Forum Klix.ba

algbral wrote:Etno gothic...pjeva neverovatna Heidi S. Tveitan (vidi dole u recenziju)...
...
Hardingrock: Grimen

irrelevant wrote:Baxter - Baxter

Label: Primal Music
Catalog#: PRIMCD 002
Format: CD, Album
Country: Sweden
Released: 1998
Genre: Electronic
Style: Trip Hop, Downtempo, Drum n Bass
Credits: Artwork By [Art Direction And Design] - F+
Mastered By - Björn Engelmann
Mixed By, Engineer, Performer - Carl-Michael Herlöfsson
Performer - Nina Ramsby , Ricky Tillblad
Photography - Peter Gehrke
Written-By, Producer, Performer - Baxter
Notes: Mastered at Cutting Room.


Tracklisting:
1 Television (4:41)
2 Fading (5:52)
3 Love Again (3:41)
4 I Can't See Why (4:50)
5 Ballad Of Behaviour (4:43)
6 Political (6:34)
7 Possible (3:48)
8 All Of My Pride (4:39)
9 So Much I've Heard (4:35)
10 Oh My Love (4:55)



link nemam, bar ne zasad,

All instrumental heavy psych/proto prog exploitation album out of Italy in ’71 – also released in the UK with a different cover in ’72. Blue Phantom was a studio band (or maybe they were a real band playing under a fake name – they shred) playing the compositions of “H. Tikal,” who was in reality Italian film composer Armando Sciascia, who normally worked in a vein similar to later period Nino Rota or maybe someone like Piero Umiliani, but here is taking off from Iron Butterfly, the Stooges, Sabbath, in a not at all subtle way - sometimes the templates are very thinly disguised. Occasionally the material moves in a more keyboard based Italian film direction, but even then the drums are pushing it into the heavy rock zone, & the keys are distorted enough that if you didn’t know Sciascia had composed this, you probably wouldn’t make the connection, especially since this type of thing falls in line with the still relatively nascent & not yet solidified prog realm of the time. “Distortions” is apt enough as a title – the guitars are heavily fuzzed, as are the occasional keys, as mentioned. Occasionally this moves into a stranger, less obvious territory – the closer “Psycho-Nebulous” gets into a creepy, almost proto-Devo thing. This is definitely one of those exploitation records which soars way above its supposed station in life to a much higher place. And this is an entirely different take on prog than what was soon to be the normal Italian m.o. of Vivaldi rock – “Distortions” is basically Trogladytic at heart, despite low level composerly moves. An unlikely convergence producing fantastic results – pure pleasure, front to back.

http://www.mediafire.com/?wemizz05d1y

Here's a primitive punk blast for you folks. The very rare first Der Plan 45 from 1979. Totally different then their later Electronic Weirdness.

http://www.mediafire.com/?emntk2zmdrt

Amazing underground american biker art rock. It sad that there is not much talk of Necodemus. The guy has made a number private press Lp's since the 70s which vary intentionally from Album to Album. Acid Folk, Biker Rock, Damage Proto-Punk, and bizarre Effected tracks that sound like Chrome.

Except from Article on Necodemus,
"Nicodemus has produced a body of work over his more than 30-year career that is stunning in its breadth and shocking in its level of accomplishment, yet is so underexposed that many have never heard of a man whose best music is easily on a par or better than the work of auteurs ranging from Lou Reed to Neil Young to John Lennon to Brian Wilson to Bruce Springsteen. Perhaps it's too much to ask that the terminally clueless Rolling Stone Record Guide have caught on, but St. Nic has been consistently overlooked even by self-proclaimed 'underground' guides like The Trouser Press Record Guide or Unknown Legends Of Rock. Excepting a brief blurb in Jello Biafra's section of the RE/Search book Incredibly Strange Music, Vol. 2 and an error-riddled article in Motorbooty magazine, precious few signposts point the music consumer towards Nicodemus' work. Given that the world of music journalism is prone to hyperbole, many may choose to doubt my words, but the proof is in the music: a couple of listens to amazing songs like "Sometimes I Can't Sleep", "They Whisper Here", "One Way", or "When The Daylight Fades To Nothing" should convince even the most skeptical that Nicodemus' music deserves to be considered among the most creative musical art of the last thirty years."

http://www.mediafire.com/?ij2iwlzmmb2

Izmedju CVile i DMalte wrote:Buraz, u mene je svaki drugi takav, citav zivot me raja proziva da slusam ono sto niko ziv ne zna i nije nikad cuo ....u 80-tim sam se navuk'o na Husker Du pa je onda krenulo k'o kad odvrnes pipu na vatrogasnom kamionu - Bauhaus, Red Lorry Yellow Lorry, The Fall, Foetus sa svim mutacijama, Buthole Surfers, Einsturzende Neubauten....danas takva muzika vise nema smisla jer se sve moze prodati i sve je komercijalno, ali ako vec slusas turobe i neuroze onda potrazi Elend i njihov album The Umbersun, nakon toga svi metal bendovi zvuce kao uspavanke ili horske pjesmice u vrticu....bujrum

Sad moramo raditi ovako, i deliti muziku koju smo otkrili sami, jer chart liste ne funkcioniraju, i cela scena muzike je u kompletan nepopularni underground.

A Fantastic LP worthy of its Legendary status with great vocals by Jim Beach and powerful guitar work allegedly recorded live in the studio. Long out-of-print album, originally limited to 200 copies, by the short lived Los Angeles-based psychedelic, fuzz-drenched garage band.

"This is the kind of album that keeps us 70's rock fanatics on the never-ending quest to discover the elusive "lost masterpiece". FRACTION-"Moon Blood" LP (1970) is without a doubt one of the earliest examples of stoner rock. Blending elements of brain damaged psyche with bombastic drumming and absolutely over the top vocals, FRACTION immediately grabs the listener and virtually crams a hit of acid down their throat. Well, not quite... But FRACTION is the epitome of 70's drug damaged garage rock, and had FRACTION been from Detroit, maybe you would hear there name mentioned with the likes of the MC5, the UP, and the STOOGES. Nearly everything about FRACTION just reeks of the underground making them destined to be only a footnote in regards to the musical mainstream. However, for those of us with minds of our own FRACTION can be quite a killer musical journey. If I had to describe their sound I would say take the rawest, most drugged-out elements of the DOORS and cross it with the intensity of the MC5 and the STOOGES, then throw in a little grim Krautrock(like NIGHT SUN or HAIRY CHAPTER) and add on top of the whole mix a vocalist who sounds like he is literally having a mental breakdown at times and you begin to get the picture. The production on "Moon Blood" is pretty good although certainly sounds like a record made on a mid-range budget by a band with probably little previous studio experience. Luckily for FRACTION, their naivety works in their favor and gives "Moon Blood" a truly grim, disturbing, punky, and underground feel. The lyrics deal primarily with existential issues and have a somewhat Christian feel to them in a way similar to later heavy metal bands like BLACK SABBATH, TROUBLE, SAINT VITUS/OBSESSED. There isn't a hint of preachy Christianity here but rather a lyrical window into the after-effects of too much LSD, the Vietnam War, assassinations, protests, etc., on a person with faith in God. So "Moon Blood" is a really dark and deep affair, which renders it quite unique and absolutely mandatory for all those interested in late-60's and 70's psyche, pre-punk, hard prog, acid rock, and stoner music. FRACTION-"Moon Blood" is a notoriously valuable(as much as $1000+) and sought after LP(supposedly released in 1970 in quantities of only several hundred) so chances are a CD re-release is the only way you'll ever touch this monster. It may cost you a little bit more than you'd prefer, but FRACTION-"Moon Blood" is a strange beast of a record that you'll find yourself returning to over and over. So pick up a copy, sit back, throw on the headphones, smoke a bowl and take a trip into FRACTION's bleak world of Christian acid angst...."

http://www.mediafire.com/?lz3vunuhqjz

Super rare Acid Rock/Folk album from the Minneapolis area in 1973. Amazing production and tripped guitar effects. Mesmerizing song craft that's very lysergic in a Syd Barrett sort of way.

"One of those elaborate Midwestern headtrips that will send you into aural space you didn't even know exitsted, like CA Quintet of side 1 of Yezda Urfa. The longer suites are particularly impressive, while the shorter tunes less so. A unique mix of multi-layered acoustic guitars, treated vocals and extensive use of cymbals creates a piercing yet enjoyable high frequency soundscape that demands your attention, while soom moog and fuzz bass round out the bottom. Someone spent a lot of money on this one and I would deem it largely successful, with parts that are truly spellbinding, even though the 'message' remains obscure. Pretentious and rather Euro-proggish in its sensibility, yet playful and exotic enough to appeal to more adventerous psych fans. The bands ridiculously unwieldy moniker and the lack of a high profile reissue keeps this one buried.' - Acid Archives"

http://www.mediafire.com/?nyz5m05zrnm

http://rapidshare.com/files/246889419/bkwtr.zip.html

The first of three tapes by Autodidact. One RKF plays guitars, efx, odd noises, drum machine abuse 'etc etc', which makes up some nice droning ambient music.

http://www.megaupload.com/?d=0S3BFGDB