Ad blocker detected: Our website is made possible by displaying online advertisements to our visitors. Please consider supporting us by disabling your ad blocker on our website.
Zadnja pjesma, Descent the Shades of Night vrijedi vise nego ostatak cd-a, ali mi je drago vidjeti da se je Machine Head vratio nazad, svojim pravim korijenima.
Nesferatu wrote:Zadnja pjesma, Descent the Shades of Night vrijedi vise nego ostatak cd-a, ali mi je drago vidjeti da se je Machine Head vratio nazad, svojim pravim korijenima.
Machine Head- Through the Ashes of Empires.
"
Sta hoces da kazes da su se vratili zvuku koji su imali na "burn my eyes i "the more things changes"?
Ako je tako onda definitivno moram to na limewire-u skinuti....
Burn my eyes je neponovoljiv po kvaliteti bubnjara i njegovih prelaza i u tom kontekstu je bolji od ovog cd-a. Ali ovaj cd ima svoje mjesto u kolekciji Machine Head. Po meni je najbolji njihov cd, Burn My Eyes, onda ide Burning Red i Through the ashes of Empires. The more things change i Supercharger nisu visoko na mojoj listi.
Anyone who remembers trumpeter Toshinori Kondo's work with such thorny avant-gardists as John Zorn, Derek Bailey, Fred Frith, and Peter Brotzmann's Die Like a Dog Quartet may be a bit taken aback by the extreme accessibility of his collaboration with pioneering turntablist DJ Krush. Much of the music on Ki-Oku flirts with smooth-groove jazz -- Kondo's muted trumpet line on "Mu-Getsu" sounds an awful lot like something Chris Botti would play, while the duo's instrumental take on the Bob Marley classic "Sun Is Shining" comes off just a little bit muzak-y. On the other hand, "Ki-Gen" and "Ko-Ku" both find Kondo using synthesized treatments in a way that evokes Jon Hassell's work with Brian Eno, while on the latter DJ Krush layers slightly menacing keyboard washes beneath Kondo's unassuming trumpet lines. This is one of those albums that reveals more with repeated listens; if it sounds too easy at first, listen again -- there's lots of interesting stuff going on beneath what sometimes sounds like a merely pleasant surface.
slusao sam svu gorespomenutu drljacu i odgovorno tvrdim da nista od spomenutog nije tako razorno i zestoko kao ovaj zadnji album od mars volte-frances the mute...puca drito u mozak....
dakle sad slusam mars volta-frances the mute
Trenutno slušam Ryana Adamsa i to zadnja dva albuma! "Cold Roses" izdat u maju ove godine i "Jacksonville City Nights" izdat 26.09.2005.! Obasu albuma briljantna!
Cat Power i novi tune The Greatest skinut sa istoimenog albuma koji bi trebao da bude objavljen u januaru 2006.
Bez obzira sto naziv albuma to sugerise, album nije nikakva kompilacija najvecih hitova
On January 24, 2006, Matador will be releasing the long-awaited new studio album from Cat Power, 'The Greatest' on CD and LP in most major industrial countries.
Recorded at Memphis, TN's Ardent Studios over the summer by Stuart Sikes, 'The Greatest' while the most confident and life-affirming work of Chan Marshall's career, is as intensely personal, haunting and provocative as any of its predecessors. The album's players are a bona fide All-Star team of Memphis musicians, including Al Green sideman Teenie Hodges on guitar, Leroy "Flick" Hodges and David Smith on bass, Rick Steff on keys, Jim Spake on sax and trumpteer Scott Thompson amongst others.
The album's sequence is as follows:
The Greatest
Could We
Lived In Bars
Islands
After It All
The Moon
Living Proof
Empty Shell
Willie
Where Is My Love
Hate
Love & Communication
Zimi odlaze ptice selice al se uvek vracaju
a ja necu nikad na ta mesta sto na tebe secaju
Na hladnoj postelji Boze koferi
pahulje u prozoru
to su zadnje slike koje pamtim
I koje se ne brisu
Mirise evo opet zima snjegovi
I kod nas vec se peku mladi kesteni
eeee
E Draga Draga da je srece
bila bi samnom ali ti se nece 3x
bila bi samnom lai ti se nece