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http://rapidshare.de/files/1620206/Aqualung.rar.html
http://sr1.mytempdir.com/24844

Aqualung the solo project of Southampton-born Matt Hales, the former frontman of indie quartet, The 45s. 'Aqualung' was recorded in Hales' home studio and its lead track was featured on the 2002 VW Beetle TV/cinema ad campaign. B-Unique.

victory wrote:

Look at All the Love We Found: A Tribute to Sublime (21/06/2005) rar, 80 mb

01. Jack Johnson - Badfish/Boss DJ
02. Michael Franti, Spearhead & Gift Of Gab - What I Got
03. Fishbone - Date Rape
04. Bargain Music - Get Out
05. Avail - Santeria
06. No Doubt - DJ's
07. The Ziggens - Paddle Out
08. Mike Watt, Petra Haden & Stephen Perkins - Work That We Do
09. Filibuster & Half Pint - Get Ready
10. G Love - Greatest Hits
11. Greyboy Allstars - Doin' Time
12. Camper Van Beethoven - Garden Love
13. Ozomatli - April 29th, 1992 (Miami)
14. AWOL One, Abstract Rude, Josh Fischel & Transducer - Waiting For My Ruca
15. Pennywise - Same In The End

Bobi wrote:

victory wrote:

Look at All the Love We Found: A Tribute to Sublime (21/06/2005) rar, 80 mb

01. Jack Johnson - Badfish/Boss DJ
02. Michael Franti, Spearhead & Gift Of Gab - What I Got
03. Fishbone - Date Rape
04. Bargain Music - Get Out
05. Avail - Santeria
06. No Doubt - DJ's
07. The Ziggens - Paddle Out
08. Mike Watt, Petra Haden & Stephen Perkins - Work That We Do
09. Filibuster & Half Pint - Get Ready
10. G Love - Greatest Hits
11. Greyboy Allstars - Doin' Time
12. Camper Van Beethoven - Garden Love
13. Ozomatli - April 29th, 1992 (Miami)
14. AWOL One, Abstract Rude, Josh Fischel & Transducer - Waiting For My Ruca
15. Pennywise - Same In The End

Passwordchitj ...?... .

http://rapidshare.de/files/1667787/01._Spiral_03._Living.rar.html
http://rapidshare.de/files/1667022/02._Blossom.rar.html
http://rapidshare.de/files/1668841/04._Belonging__05._Windup.rar.html
http://rapidshare.de/files/1665811/06._Solstice.rar.html

When Keith Jarrett debuted this largely Nordic quartet, he was in the midst of developing a U.S.-based group of the same size with heavy leanings toward the approaches of Ornette Coleman and Paul Bley (even using veterans of Coleman bands). With the Nordic band, Jarrett was better suited to play wistful, melodic vamps that got great mileage out of Jan Garbarek's wavering but mostly vibrato-free tone and the ethereal rhythmic floats supplied by drummer Jon Christensen and bassist Palle Danielsson. "Blossom" is a lengthy, smoldering ballad, as tender as it gets in Jarrett's canon and worth every minor move the group makes. And while things are fairly icy throughout the slower spots, the band slinks into a couple gospel-touched gems, "'Long as You Know You're Living Yours" and the harmonically piled, funky "Windup." All in all, this is not only one of the Jarrett high marks, it's a pinnacle for 1970s jazz overall.

joki wrote:sjor-pobido,neces mi virovat ma san juce i san ovaj duet jarrett/garbarek po web-u trazija za postirat u butigi ma san nasa samo nesto mizerije kbs pa san odusta...
e sad,il' je spijun il' valna duzina...uss-fala lipa lipi moj!!

Personnel: Brian Eno (synthesizer, sound effects); Jah Wobble (keyboards, bass, drums, sound effects); Sussan Deyhim (vocals); Justin Adams (guitar); Mark Ferda (keyboards, percussion); Richard Bailey, Jaki Liebeziet (drums). Includes liner notes by Brian Eno. SPINNER originated as the soundtrack to Derek Jarman's final film, "Glitterbug." Brian Eno's 1995 collaboration with ex-Public Image Limited bassist/producer Jah Wobble is of a piece with Eno's partnership with U2 as the Passengers, applying his idiosyncratic talents to mid-'90s dance music. A third of SPINNER consists of solo keyboard pieces by Eno which would not sound out of place on any of his ambient records, but the rest marries his trademark soundscapes to Wobble's booming, reggae-influenced bass and the polyrhythmic drums of Can's Jaki Liebezeit, with others providing minimal assistance on guitar, percussion, and, on the centerpiece "Unusual Balance," wordless vocals. Until the last three lengthy tracks, the short pieces explore a rhythm or sound only as long as it's fruitful, thereby avoiding the tedium of many ambient records
Brian Eno's ambient soundtrack originated as the score for Derek Jarman's last film Glitterbug, which was released shortly after his death in 1994. Derek never saw it finished, but Jah Wobble was then given the stereo tapes, which he worked over & fired up his inimitable style. This was the very first time that Eno had allowed anyone to work with his original music. It was also the first time for some years that Brian found himself back in the Top 75! 10 tracks. All Saints Records. 1995.

Keyboardist Herbie Hancock's remarkable career took a surprising turn with this funk album--one of the first jazz albums to be certified gold. Hancock's already-storied career had included an extended tenure with Miles Davis as a member of both the classic quintet of the '60s and the trumpeter's groundbreaking electric dates. As a leader, the pianist had followed a similar course, cutting both klix acoustic dates (Maiden Voyage, Empyrean Isles) and experimental electric sessions (Sextant, Crossings).

Head Hunters, however, was something different: a stripped-down date featuring reedman Bennie Maupin as the only horn player, and a funk-oriented rhythm section made up of Paul Jackson, Harvey Mason, and Bill Summers. Hancock traded in his sophisticated piano performances and complex compositions for simple melodies, slow-burn funk grooves, and light electric keyboard splashes. The results, particularly on the tracks "Chameleon" and "Watermelon Man," had a profound impact on other musicians, although critics charged Hancock with playing to the galleries. But the album has stood the test of time--something neither the wealth of Hancock's imitators nor his own subsequent albums in this vein have been able to do.