#26
Posted: 04/11/2007 13:46
mene je "Zauzeto" podsjecalo na stalnu, nepromjenjivu galerijsku postavku
:D

pa Zauzeto bonadawn_upon_dawn wrote:mene je "Zauzeto" podsjecalo na stalnu, nepromjenjivu galerijsku postavku:D
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sure ismamica papucarka wrote:pa Zauzeto bonadawn_upon_dawn wrote:mene je "Zauzeto" podsjecalo na stalnu, nepromjenjivu galerijsku postavku:D
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toliko o tvojoj averziji prema post-modernizmu.dawn_upon_dawn wrote:nek joj slaze inventivni umjetnik pricu kakvu hoce
stoji tamo evo godinama, fino smo ga analizirali, percipirali. eto, vrijeme je da mu kazemo: vozdricaaa (dosad je osijedio ja mislim), jer nas je u medjuvremenu poceo i tangirati...repeater wrote:dawn:
ja samo predlazem da analiziras sliku u sklopu kulturne sredine.
slika nije 'produkt postmoderne' vec tvoje percepcije.
i lagano, molim te.
Neka gadawn_upon_dawn wrote:stoji tamo evo godinama, fino smo ga analizirali, percipirali. eto, vrijeme je da mu kazemo: vozdricaaa (dosad je osijedio ja mislim), jer nas je u medjuvremenu poceo i tangirati...repeater wrote:dawn:
ja samo predlazem da analiziras sliku u sklopu kulturne sredine.
slika nije 'produkt postmoderne' vec tvoje percepcije.
i lagano, molim te.
ako je tebi draze gledat njega nego Selmu...trebas se ozbiljno zabrinutEdin H. wrote:
Bolje on nego Shako ili Selma
Neelix wrote:ako je tebi draze gledat njega nego Selmu...trebas se ozbiljno zabrinutEdin H. wrote:
Bolje on nego Shako ili Selma![]()
http://www.ucityphila.org/news/release/191Dimitrijevic has created Causal Passer-by installations in cities around the world, begining in his native Yugoslavia in 1968. These monumental portraits index the continual changes to our understanding of the public sphere, mirroring the personality cults often associated with celebrities and political leaders, as well as the increasingly mass media saturated urban enviroment.
na cemu li je onSaraswati wrote:For the sake of further discussion:D
http://www.ucityphila.org/news/release/191Dimitrijevic has created Causal Passer-by installations in cities around the world, begining in his native Yugoslavia in 1968. These monumental portraits index the continual changes to our understanding of the public sphere, mirroring the personality cults often associated with celebrities and political leaders, as well as the increasingly mass media saturated urban enviroment.