pokretna muzika u mp3 slikama

victory · Post by **victory** » 05/01/2006 08:44

I Am Sam (2002)

http://rapidshare.de/files/10230730/Sam__I_Am.rar.html
http://rapidshare.de/files/10276113/Sam ... ..rar.html

The soundtrack for Sean Penn's 2002 film I Am Sam was not compiled without difficulties, but the finished product ended up being very enjoyable. The filmmakers' original plan was to use the Beatles' original versions of songs in the film, but it was stonewalled by the band's strict self-imposed policy of not licensing their music for films. Instead, the producers decided to use new recordings of the songs by contemporary artists. Further complicating the issue, the film had also been sequenced to match the pacing of the original songs, so many of the new versions needed to match the exact tempo and length of the classic versions. Luckily, the artists involved jumped at the chance and came up with some really engaging interpretations. Aimee Mann and Michael Penn's sweet duet "Two of Us" sticks faithfully to the original, as does Sarah McLachlan's solo acoustic "Blackbird," while Ben Harper takes some psychedelic guitar liberties on his fantastic version of "Strawberry Fields Forever." Ben Folds' perfect "Golden Slumbers" becomes anthemic in its choruses (even if it is a little too short), while an intimate (if marble mouthed) Eddie Vedder turns in a campfire rendition of "You've Got to Hide Your Love Away." A handful of the songs are less successful, like the Black Crowes' dull "Lucy in the Sky With Diamonds" and Heather Nova's "We Can Work It Out," which sounds almost like she'd never heard the song before recording it. These are outshined by gems like Stereophonics' laddish "Don't Let Me Down" (which ends up sounding more like a Faces cover) and Rufus Wainwright's soaring "Across the Universe." While cynical listeners may protest the preponderance of up-and-coming V2 (Richard Branson's record label) artists, there are far more winners than losers on this collection. ~ Zac Johnson, All Music Guide

1. Two Of Us - Aimee Mann and Michael Penn
2. Blackbird,
3. Across The Universe - Rufus Wainwright
4. I'm Looking Through You - The Wallflowers
5. You've Got To Hide Your Love Away - Eddie Vedder
6. Strawberry Fields Forever - Ben Harper
7. Mother Nature's Son - Sheryl Crow
8. Golden Slumbers - Ben Folds
9. I'm Only Sleeping - The Vines
10. Don't Let Me Down - Stereophonics
11. Lucy In The Sky With Diamonds - The Black Crowes
12. Julia - Chocolate Genius
13. We Can Work It out - Heather Nova
14. Help - Howie Day
15. Nowhere Man - Paul Westerberg
16. Revolution - Grandaddy
17. Let It Be - Nick Cave
18. Lucy In The Sky With Diamonds - Aimee Mann
19. Two Of Us, N ick Cave - Here Comes The Sun - Neil Finn/Liam Finn

victory · Post by **victory** » 05/01/2006 09:49

Long Way Round (2004)

The TV series of Long Way Round documented the adventures of film stars Ewan McGregor and Charley Boorman on their 20,000 mile motor bike trip around the world. Departing from London on 14th April 2004 the pair travelled through Europe, Ukraine, Russia, Kazakhstan, Mongolia, Siberia, Alaska, Canada arriving in the USA just over 3 months later.
This accompanying soundtrack to their adventure features the cream of British indie-rock and electronica featuring bands such as Radiohead, Coldplay, Blur and Massive Attack.

victory · Post by **victory** » 05/01/2006 10:47

Walk the Line (2005)

http://s5.yousendit.com/d.aspx?id=18LCY ... 8GOF37AVPO

For Walk the Line, his biopic of country legend Johnny Cash, director James Mangold took a different tactic than director Taylor Hackford did with his Ray Charles bio, Ray. Where Hackford used Charles' classic original recordings for Atlantic as the heart of the film, Mangold decided to use new recordings for his movie, hiring producer T-Bone Burnett, the mastermind behind the surprise soundtrack success of the Coen Brothers' old-timey O Brother, Where Art Thou?, to steer his cast through re-creations of the classic Sun sound. Burnett skillfully conjures that lean, muscular, mysterious sound for his Walk the Line work, keeping all the performances direct and unadorned -- "Ring of Fire" even has its mariachi horns stripped from it -- and hiring a bunch of pros, including Sun vet Jack Clement, as the backing band. All this means that on a pure sonic level, Walk the Line is quite successful, but as a soundtrack album, it's still a bit of a disconcerting listen because it is, after all, actors singing as part of their performance. Listening to Joaquin Phoenix sing Johnny Cash's words and Reese Witherspoon sing as June Carter, it's hard not to shake the feeling that their on-record performances are part of a greater scheme that is impossible to discern without the film as a whole. That said, both Phoenix and Witherspoon give serious, sincere performances that are quite effective, particularly when they're supported by Burnette's crackerjack production. Strangely enough, it's the cameos from the other musicians featured in the film that ring a discordant note: Tyler Hilton's Elvis Presley and, especially, Waylon Malloy Payne's cartoonish Jerry Lee Lewis are too close to caricatures to be effective, while Shooter Jennings' "I'm a Long Way from Home" and Johnathan Rice's "You're My Baby" (which regrettably drops the "little wooly booger" from Cash's original tune) are just a shade too modern in their approach to fit comfortably among the earnest, faithful re-creations that surround them. So, Walk the Line winds up being a curious yet enjoyable listen. By no means does this replace the Cash or Carter originals, but it's a good tribute to both musicians, while providing some fascinating insight to the art and craft of Phoenix and Witherspoon as actors. ~ Stephen Thomas Erlewine, All Music Guide

1. Get Rhythm - Joaquin Phoenix
2. I Walk the Line - Joaquin Phoenix
3. Wildwood Flower - Reese Witherspoon
4. Lewis Boogie
5. Ring of Fire - Joaquin Phoenix
6. You're My Baby
7. Cry Cry Cry - Joaquin Phoenix
8. Folsom Prison Blues - Joaquin Phoenix
9. That's All Right - Tyler Hilton
10. Juke Box Blues
11. It Ain't Me Babe - Joaquin Phoenix, Reese Witherspoon
12. Home of the Blues - Joaquin Phoenix
13. Milk Cow Blues - Tyler Hilton
14. I'm a Long Way from Home - Shooter Jennings
15. Cocaine Blues - Joaquin Phoenix
16. Jackson - Joaquin Phoenix, Reese Witherspoon

victory · Post by **victory** » 05/01/2006 11:17

Noir Soundtrack 1 (Yuki Kajiura) [2001]

http://s27.yousendit.com/d.aspx?id=1T77 ... 8CHZFH2XQU

"Noir" is one of the very best anime shows available at the moment, a brilliant tale of darkness, treachery, deceit, revenge, despair, love and hope. It is a creative masterpiece which is certain to stand above its peers for many years to come, due to its elegant use of light, camera angles, timing and music. This is the first volume of the original soundtrack, and it is well worth buying even if it means a long wait for availability.

This CD includes Kirika's mournful theme "Canta per me" as well as the adrenalin-pumping desperation of "Salva nos", both instantly recognisable "signature" tracks from the series, as well as opening and finishing titles' tracks, "Coppelia's Casket" and "Beautiful Emotions" in their full length.

If you like to collect the original soundtracks to your favourite movies and animes, you cannot be without this CD. It is possibly the best piece of work of its kind, quite rare and an absolute treasure to own. Don't miss out, and keep your eyes open for volume two...

1. Ali Project
2. Les Soldats
3. Snow
4. Canta Per Me
5. Corsican Corridor
6. Ode To Power
7. Solitude By The Window
8. Romance
9. Silent Pain
10. Lullaby
11. Melodie
12. Chloe
13. Whispering Hills
14. Zero Hour
15. Liar Your Lie
16. Sorrow
17. Salva Nos
18. Japanese Title

victory · Post by **victory** » 05/01/2006 11:49

Cirque du Soleil - Saltimbanco (1992)

http://s31.yousendit.com/d.aspx?id=0RAW ... 3BWIVD6DT3

The stage performance of Saltimbanco celebrates life and the powers of imagination in the urbanized 20th century. Its music, composed almost entirely by Rene Dupere, is fantastical and eclectic, cutting edge at some points and ageless at others. "Pokinoï"'s strange rhythm and soft choral vocals sound vaguely Eastern European, while "Kumbalawé"'s soft flute and string sounds are reminiscent of Africa. Songs such as "Amazonia" and "Il Sogno Di Volare" are stylistically opposite from each other, but the chameleon-like vocals of Francine Poitras provide a common line throughout the album. She leads the music -- and the listener -- on a journey from Africa to South America to Russia and home again. Thanks in part to Poitras' floating, agile voice, and in part to the sparing usage of electric guitar or heavy drums, the music comes through very well in a studio setting. It has a gentler sound than Alegria, and is less haunting than Mystere. A listener can choose to put on headphones and become enmeshed in the music or to turn the volume down low and enjoy it as a backdrop to the day's tasks. ~ L. Katz, All Music Guide

1 Kumbalawe (5:34)
2 Barock (4:20)
3 Kazée(5:07)
4 Amazonia (7:58]
5 Norweg (6:08]
6 Urgence (5:32)
7 Pokinoi (5:08]
8 Saltimbanco (5:19)
9 Songo Di Volare (5:13)
10 Horere Ukunde (6:47)
11 Rideau (3:07)

victory · Post by **victory** » 05/01/2006 13:03

The Chronicles of Narnia-The Lion, The Witch and The Wardrobe (2005)

http://download.yousendit.com/8AD5F2DC9418F3A2

ili

http://s60.yousendit.com/d.aspx?id=3GCK ... 1MKASYOF5Y

This magical score for the big-screen adaptation of The Chronicles of Narnia was composed by Harry Gregson-Williams, whose previous work includes Shrek and The Kingdom of Heaven.

1. The Blitz, 1940 Score by Harry Gregson-Williams
2. Evacuating London Score by Harry Gregson-Williams
3. The Wardrobe Score by Harry Gregson-Williams
4. Lucy Meets Mr. Tumnus Score by Harry Gregson-Williams
5. A Narnia Lullaby Score by Harry Gregson-Williams
6. The White Witch Score by Harry Gregson-Williams
7. From Western Woods to Beaversdam Score by Harry Gregson-Williams
8. Father Christmas Score by Harry Gregson-Williams
9. To Aslan's Camp Score by Harry Gregson-Williams
10. Knighting Peter Score by Harry Gregson-Williams
11. The Stone Table Score by Harry Gregson-Williams
12. The Battle Score by Harry Gregson-Williams
13. Only the Beginning of the Adventure Score by Harry Gregson-Williams
14. I Can't Take It In Performed by Imogen Heap
15. Wunderkind Performed by Alanis Morissette
16. Winter Light Performed by Tim Finn
17. Where Performed by Lisbeth Scott

victory · Post by **victory** » 05/01/2006 13:31

Monsoon Wedding (2002)

http://s65.yousendit.com/d.aspx?id=2OP1 ... FESTVN97VZ

Monsoon Wedding director Mira Nair has described her beautiful family drama as "a Bollywood film, made on my terms." It's a pretty apt description, though on the surface the subtly acted art house picture may seem to have very little in common with the elaborately choreographed musical productions for which the Indian film industry is famous. Whereas Bollywood products are generally characterized by broadly painted heroes and villains, Nair's characters are among the most three-dimensional and honestly realized in international cinema. They are not the sort of people who populate Bollywood entertainments, but they are the sort of people who pay to see them. They don't burst simultaneously into song, but they do dance to Indian pop music in their living rooms. They do belt out traditional celebratory songs at wedding parties. What Monsoon Wedding shares with Bollywood is its appreciation of India's deeply rooted cultural enthusiasm for song and dance. The soundtrack reflects the delightfully broad spectrum of the music that plays on middle-class stereos all over modern India. There is a thumping electronic Hindi disco tune, a soaring orchestral romantic ballad from the vinyl era, an infectiously melodious contemporary pop duet, and a festive traditional spiritual performed by the internationally revered Pakistani singer Nusrat Fateh Ali Kahn. But most impressive of all is the film's original music. Sukhvinder Singh's rousing theme song, "Aaj Mera Jee Kardaa," expertly weaves traditional folk elements with sleek pop rhythms and strings. In a perfect alternate reality, it would probably be an Oscar winner. So would Mychael Danna's score. A recent Hindu groom himself and one of the most innovative composers in North American cinema, Danna elevates Nair's naturalistic hand-held camera narrative to a transcendent spiritual plane. The mystical "Fuse Box" almost single-handedly accomplishes the task of transforming the clownish wedding planner P.K. Dubey from a hilarious marigold-eating Indian version of Martin Short's Father of the Bride character to a thoroughly credible and even charming romantic lead. Unfortunately, that exquisite melody is hyped up to the point of tedium in two pounding techno remixes at the conclusion of the soundtrack album. They are a regrettable misstep in an otherwise brilliant compilation. ~ Evan Cater, All Music Guide

1. Feels Like Rain
2. Aaj Mera Jee Kardaa (Today My Heart Desires)
3. Baraat
4. Aaj Mausam Bada Beimaan Hai (Today The Weather Plays Tricks On Me)
5. Your Good Name
6. Delhi.com
7. Fuse Box
8. Mehndi/Madhorama Pencha
9. Banished
10. Good Indian klix
11. Fabric/Aaja Savariya (Come To Me, My Beloved)
12. Allah Hoo
13. Hold Me, I'm Falling
14. Love And Marigolds
15. Chunari Chunari
16. Aaja Nachle (Come On Dance)
17. Aaj Mera Jee Kardaa
18. Fuse Box
19. Fuse Box

victory · Post by **victory** » 05/01/2006 15:13

Hard Core Logo (1998)

http://rapidshare.de/files/10427958/HCLost.rar

Filmmaker Bruce McDonald's adaptation of Michael Turner's novel Hard Core Logo is about a fictitious Canadian punk band's reunion tour through the great North. Times have changed since the great punk era of the late '70s. Two decades later the music is still high-energy, but the folks playing it are a bit long in the tooth and out to prove otherwise. The music is provided by Hugh Dillon and Swamp Baby, who deliver punk fare such as the accusatory "Who the Hell Do You Think You Are?," the obvious "Rock 'n' Roll Is Fat and Ugly," and the drug-infested "China White (Ten Dollar F**k)." A take on the Dead Boys' "Sonic Reducer" lacks the focus of the original, but the inclusion of the Ramones ("Touring"), Teenage Head ("Bonerack"), and Chris Spedding ("Wild Wild Women") adds a touch of authenticity. --Rob O'Connor

1. Who The Hell Do You Think You Are?
2. Rock 'N' Roll Is Fat And Ugly
3. Something's Gonna Die Tonight
4. Blue Tattoo
5. Sonic Reducer
6. Edmonton Block Heater
7. China White (Ten Buck F**K)
8. One Foot In The Gutter
9. Hawaii - Swamp Baby
10. Bonerack - Tennage Head
11. Touring - Ramones
12. Wild Wild Women - Chris Spedding

victory · Post by **victory** » 06/01/2006 00:42

Crouching Tiger, Hidden Dragon (2000)

http://s56.yousendit.com/d.aspx?id=26YE ... M0EFTR9VCM

Though it was made in Taiwan, set in China and written in Mandarin, Crouching Tiger Hidden Dragon is something of a cultural hybrid. The film was the brainchild of a Taiwanese director (Ang Lee) with an impressive Hollywood resume that includes Sense and Sensibility and The Ice Storm. The screenplay was adapted from a Chinese novel by two Asians and an American and it featured international movie star Chow Yun Fat. Stylistically, the movie drew as much from Hollywood romantic epics as it did from Chinese martial arts dramas. The challenge for the film's composer, Tan Dun, was to score the film with music that would represent its multi-cultural origins and multi-faceted influences. His solution was to blend sweeping Western orchestral music with traditional Chinese instruments like rawap, tar drums and Chinese erhu while using another internationally renowned Asian, cellist Yo Yo Ma, as a sort of bridge between the two styles. Dun's strategy works beautifully in the film; striking perfectly the delicate balance between the exotic and the familiar -- exactly what is required by a script that paints a romanticized fantasy version of ancient China grounded in universal emotional experience. The romantic themes ("The Eternal Vow," "Farewell") are stirring without being manipulative and memorable without being repetitive. Even more impressive are the musical pieces for the film's graceful combat scenes. Unlike most American action films, Crouching Tiger does not swamp the audience in discordant suspense music. And though the warriors do fly across their battlefields like stones skipping lightly across a pond, Dun does not attempt an E.T.-like soaring score. Instead, the action scenes are accompanied by vibrant Chinese rhythms, mercifully abandoning melody altogether. The only false moment on the soundtrack is the grating end credit pop ballad "A Love Before Time," which is performed by Asian American singer CoCo Lee. The song is a transparent attempt to mimic Celine Dion's megahit closer for Titanic, "My Heart Will Go On," and it is an infuriatingly commercial conclusion to a gloriously original film. ~ Evan Cater, All Music Guide

1 Crouching Tiger, Hidden Dragon - Dun, Tan (3:23)
2 Eternal Vow - Dun, Tan (3:01)
3 Wedding Interrupted - Dun, Tan (2:16)
4 Night Fight - Dun, Tan (3:10)
5 Silk Road - Dun, Tan (3:08]
6 To the South - Dun, Tan (2:21)
7 Through the Bamboo Forest - Dun, Tan (4:23)
8 Encounter - Dun, Tan (2:40)
9 Desert Capriccio - Dun, Tan (4:33)
10 In the Old Temple - Dun, Tan (3:46)
11 Yearning of the Sword - Dun, Tan (3:34)
12 Sorrow - Dun, Tan (4:02)
13 Farewell - Dun, Tan (2:25)
14 Love Before Time (English) (3:44)
15 Love Before Time (Mandarin) (3:42)

victory · Post by **victory** » 06/01/2006 03:02

Garden State (2004)

http://rapidshare.de/files/10475049/Gar ... T.zip.html

Writer and director Zach Braff does a masterful job matching the charming, heartfelt tone of films like The Graduate and Rushmore in his motion picture debut, Garden State, so it only makes sense that the music he personally compiled for the soundtrack plays just as of big a part here as it did in those films. Simon & Garfunkel's languorous "The Only Living Boy in New York" is an obvious thread, but aside from Nick Drake's "One of These Things First," Braff is able to carry the mood without getting tripped up in the past. Frou Frou's "Let Go" and Zero 7's "In the Waiting Line" supply soft techno touches, while Iron & Wine's "Such Great Heights" and former Men at Work singer Colin Hay's "I Just Don't Think I'll Ever Get Over You" offer understated angst. It's the pair of emotionally racked contributions from the Shins ("Caring Is Creepy," "New Slang"), however, that really make this compilation a must-have. --Aidin Vaziri

1. Don't Panic - Coldplay
2. Caring Is Creepy - The Shins
3. In The Waiting Line - Zero 7
4. New Slang - The Shins
5. I Just Don't Think I'll Ever Get Over You - Colin Hay
6. Blue Eyes - Cary Brothers
7. Fair - Remy Zero
8. One Of These Things First - Nick Drake
9. Lebanese Blonde - Thievery Corporation
10. The Only Living Boy In New York - Simon & Garfunkel
11. Such Great Heights - Iron and Wine
12. Let Go - Frou Frou
13. Winding Road - Bonnie Somerville

victory · Post by **victory** » 06/01/2006 06:16

Boys Don't Cry (1999)

http://s10.yousendit.com/d.aspx?id=2J71 ... WG9SMD0IUA

The soundtrack to Boys Don't Cry-- the true story of a young girl who assumed the identity of a boy to avoid the violence and crime of her past--includes everything from a haunting Bobby Fuller Four ballad ("A New Shade of Blue") to classic soul (the Isley Brothers' "Who's That Lady?") to revamped country (the members of X as their old-time country-band alter egos, the Knitters, performing Merle Haggard's "Silver Wings"). Also included are new tracks by '80s power-poppers the Smithereens and Shudder to Think guitarist Nathan Larson. Even more remarkable is the sultry new duet between Larson and the Cardigans' Nina Persson. Even weirder is the first new track in 11 years from original New York punk rockers the Dictators (a traditional barroom romp called "What's Up with That?"), which recalls the solo work of Dictator Scott Kempner more than the band's firepower of old). Round things off with Texas legend and ex-13th Floor Elevator Roky Erickson and a good-ol'-boy Lynyrd Skynyrd tune, and you've got a solid program without a bum steer (well, ok, just edit out Quicksilver Messenger Service's cover of "Who Do You Love?") --Rob O'Connor

1. The Bluest Eyes In Texas - Nina Person/Nathan Larson
2. A New Shade of Blue - The Bobby Fuller Four
3. She's Got A Way - The Smithereens
4. Who's That Lady? - The Isley Brothers
5. Codine Blues - The Charlatans
6. Silver Wings - The Knitters
7. Who Do You Love? - Quicksilver Messenger Service
8. Tuesday's Gone - Lynyrd Skynyrd
9. Haunt - Roky Erickson
10. Dustless Highway - Nathan Larson
11. What's Up With That? - The Dictators
12. Why Can't We Live Together? - Timmy Thomas

victory · Post by **victory** » 06/01/2006 06:24

The Crying Game (1993)

http://s11.yousendit.com/d.aspx?id=34DT ... MRIW89Q44X

The movie that gave new meaning to the line "I know all there is to know about the crying game" has a soundtrack that features both Dave Berry's 1964 U.K. hit version of the title track and Boy George's remake, which was a U.S. hit. That track, and a few others, were produced by those gender-benders Pet Shop Boys, while Lyle Lovett sings his version of Tammy Wynette's "Stand By Your Man" and there is some orchestral scoring by Anne Dudley. As a souvenir of the movie, the soundtrack is a success, but otherwise it's miscellaneous. ~ William Ruhlmann, All Music Guide

1. The Crying Game - Boy George
2. When A Man Loves A Woman - Percy Sledge
3. Live For Today (Orchestral) - Cicero
4. Let The Music Play - Carroll Thompson
5. White Cliffs Of Dover - The Blue Jays
6. Live For Today (Gospel) - Cicero
7. The Crying Game - Dave Berry
8. Stand By Your Man - Lyle Lovett
9. The Soldier's Wife
10. It's In My Nature
11. March To The Execution
12. I'm Thinking Of You
13. Dies Irae
14. The Transformation
15. The Assassination
16. The Soldier's Tale

victory · Post by **victory** » 06/01/2006 11:37

maksuzija za Zadiga

Paris, Texas (1989)

http://d.turboupload.com/d/175640/Paris_Texas.rar.html

Suggestive of both the imagery of Win Wenders' movie Paris, Texas and the desert itself, Ry Cooder's score is a peaceful, poetic journey into the soul of an acoustic guitar. "Paris, Texas," "Brothers," and "Nothing Out There" open the album as meditative blends of guitar twang and scratching ambient effects. The songs move at a pretty, slow place, and the opening track sees Cooder plucking his guitar's strings and letting that sound vibrate into thin air; it's a motif that he returns to repeatedly throughout the score. There's a bit of both humor and mystery to the stillness and the echoing, edgy sound effects that crop up. "Cancion Mixteca" includes a memorable turn on vocals by Harry Dean Stanton, singing in Spanish. "No Safety Zone" is almost completely ambient in its ethics, with fleeting experimental guitar playing, as the song works more as a mood-setter than a traditional song. "I Knew These People" begins with an extended segment of dialogue from the film before Cooder's somber guitar creeps in. The effect of the dialogue makes the track a fine, artistic statement, but the moment works better in the context of the movie than as a track on an album. The dialogue comes from a scene where the characters played by Stanton and Nastassja Kinski have a particularly emotional meeting. The majority of the score is delicate and stunningly pretty. The overall sense is that Cooder was reaching for spare, emotional movements. The score is stark, quiet, and as uplifting as it is sad. Cooder makes the music sound as modern and stylish as acoustic music can sound. The album is at once alien and organic. Since "I Knew These People" includes dialogue from Paris, Texas, the score works best for people who have seen the movie, but it's still a powerful and immensely evocative journey for those whose experience with the material is the album alone. ~ Tim DiGravina, All Music Guide

1 Paris, Texas (2:57)
2 Brothers (2:07)
3 Nothing Out There (1:35)
4 Canción Mixteca (4:17)
5 No Safety Zone (1:55)
6 Houston in Two Seconds (2:07)
7 She's Leaving the Bank (6:02)
8 On the Couch (1:32)
9 I Knew These People (8:43)
10 Dark Was the Night (2:52)

victory · Post by **victory** » 06/01/2006 12:00

Cold Mountain (2003)

http://www.megaupload.com/?d=E1BM9EZH

Miramax hops on the old-timey bandwagon with the release of the soundtrack for Anthony Minghella's Civil War epic Cold Mountain. Like O Brother, Where Art Thou?'s dark, older sibling, the latest collection of blues, ballads, and laments from producer T-Bone Burnett is a veritable dictionary of traditional country and Americana, but with a weightier muse. Jack White opens the record with a stark rendition of "Wayfaring Stranger" featuring Nashville heavyweights Stuart Duncan, Norman Blake, and Dirk Powell. For the most part, the White Stripes frontman successfully transplants himself into the genre, utilizing his throaty warble on Howlin' Wolf's "Sittin' on Top of the World" like a dust-bowl carny, and channeling fellow tenor Ralph Stanley on "Great High Mountain." However, it's the self-penned "Never Far Away" that elevates White above his garage rock trappings. With its delicate front-porch picking and wistful lyrics, it manages to walk the line between heartache and puppy love with a sweetness that's genuinely moving. That same bleeding heart pumps through Alison Krauss' delivery of Elvis Costello's powerful "Scarlet Tide," a ballad of devastating beauty that works almost like a spiritual. Recovering songwriter Sting contributes the record's only bad apple, the bland "You Will Be My Ain True Love." Krauss does her best to paint the tune in period colors, but Sting -- who insists on singing harmony -- keeps the piece firmly entrenched in the very nonsepia-toned world of adult-contemporary pop. Unfortunately, the orchestral work for the film is hastily assembled as if it were an afterthought. While it may lack the initial punch of Tim Eriksen's "I Wish My Baby Was Born" or either of the shape-note tunes provided by the Sacred Harp Singers at Liberty Church, Burnett clusters composer Gabriel Yared's understated score at the end of the record, delegating it as filler, which is unfair, as its quiet power mirrors the songs as well as the characters. ~ James Christopher Monger, All Music Guide

1. Wayfaring Stranger - Jack White
2. Like A Songbird That Has Fallen - Reeltime Travelers
3. I Wish My Baby Was Born - Tim Eriksen, Riley Baugus & Tim O'Brien
4. The Scarlet Tide - Alison Krauss
5. The Cuckoo - Tim Eriksen & Riley Baugus
6. Sittin' On Top Of The World - Jack White
7. Am I Born To Die? - Tim Eriksen
8. You Will Be My Ain True Love - Alison Krauss
9. I'm Going Home - Sacred Harp Singers At Liberty Church
10. Never Far Away - Jack White
11. Christmas Time Will Soon Be Over - Jack White
12. Ruby With The Eyes That Sparkle - Stuart Duncan & Dirk Powell
13. Lady Margret - Cassie Franklin
14. Great High Mountain - Jack White
15. Anthem - Gabriel Yared
16. Ada Plays - Gabriel Yared
17. Ada And Inman - Gabriel Yared
18. Love Theme - Gabriel Yared
19. Idumea - Sacred Harp Singers At Liberty Church
20. Idumea - Sacred Harp Singers At Liberty Church

victory · Post by **victory** » 06/01/2006 12:16

Mr. & Mrs. Smith (2005)

http://rapidshare.de/files/10484021/mra ... h.zip.html

Just as two super-sexy, professional killers are inexorably drawn to each other, so is the Mr. and Mrs. Smith soundtrack inexorably drawn to the obvious. Husband and wife shootouts? This compilation gets into the spirit of things right away with "Love Stinks" (J. Geils Band) and "Tainted Love" (Soft Cell). It follows up with more of the same: "You Give Love a Bad Name" (performed by metal band Atreyu, and "Used to Love Her (But I Had to Kill Her)" from the ska-punk group the Voodoo Glow Skulls.
Fortunately, this disc grows more interesting toward the midway point with Nouvelle Vague's Brazilian-style cover of "I'll Melt with You" and alterna-lounge act Pink Martini's "Let's Never Stop Falling in Love. The latter melts seamlessly into the lovely instrumental, "Assassination Tango." It’s on these more exotic tracks that this compilation shines--if only there were a few more. The middle of the disc is romantic--the rest feels like action movie cliché. --Leah Weathersby

1. Love Stinks – The J. Geils Band
2. Nothin’ But a Good Time – Poison
3. Tainted Love – Soft Cell
4. Baby, Baby – Alana D
5. Express Yourself (Mocean Worker Remix) – Charles Wright & The Watts 103rd Street Rhythm Band
6. Mondo Bongo - Joe Strummer & The Mescaleros
7. Lay Lady Lay – Magnet featuring Gemma Hayes
8. I’ll Melt With You – Nouvelle Vague
9. Nobody Does It Better – 8mm
10. Let’s Never Stop Falling in Love – Pink Martini
11. Assassin’s Tango – John Powell
12. Used to Love Her (But I Had To Kill Her) - Voodoo Glow Skulls
13. You Are My Sunshine – Stine J.
14. You’ve Lost That Lovin’ Feelin’ – Righteous Brothers
15. Making Love Out of Nothing at All - Air Supply
16. You Give Love a Bad Name – Atreyu
17. Love Will Keep Us Together – Captain & Tennille

victory · Post by **victory** » 06/01/2006 12:39

Grease (1978)

http://s29.yousendit.com/d.aspx?id=0CDU ... OXTKJA4UAZ

The movie is a 1970s take on 1950s musicals, providing all the kitsch anyone could hope for. It's John Travolta as Danny Zuko as Olivia Newton-John's pompadoured main squeeze, and the kids go crazy. Fresh from his astronomical success with Travolta in Saturday Night Fever, Bee Gee Barry Gibb penned the title track (sung by Frankie Valli). Sha Na Na is over-represented, and actress Stockard Channing struts her, um, versatility, singing a couple of tracks. This has become a touchstone in American culture, and so isn't likely to improve our standing in the world's eyes. Maybe the point is that it's supposed to sound amateurish, but it does manage to eke out some fun, most notably on the hit "You're the One That I Want." --Scott Wilson

1. Grease - Frankie Valli
2. Summer Nights - John Travolta & Olivia Newton-John
3. Hopelessly Devoted To You - Olivia Newton-John
4. You're The One That I Want - John Travolta & Olivia Newton-John
5. Sandy - John Travolta
6. Beauty School Dropout - Frankie Avalon
7. Look At Me, I'm Sandra Dee - Stockard Channing
8. Greased Lightning - John Travolta
9. It's Raining On Prom Night - Cindy Bullens
10. Alone At The Drive-In Movie (Instrumental) - Jim Jacobs/Warren Casey
11. Blue Moon - Sha-Na-Na
12. Rock 'N' Roll Is Here To Stay - Sha-Na-Na
13. Those Magic Changes - Sha-Na-Na
14. Hound Dog - Sha-Na-Na
15. Born To Hand Jive - Sha-Na-Na
16. Tears On My Pillow - Sha-Na-Na
17. Mooning - Louis St. Louis & Cindy Bullens
18. Freddy My Love - Cindy Bullens
19. Rock 'N' Roll Party Queen - Louis St. Louis
20. There Are Worse Things I Could Do - Stockard Channing
21. Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
22. We Go Together - John Travolta, Olivia Newton-John, & Cast
23. Love Is A Many Splendored Thing (Instrumental) - Sammy Fein/Paul Francis Webster
24. Grease - Frankie Valli

victory · Post by **victory** » 06/01/2006 13:07

Moulin Rouge (2001)

http://s33.yousendit.com/d.aspx?id=2TP8 ... PIJZ3HLETG

Nicole Kidman playing a singing prostitute? Ewan McGregor channeling the Police? If the soundtrack to director Baz Luhrmann's freakish musical Moulin Rouge has its way, we'll all be wearing corsets and swinging from the ceiling while the former Mrs. Tom Cruise becomes our favorite new pop sensation. As daring as Luhrmann himself, the compositions test Kidman--who could have easily used a league of backup singers and studio knob-twiddlers to hide her inexperience--and she actually passes. She's no Olivia Newton-John, but she capably mixes Madonna's "Material Girl" with "Diamonds Are a Girl's Best Friend" (which is as breathy as Marilyn would've wanted it to be) and goes full throttle on any medley thrown her way. Her cover of "One Day I'll Fly Away" is especially poignant given her much-publicized personal tragedies. Ewan, though, is a real star; his giggly schoolboy brogue morphs into a fun cradle for Paul McCartney's Wings as well as U2's Bono on "Elephant Love Medley." Beck's cover of David Bowie's "Diamond Dogs" is a hit waiting to happen, while Pattie LaBelle's '70s staple "Lady Marmalade" (remade by an all-star cast of divas, Lil' Kim and Christina Aguilera among them) already is. A delicious, racy soundtrack that is equal parts cabaret, glam rock, and trip-hop, Moulin Rouge doesn't disappoint. -Kristy Martin

1. Nature Boy - David Bowie
2. Lady Marmalade - Christina Aguilera, Lil' Kim, Mya and Pink
3. Because We Can - Fatboy Slim
4. Sparkling Diamonds - Nicole Kidman, Jim Broadbent, Caroline O'Connor, Natalie Mendoza and Lara Mulcahy
5. Rhythm Of The Night - Valeria
6. Your Song - Ewan McGregor and Alessandro Safina
7. Children of the Revolution - Bono, Gavin Friday and Maurice Seezer
8. One Day I'll Fly Away - Nicole Kidman
9. Diamond Dogs - Beck
10. Elephant Love Medley - Nicole Kidman, Ewan McGregor and Jamie Allen
11. Come What May - Nicole Kidman And Ewan McGregor
12. El Tango De Roxanne - Ewan McGregor, Jose Feliciano and Jacek Koman
13. Complainte De La Butte - Rufus Wainwright
14. Hindi Sad Diamonds - Nicole Kidman & Cast
15. Nature Boy - David Bowie & Massive

Stitch__ · Post by **Stitch__** » 06/01/2006 13:08

ne mogu da vjerujem da nema top gun-a

victory · Post by **victory** » 06/01/2006 13:20

Stitch__ wrote:ne mogu da vjerujem da nema top gun-a

bezbeli su ga, onomad, Rusi negdje srusili

-----

Desperate Housewives (2005)

http://rapidshare.de/files/10494387/Des ... s.zip.html

Fans of the TV show Desperate Housewives are a mighty devoted bunch: thankfully, the wickedly clever dialogue and sassy badness of the characters is succinctly captured on the show's first compilation disc. This CD's lineup alone elicits an immediate "wow" response: Shania Twain, Joss Stone, LeAnn Rimes, Macy Gray, Indigo klix, k.d. lang, and more have each packed the collection with previously-unreleased music. With half of the disc recently-written songs and half covers of old classics, the originals ultimately prove to be the highlight. Shania Twain's "Shoes" is a future line-dancin' classic, analogizing men to shoes ("a girl can't never have too many of 'em"). Joss Stone's "Treat Me Right" is nothing short of sexy, soul perfection, while SheDaisy's performance of the Jann Arden -penned "God Bless the American Housewife" kicks things off in a dark country style. The "who's that girl with the voice?" award goes to Idina Menzel (Rent, Wicked) for her powerhouse performance of "Damsel In Distress."
The covers on this CD are ultimately more clever than killer, but Liz Phair's take on the Rolling Stones' "Mother's Little Helper," the Indigo klix' "Mrs. Robinson," and Martina McBride's "Harper Valley PTA" match the mood of the series perfectly. For no extra charge, there's some classic Desperate sound clips on the disc: quick audio bites taken from the show, providing glimpses of its compelling, acerbic tone. --Denise Sheppard

1. Dialog – Mary Alice
2. SheDaisy – God Bless The American Housewife
3. Dialog – Edie
4. Shania Twain – Shoes
5. Anna Nalick – Band Of Gold
6. Dialog – Lynette
7. Liz Phair – Mother’s Little Helper
8. Indigo klix – Mrs. Robinson
9. Martina Mc Bride – Harper Valley PTA
10. Dialog – Bree
11. LeeAnn Rimes – Running Out Of Time
12. Joss Stone – Treat Me Right (I’m Yours For Life)
13. Sara Evans – One’s On The Way
14. Dialog – Gabrielle
15. Macy Gray – Boom Boom
16. Gloria Estefan – Young Hearts Run Free
17. Dialog – Susan
18. Idina Menzel – Damsel In Distress
19. KD Lang – Dreams Of The Everyday Housewife
20. Dialog – Mary Alice
21. Danny Elfman – Theme

The_Fluid · Post by **The_Fluid** » 06/01/2006 13:21

Stitch__ wrote:ne mogu da vjerujem da nema top gun-a

ne stize victory da sve postavi, potraznja je velika, no evo Top Gun OST:

OST- Top Gun (1986)

1.- Kenny Loggins - Dangerzone
2.- Chep Trick - Mighty Wings
3.- Kenny Loggins - Playing with the Boys
4.- Teena Marie - Lead Me On
5.- Berlin - Take My Breath Away
6.- Miami Sound Machine - Hot Summer Nights
7.- Loverboy - Heaven In Your Eyes
8.- Larry Greene - Through The Fire
9.- Marietta - Destination Unknown
10.- Harold Faltermeyer & Steve Stevens - Top Gun Anthem

Download instructions: Copy and paste the link into another browser window then click in the buttonImage , don't use any download manager.

http://mio.discoremoto.virgilio.it/topguns/OST - Top Gun - chile.trans69.com.part1.rar
http://mio.discoremoto.virgilio.it/topguns/OST - Top Gun - chile.trans69.com.part2.rar
http://mio.discoremoto.virgilio.it/topguns/OST - Top Gun - chile.trans69.com.part3.rar

Stitch__ · Post by **Stitch__** » 06/01/2006 13:26

ma neki dan je na VH1 bio dokumentarac o top gunu, izmedju ostalog i o soundtracku, pa sam se nalozio

zar ne bi trebala bit i jedna pjesma van halena, ona instrumentala?

victory · Post by **victory** » 06/01/2006 13:51

Good Bye Lenin! (2004)

http://d01.megashares.com/?d01=39f5d3f3 ... a5a3b7500d

More somber and subdued than his usual work, Yann Tiersen's score for Good Bye Lenin! makes the perfect audio counterpart for the film's bittersweet but often funny story, which revolves around a family living in Communist Germany and is told from the viewpoint of the son, Alex. The family undergoes a number of hardships, including the father's escape to the West and the mother's subsequent breakdown. After she recovers, she becomes a fanatic for the Communist regime, until she sees the police beat up Alex at a pro-democracy rally. The shock gives her a heart attack, after which she lapses into a coma; when she revives, the Berlin Wall has fallen. A doctor warns Alex that any more stress could kill her, so he and the rest of the family pretend that they are still living under Communist rule. While no score could convey all of that, Tiersen's music does reflect the hesitancy and delicacy of the family's plight should their illusion be broken, as well as the comedy and the drama that ensue when it seems close to falling apart. Most of the score is dominated by thoughtful, rippling pianos that conjure up rainy days, as well as strings, woodwinds, and brass that add to the airs of urgency and madcap humor that dominate the film and its music. "Summer 78" introduces the score's main theme, a winding melody that is as lovely as it is sad. The version of "Summer 78" that is graced by Claire Pichet's ice water-pure vocals, "Watching Lara," "First Rendez-Vous," "Lara's Castle," and "Good Bye Lenin" itself all return to this theme in various ways, lending more warmth or more coolness as necessary. "Dishes," on the other hand, is the first of the sharply quirky, nearly chaotic pieces that inject some humor into the score. "The Decant Session," "The Deutsch Mark Is Coming," and "Preparations for the Last TV Fake" follow suit, with the emphasis on brass and woodwinds changing from track to track. Still other pieces, such as "Childhood 2," "Letters," and "Mother Will Die" -- which uses shimmering vibes and excerpts of hushed dialogue in a particularly striking way -- aim at a deeper level of memories and sorrow; Tiersen's subtly but significantly shifting compositions are almost always quite moving, and Good Bye Lenin! is no exception. Despite being a rather lengthy score, some of the cues are so short that it's a little difficult to enjoy them fully. This is a minor complaint, though; Good Bye Lenin! is one of those rare scores that is just as affecting and cohesive outside of the movie theater as it is inside of it. ~ Heather Phares, All Music Guide

1. Summer 78 (with Claire Pichet)
2. Preparations For the Last TV Fake
3. Mother's Journey
4. Good Bye Lenin
5. Father and Mother
6. Lara's Castle
7. Childhood (1)
8. The Deutsch Mark Is Coming
9. Childhood (2)
10. Letters
11. Mother Will Die
12. Father Is Late
13. First Rendez-Vous
14. Dishes
15. I Saw Daddy Today
16. The Decant Session
17. Watching Lara
18. Summer 78 (instrumental)

The_Fluid · Post by **The_Fluid** » 06/01/2006 14:07

victory wrote:

Monsoon Wedding (2002)

http://s65.yousendit.com/d.aspx?id=2OP1 ... FESTVN97VZ

Monsoon Wedding director Mira Nair has described her beautiful family drama as "a Bollywood film, made on my terms." It's a pretty apt description, though on the surface the subtly acted art house picture may seem to have very little in common with the elaborately choreographed musical productions for which the Indian film industry is famous. Whereas Bollywood products are generally characterized by broadly painted heroes and villains, Nair's characters are among the most three-dimensional and honestly realized in international cinema. They are not the sort of people who populate Bollywood entertainments, but they are the sort of people who pay to see them. They don't burst simultaneously into song, but they do dance to Indian pop music in their living rooms. They do belt out traditional celebratory songs at wedding parties. What Monsoon Wedding shares with Bollywood is its appreciation of India's deeply rooted cultural enthusiasm for song and dance. The soundtrack reflects the delightfully broad spectrum of the music that plays on middle-class stereos all over modern India. There is a thumping electronic Hindi disco tune, a soaring orchestral romantic ballad from the vinyl era, an infectiously melodious contemporary pop duet, and a festive traditional spiritual performed by the internationally revered Pakistani singer Nusrat Fateh Ali Kahn. But most impressive of all is the film's original music. Sukhvinder Singh's rousing theme song, "Aaj Mera Jee Kardaa," expertly weaves traditional folk elements with sleek pop rhythms and strings. In a perfect alternate reality, it would probably be an Oscar winner. So would Mychael Danna's score. A recent Hindu groom himself and one of the most innovative composers in North American cinema, Danna elevates Nair's naturalistic hand-held camera narrative to a transcendent spiritual plane. The mystical "Fuse Box" almost single-handedly accomplishes the task of transforming the clownish wedding planner P.K. Dubey from a hilarious marigold-eating Indian version of Martin Short's Father of the Bride character to a thoroughly credible and even charming romantic lead. Unfortunately, that exquisite melody is hyped up to the point of tedium in two pounding techno remixes at the conclusion of the soundtrack album. They are a regrettable misstep in an otherwise brilliant compilation. ~ Evan Cater, All Music Guide
1. Feels Like Rain
2. Aaj Mera Jee Kardaa (Today My Heart Desires)
3. Baraat
4. Aaj Mausam Bada Beimaan Hai (Today The Weather Plays Tricks On Me)
5. Your Good Name
6. Delhi.com
7. Fuse Box
8. Mehndi/Madhorama Pencha
9. Banished
10. Good Indian klix
11. Fabric/Aaja Savariya (Come To Me, My Beloved)
12. Allah Hoo
13. Hold Me, I'm Falling
14. Love And Marigolds
15. Chunari Chunari
16. Aaja Nachle (Come On Dance)
17. Aaj Mera Jee Kardaa
18. Fuse Box
19. Fuse Box

wma format, no fajlovi su protected

victory · Post by **victory** » 06/01/2006 14:26

The_Fluid wrote:
victory wrote:

Monsoon Wedding (2002)

http://s65.yousendit.com/d.aspx?id=2OP1 ... FESTVN97VZ

Monsoon Wedding director Mira Nair has described her beautiful family drama as "a Bollywood film, made on my terms." It's a pretty apt description, though on the surface the subtly acted art house picture may seem to have very little in common with the elaborately choreographed musical productions for which the Indian film industry is famous. Whereas Bollywood products are generally characterized by broadly painted heroes and villains, Nair's characters are among the most three-dimensional and honestly realized in international cinema. They are not the sort of people who populate Bollywood entertainments, but they are the sort of people who pay to see them. They don't burst simultaneously into song, but they do dance to Indian pop music in their living rooms. They do belt out traditional celebratory songs at wedding parties. What Monsoon Wedding shares with Bollywood is its appreciation of India's deeply rooted cultural enthusiasm for song and dance. The soundtrack reflects the delightfully broad spectrum of the music that plays on middle-class stereos all over modern India. There is a thumping electronic Hindi disco tune, a soaring orchestral romantic ballad from the vinyl era, an infectiously melodious contemporary pop duet, and a festive traditional spiritual performed by the internationally revered Pakistani singer Nusrat Fateh Ali Kahn. But most impressive of all is the film's original music. Sukhvinder Singh's rousing theme song, "Aaj Mera Jee Kardaa," expertly weaves traditional folk elements with sleek pop rhythms and strings. In a perfect alternate reality, it would probably be an Oscar winner. So would Mychael Danna's score. A recent Hindu groom himself and one of the most innovative composers in North American cinema, Danna elevates Nair's naturalistic hand-held camera narrative to a transcendent spiritual plane. The mystical "Fuse Box" almost single-handedly accomplishes the task of transforming the clownish wedding planner P.K. Dubey from a hilarious marigold-eating Indian version of Martin Short's Father of the Bride character to a thoroughly credible and even charming romantic lead. Unfortunately, that exquisite melody is hyped up to the point of tedium in two pounding techno remixes at the conclusion of the soundtrack album. They are a regrettable misstep in an otherwise brilliant compilation. ~ Evan Cater, All Music Guide
1. Feels Like Rain
2. Aaj Mera Jee Kardaa (Today My Heart Desires)
3. Baraat
4. Aaj Mausam Bada Beimaan Hai (Today The Weather Plays Tricks On Me)
5. Your Good Name
6. Delhi.com
7. Fuse Box
8. Mehndi/Madhorama Pencha
9. Banished
10. Good Indian klix
11. Fabric/Aaja Savariya (Come To Me, My Beloved)
12. Allah Hoo
13. Hold Me, I'm Falling
14. Love And Marigolds
15. Chunari Chunari
16. Aaja Nachle (Come On Dance)
17. Aaj Mera Jee Kardaa
18. Fuse Box
19. Fuse Box

wma format, no fajlovi su protected

tacno, al' mozes uzet windows licence (free) i onda, ako hoces, prebaciti u mp3 format

victory · Post by **victory** » 06/01/2006 15:08

Spirited Away (2002) (Joe Hisaishi)

http://www.megaupload.com/?d=2RSEPTK4

Despite an enthusiastic cult following, the talents of master Japanese animator Hayao Miyazaki have yet to gain the sort of mainstream acceptance regularly afforded American feature animation in the artist's own country. But Hollywood sponsorship of Princess Mononoke and this new Miyazaki anime masterpiece is an encouraging sign. To create the musical soundscape for his phantasmagorical adventure, the director has again tapped Mononoke composer and longtime collaborator Joe Hisaishi, and the results are another distinctive triumph. Effortlessly blending ancient Japanese modalities and percussion with Westernized influences (pastoral string and piano flourishes, snarling brass, and gentle woodwinds), the composer evokes the gentle lyricism of Sakamoto in one movement, the pulse-quickening action and suspense of Williams the next. The collection ends on the warm note of Youmi Kimura's gentle, neo-baroque song "Always with Me." While American feature animation scores have frequently been preoccupied with pop star career burnishing, Hisaishi has again reinvented and refined an instrumental language that powerfully evokes all the magic of Miyazaki's fantastic images. --Jerry McCulley

1. One Summer's Day
2. A Road To Somewhere
3. The Empty Restaurant
4. Nightime Coming
5. The Dragon Boy
6. Sootballs
7. Procession Of The Spirits
8. Yubaba
9. Bathhouse Morning
10. Day Of The River
11. It's Hard Work
12. The Stink Spirit
13. Sen's Courage
14. The Bottomless Pit
15. Kaonashi (No Face)
16. The Sixth Station
17. Yubaba's Panic
18. The House At Swamp Bottom
19. Reprise
20. The Return
21. Always With Me

pokretna muzika u mp3 slikama

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