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Fantastic Rockabilly combo with influences of Blues, Garage and Rock 'n' Roll. Hipbone Slim & The Knee-Tremblers are an all-star trio featuring Bruce Brand of The Milkshakes, Johnny Gibbs of The Kaisers and Sir Bald Diddley.

http://rapidshare.com/files/44101782/The_Legendary_Shack_Shakers_-_Believe_-2004.rar

As the opening track, "Agony Wagon," shuffles out of the starting blocks like some sort of hillbilly klezmer chestnut, complete with violin and clarinet, you can't help but wonder if the Legendary Shack*Shakers have done a 180 for their second album, 2004's Believe. Further research confirms this isn't quite the case, but Believe does find this band of hot-wired Nashville maniacs adding a few more flavors to their usual gumbo of country, blues, rockabilly, and punk. Fiddles and horns add seasoning to a few tracks, the group musters up a shade more technical finesse than they did on their blasting debut, Cockadoodledon't, and the graceful waltz-time "The Pony to Bet On" suggests this band might actually have some subtlety lurking deep down inside of them. But for the most part Believe shows the Shack Shakers's instincts remain mercifully unchanged -- they're here to kick ass and get wild, and man oh man, are they good at it. The blues-shot swagger of "All My Life to Kill," the ominous thunder of "Where's the Devil When You Need Him?," and the swampy hipshake of "Piss and Vinegar" all capture this band in high-impact mode, and if anything they're stronger and more swingin' than on their debut. Believe is a high-octane shot of energy and attitude that confirms the promise of the Legendary Shack Shakers' debut, and proves this is one revved-up live band who know how to make their sweat and shakin' signify on tape -- these guys are the best thing to happen to Dixie-fried dementia since Southern Culture on the Skids.

http://rapidshare.com/files/44099611/The_Legendary_Shack_Shakers_-_Pandelirium_-2006.rar

Shifting further away from the frantic blues and punkabilly than on their last album, the Shack Shakers morph into a more European, even Gypsy approach on much of this release. The band's third effort retains all the wild-eyed, frenetic, unhinged qualities that have by now become its calling card. Adding occasional piano, fiddle, horns, and banjo doesn't soften or dilute the overdriven intensity. Rather, it is heightened, as the barely half-hour disc careens and bounces along so breathlessly that most listeners wouldn't want the album to last any longer. Lead singer/harp player J.D. Wilkes remains the main attraction; he writes or co-writes all the songs and his often demonic vocals and frenzied harp shenanigans make this somewhat of a one-man project with lots of guests. The "Wipe Out"-styled scream that kicks off the opening "Ichabod!" sets the tone for this nonstop, breakneck-paced, often humorous set that touches bases with Tom Waits' twisted carnival barking and oompah waltz inclinations ("Nellie Bell"), Stan Ridgway's cracked spoken/sung technique ("Monkey in the Doghouse"), and even Yello's Boris Blank, especially on the spooky baritone Wilkes drops into on "Bottom Road." When the hyperactive rhythms subside for the jazzy "Bible, Candle and Skull," the tense undercurrent and bizarre lyrics still won't let the listener relax. Reverend Horton Heat and Jello Biafra add their talents to a handful of tracks, but this remains Wilkes' freaky sideshow, and he is mighty impressive. He also co-produces with bassist Mark Robertson, and it's here that the album is most successful. The duo mixes American and European goth sensibilities with the musty roots of country and blues along with the live-fast, die-young energy of early rock with dynamic results. Wilkes ties the disparate influences together by not taking himself seriously and keeping the tracks so tightly packed that by the time you figure out his direction, the next one is clobbering you. It's a wild, rowdy, heart-pounding ride -- but one definitely worth hanging on for.

lab3352 wrote:... Upravo sam gledao, mislim, finalni line up za Tear It Up Festival (http://www.tearitupfestival.net/bandsanddjs) i volio da cujem kako Vam se cini? Naime, koliko sam vidio veoma dosta je hillbilly / country bendova, za vecinu nisam cuo ...

Lab3352
http://rockabilly.blogger.ba

lab3352 wrote:Dobro jutro svim proleterima ... sto se ... Evo jedno malo javljanje prije dorucka i odlaska na posao ... Upravo sam gledao, mislim, finalni line up za Tear It Up Festival (http://www.tearitupfestival.net/bandsanddjs) i volio da cujem kako Vam se cini? Naime, koliko sam vidio veoma dosta je hillbilly / country bendova, za vecinu nisam cuo ...

Lab3352
http://rockabilly.blogger.ba

sun56 wrote:....mogu ovih dana staviti linkove za neke albume Jasona, Starliterse, Rayburna ... ako ima zainteresiranih

lab3352 wrote:Upravo sam maloprije dobio mail poziva za suradnju:

http://www.crorockabilly.com

Zna li neko sta je ovo i ko je iza ovoga novog sajta u HR?

sun56 wrote: ................................
VAŽNO:
visinske pripreme odraditi u najbližoj birtiji sa jeftinom pivom uz puno Johnny Hortona i Hank Williamsa

lab3352 wrote:Upravo sam maloprije dobio mail poziva za suradnju:

http://www.crorockabilly.com

Zna li neko sta je ovo i ko je iza ovoga novog sajta u HR?

Pozdrav ekipi

Lab3352