bapa. "We perform there only rarely because it's so difficult for an independent group like ours: where can we find a good hall and sound equipment, and transportation to get there? How can we deal with all the government and commercial structures that still control a lot of the booking? And who can offer fees that will support us even modestly as professional musicians? Kaigal-ool Khovalyg, the musical leader of our group, might be better known in America than in Tuva. We're trying to preserve our musical heritage, but at the same time, we're trying to look forward. If a musical tradition stops evolving, it is destined to die."

TUVA
This is the name of a remote region, far away from the familiar route of civilization in the center of Asia. The autonomous republic of Tuva, ringed by mountains and deserts (population 300.000) is part of the new formation of countries lead by Russia. It shares its Southern border with Mongolia, the capital is Kyzyl by the river Yennisey.

Tuvan explanations:
Khöömei: The name for overtone and throat singing
Sygyt (Tuvan: "whistle"): High overtone singing, sounding like a flute
Igil: Two-stringed fiddle with a carved wooden horses's head attached to the top of the neck, modern versions with three strings, played vertically, while sitting on the ground or on a chair
Doshpuluur - Two or three string banjo-like plucked instrument
Khomus - Mouth harp
Dungur - Large flat shaman drum or tambourine
Chanzy - Three string bowed instrument

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