#176
Posted: 01/10/2005 16:03
by Harrys
White Flag
know you think that I shouldn't still love you
I'll tell you that
But if I didn't say it
Well, I'd still have felt it
Where's the sense in that?
I promise I'm not trying to make your life harder
Or return to where we were
Well I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
I know I left too much mess
And destruction to come back again
And I caused but nothing but trouble
I understand if you can't talk to me again
And if you live by the rules of 'It's over'
Then I'm sure that that makes sense
Well I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
And when we meet
As I'm sure we will
All that was then
Will be there still
I'll let it pass
And hold my tongue
And you will think
That I've moved on
Well I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
Well I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be
I will go down with this ship
And I won't put my hands up and surrender
There will be no white flag above my door
I'm in love and always will be

#178
Posted: 01/10/2005 16:13
by DJ Cool
Whitesnake
Is This Love
I should have known better
Than to let you go alone
It's times like these
I can't make it on my own
Wasted days, and sleepless nights
An' I can't wait to see you again
I find I spend my rime
Waiting on your call
How can I tell you, babe
My back's against the wall
I need you by my side
To tell me it's alright
Cos I don't think I can take anymore
Is this love that I'm feeling
Is this the love that I've been searching for
Is this love or am I dreaming
This must be love
Cos it's really go a hold on me
A hold on me
I can't stop the feeling
I've been this way before
But, with you I've found the key
To open any door
I can feel my love for you
Growing stronger day by day
An' I can't wait too see you again
So I can hold you in my arms
Is this love that I'm feeling
Is this the love that I've been searching for
Is this love or am I dreaming
This must be love
Cos it's really got a hold on me
A hold on me
Is this love that I'm feeling
Is this the love that I've been searching for
Is this love or am I dreaming
This must be love
Cos it's really go a hold on me
A hold on me

#182
Posted: 02/10/2005 09:44
by mosor1
Alice's Restaurant
By Arlo Guthrie
This song is called Alice's Restaurant, and it's about Alice, and the
restaurant, but Alice's Restaurant is not the name of the restaurant,
that's just the name of the song, and that's why I called the song Alice's
Restaurant.
You can get anything you want at Alice's Restaurant
You can get anything you want at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want at Alice's Restaurant
Now it all started two Thanksgivings ago, was on - two years ago on
Thanksgiving, when my friend and I went up to visit Alice at the
restaurant, but Alice doesn't live in the restaurant, she lives in the
church nearby the restaurant, in the bell-tower, with her husband Ray and
Fasha the dog. And livin' in the bell tower like that, they got a lot of
room downstairs where the pews used to be in. Havin' all that room,
seein' as how they took out all the pews, they decided that they didn't
have to take out their garbage for a long time.
We got up there, we found all the garbage in there, and we decided it'd be
a friendly gesture for us to take the garbage down to the city dump. So
we took the half a ton of garbage, put it in the back of a red VW
microbus, took shovels and rakes and implements of destruction and headed
on toward the city dump.
Well we got there and there was a big sign and a chain across across the
dump saying, "Closed on Thanksgiving." And we had never heard of a dump
closed on Thanksgiving before, and with tears in our eyes we drove off
into the sunset looking for another place to put the garbage.
We didn't find one. Until we came to a side road, and off the side of the
side road there was another fifteen foot cliff and at the bottom of the
cliff there was another pile of garbage. And we decided that one big pile
is better than two little piles, and rather than bring that one up we
decided to throw our's down.
That's what we did, and drove back to the church, had a thanksgiving
dinner that couldn't be beat, went to sleep and didn't get up until the
next morning, when we got a phone call from officer Obie. He said, "Kid,
we found your name on an envelope at the bottom of a half a ton of
garbage, and just wanted to know if you had any information about it." And
I said, "Yes, sir, Officer Obie, I cannot tell a lie, I put that envelope
under that garbage."
After speaking to Obie for about fourty-five minutes on the telephone we
finally arrived at the truth of the matter and said that we had to go down
and pick up the garbage, and also had to go down and speak to him at the
police officer's station. So we got in the red VW microbus with the
shovels and rakes and implements of destruction and headed on toward the
police officer's station.
Now friends, there was only one or two things that Obie coulda done at
the police station, and the first was he could have given us a medal for
being so brave and honest on the telephone, which wasn't very likely, and
we didn't expect it, and the other thing was he could have bawled us out
and told us never to be see driving garbage around the vicinity again,
which is what we expected, but when we got to the police officer's station
there was a third possibility that we hadn't even counted upon, and we was
both immediately arrested. Handcuffed. And I said "Obie, I don't think I
can pick up the garbage with these handcuffs on." He said, "Shut up, kid.
Get in the back of the patrol car."
And that's what we did, sat in the back of the patrol car and drove to the
quote Scene of the Crime unquote. I want tell you about the town of
Stockbridge, Massachusets, where this happened here, they got three stop
signs, two police officers, and one police car, but when we got to the
Scene of the Crime there was five police officers and three police cars,
being the biggest crime of the last fifty years, and everybody wanted to
get in the newspaper story about it. And they was using up all kinds of
cop equipment that they had hanging around the police officer's station.
They was taking plaster tire tracks, foot prints, dog smelling prints, and
they took twenty seven eight-by-ten colour glossy photographs with circles
and arrows and a paragraph on the back of each one explaining what each
one was to be used as evidence against us. Took pictures of the approach,
the getaway, the northwest corner the southwest corner and that's not to
mention the aerial photography.
After the ordeal, we went back to the jail. Obie said he was going to put
us in the cell. Said, "Kid, I'm going to put you in the cell, I want your
wallet and your belt." And I said, "Obie, I can understand you wanting my
wallet so I don't have any money to spend in the cell, but what do you
want my belt for?" And he said, "Kid, we don't want any hangings." I
said, "Obie, did you think I was going to hang myself for littering?"
Obie said he was making sure, and friends Obie was, cause he took out the
toilet seat so I couldn't hit myself over the head and drown, and he took
out the toilet paper so I couldn't bend the bars roll out the - roll the
toilet paper out the window, slide down the roll and have an escape. Obie
was making sure, and it was about four or five hours later that Alice
(remember Alice? It's a song about Alice), Alice came by and with a few
nasty words to Obie on the side, bailed us out of jail, and we went back
to the church, had a another thanksgiving dinner that couldn't be beat,
and didn't get up until the next morning, when we all had to go to court.
We walked in, sat down, Obie came in with the twenty seven eight-by-ten
colour glossy pictures with circles and arrows and a paragraph on the back
of each one, sat down. Man came in said, "All rise." We all stood up,
and Obie stood up with the twenty seven eight-by-ten colour glossy
pictures, and the judge walked in sat down with a seeing eye dog, and he
sat down, we sat down. Obie looked at the seeing eye dog, and then at the
twenty seven eight-by-ten colour glossy pictures with circles and arrows
and a paragraph on the back of each one, and looked at the seeing eye dog.
And then at twenty seven eight-by-ten colour glossy pictures with circles
and arrows and a paragraph on the back of each one and began to cry,
'cause Obie came to the realization that it was a typical case of American
blind justice, and there wasn't nothing he could do about it, and the
judge wasn't going to look at the twenty seven eight-by-ten colour glossy
pictures with the circles and arrows and a paragraph on the back of each
one explaining what each one was to be used as evidence against us. And
we was fined $50 and had to pick up the garbage in the snow, but thats not
what I came to tell you about.
Came to talk about the draft.
They got a building down New York City, it's called Whitehall Street,
where you walk in, you get injected, inspected, detected, infected,
neglected and selected. I went down to get my physical examination one
day, and I walked in, I sat down, got good and drunk the night before, so
I looked and felt my best when I went in that morning. `Cause I wanted to
look like the all-American kid from New York City, man I wanted, I wanted
to feel like the all-, I wanted to be the all American kid from New York,
and I walked in, sat down, I was hung down, brung down, hung up, and all
kinds o' mean nasty ugly things. And I waked in and sat down and they gave
me a piece of paper, said, "Kid, see the phsychiatrist, room 604."
And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I
wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and
guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill,
KILL, KILL." And I started jumpin up and down yelling, "KILL, KILL," and
he started jumpin up and down with me and we was both jumping up and down
yelling, "KILL, KILL." And the sargent came over, pinned a medal on me,
sent me down the hall, said, "You're our boy."
Didn't feel too good about it.
Proceeded on down the hall gettin more injections, inspections,
detections, neglections and all kinds of stuff that they was doin' to me
at the thing there, and I was there for two hours, three hours, four
hours, I was there for a long time going through all kinds of mean nasty
ugly things and I was just having a tough time there, and they was
inspecting, injecting every single part of me, and they was leaving no
part untouched. Proceeded through, and when I finally came to the see the
last man, I walked in, walked in sat down after a whole big thing there,
and I walked up and said, "What do you want?" He said, "Kid, we only got
one question. Have you ever been arrested?"
And I proceeded to tell him the story of the Alice's Restaurant Massacre,
with full orchestration and five part harmony and stuff like that and all
the phenome... - and he stopped me right there and said, "Kid, did you ever
go to court?"
And I proceeded to tell him the story of the twenty seven eight-by-ten
colour glossy pictures with the circles and arrows and the paragraph on
the back of each one, and he stopped me right there and said, "Kid, I want
you to go and sit down on that bench that says Group W .... NOW kid!!"
And I, I walked over to the, to the bench there, and there is, Group W's
where they put you if you may not be moral enough to join the army after
committing your special crime, and there was all kinds of mean nasty ugly
looking people on the bench there. Mother rapers. Father stabbers. Father
rapers! Father rapers sitting right there on the bench next to me! And
they was mean and nasty and ugly and horrible crime-type guys sitting on the
bench next to me. And the meanest, ugliest, nastiest one, the meanest
father raper of them all, was coming over to me and he was mean 'n' ugly
'n' nasty 'n' horrible and all kind of things and he sat down next to me
and said, "Kid, whad'ya get?" I said, "I didn't get nothing, I had to pay
$50 and pick up the garbage." He said, "What were you arrested for, kid?"
And I said, "Littering." And they all moved away from me on the bench
there, and the hairy eyeball and all kinds of mean nasty things, till I
said, "And creating a nuisance." And they all came back, shook my hand,
and we had a great time on the bench, talkin about crime, mother stabbing,
father raping, all kinds of groovy things that we was talking about on the
bench. And everything was fine, we was smoking cigarettes and all kinds of
things, until the Sargeant came over, had some paper in his hand, held it
up and said.
"Kids, this-piece-of-paper's-got-47-words-37-sentences-58-words-we-wanna-
know-details-of-the-crime-time-of-the-crime-and-any-other-kind-of-thing-
you-gotta-say-pertaining-to-and-about-the-crime-I-want-to-know-arresting-
officer's-name-and-any-other-kind-of-thing-you-gotta-say", and talked for
forty-five minutes and nobody understood a word that he said, but we had
fun filling out the forms and playing with the pencils on the bench there,
and I filled out the massacre with the four part harmony, and wrote it
down there, just like it was, and everything was fine and I put down the
pencil, and I turned over the piece of paper, and there, there on the
other side, in the middle of the other side, away from everything else on
the other side, in parentheses, capital letters, quotated, read the
following words:
("KID, HAVE YOU REHABILITATED YOURSELF?")
I went over to the sargent, said, "Sargeant, you got a lot a damn gall to
ask me if I've rehabilitated myself, I mean, I mean, I mean that just, I'm
sittin' here on the bench, I mean I'm sittin here on the Group W bench
'cause you want to know if I'm moral enough join the army, burn women,
kids, houses and villages after bein' a litterbug." He looked at me and
said, "Kid, we don't like your kind, and we're gonna send you fingerprints
off to Washington."
And friends, somewhere in Washington enshrined in some little folder, is a
study in black and white of my fingerprints. And the only reason I'm
singing you this song now is cause you may know somebody in a similar
situation, or you may be in a similar situation, and if your in a
situation like that there's only one thing you can do and that's walk into
the shrink wherever you are ,just walk in say "Shrink, You can get
anything you want, at Alice's restaurant.". And walk out. You know, if
one person, just one person does it they may think he's really sick and
they won't take him. And if two people, two people do it, in harmony,
they may think they're both faggots and they won't take either of them.
And three people do it, three, can you imagine, three people walking in
singin a bar of Alice's Restaurant and walking out. They may think it's an
organization. And can you, can you imagine fifty people a day,I said
fifty people a day walking in singin a bar of Alice's Restaurant and
walking out. And friends they may thinks it's a movement.
And that's what it is , the Alice's Restaurant Anti-Massacre Movement, and
all you got to do to join is sing it the next time it come's around on the
guitar.
With feeling. So we'll wait for it to come around on the guitar, here and
sing it when it does. Here it comes.
You can get anything you want, at Alice's Restaurant
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
That was horrible. If you want to end war and stuff you got to sing loud.
I've been singing this song now for twenty five minutes. I could sing it
for another twenty five minutes. I'm not proud... or tired.
So we'll wait till it comes around again, and this time with four part
harmony and feeling.
We're just waitin' for it to come around is what we're doing.
All right now.
You can get anything you want, at Alice's Restaurant
Excepting Alice
You can get anything you want, at Alice's Restaurant
Walk right in it's around the back
Just a half a mile from the railroad track
You can get anything you want, at Alice's Restaurant
Da da da da da da da dum
At Alice's Restaurant
#191
Posted: 03/10/2005 10:38
by mačak u čizmama
Na grad se sručila kiša...G. Dallaras
Βρέχει στην πόλη από νωρίς και γρήγορα νυχτώνει
έχεις τα φώτα σου κλειστά και φίλους στην οθόνη
και να ξεχάσεις προσπαθείς αλλά ο ήχος της βροχής
τα λόγια μου σου ψιθυρίζει και θέλεις να κρυφτείς
Και η βροχή και η βροχή και η βροχή δυναμώνει
Βρέχει στην πόλη από νωρίς και μέσα σου νυχτώνει
μόνο το φως της συσκευής φωτίζει το σαλόνι
και να ξεχάσεις προσπαθείς αλλά ο ήχος της βροχής
τα μυστικά μας σου θυμίζει και πας να τρελαθείς
Και η βροχή και η βροχή και η βροχή δυναμώνει
Κλείσε την πόρτα σιγανά σαν κάποιον που το σκάει
κι έλα στο στέκι το γνωστό που ακόμα ξενυχτάει
να ρίξεις μόνο μια ματιά να σου ζητήσω τη φωτιά
κι αν έχεις κόψει το τσιγάρο κερνάω τα ποτά
Και η βροχή και η βροχή και η βροχή δυναμώνει
da probamo i ovo prevesti...
Na grad se sručila kiša, još od jutros,brzo se smrkava
svjetla pogašena, prijateljima se ne odazivaš
i pokušavaš da zaboraviš, ali kišni eho
šapuće ti moje riječi od kojih se želiš sakriti
A pada, pada, i pada sve jače
Na grad se sručila kiša, još od jutros, i u tebi nastaje tama
samo još malecko svjetalce sa tevea svijetli ti u dnevnoj sobi
i pokušavaš da zaboraviš, ali kišni eho
tako te podsjeća na naše tajne, dovodi te do ludila
A pada, pada, i pada sve jače
Zatvori vrata pažljivo, kao onaj što se iskrada
i dodji u naše gnijezdo, jer ovdje još svijetli
baci pogled, tražim ti svjetlost
i ako prestaneš da pušiš, ja častim piće
A pada, pada, i pada sve jače

#192
Posted: 03/10/2005 20:45
by DJ Cool
Fool For Your Loving
by Whitesnake
I was born under a bad sign,
Left out in the cold,
I'm a lonely man who knows
Just what it means
To lose control.
But, I took all the heartache
And turned it into shame,
Now I'm moving, moving on
And I ain't taking the blame.
Don't come running to me
I know I've done all I can,
A hard loving woman like you
Just makes a hard loving man.
So I can say it to you, babe,
I'll be a fool for your loving no more,
A fool for your loving no more.
I'm so tired of trying,
I always end up crying,
A fool for your loving no more,
I'll be a fool for your loving no more.
I'm tired of hiding my feelings,
You left me lonely too long.
I gave my heart, and you tore it apart,
Oh, baby, you done me wrong.
Don't come running to me
I know I've done all I can,
A hard loving woman like you
Just makes a hard loving man.
So I can say it to you baby,
I'll be a fool for your loving no more,
Fool for your loving no more.
I'm so tired of trying,
I always end up crying,
A fool for your loving no more
I'll be a fool for your loving no more.
I'll be a fool for your loving no more, no more, no more.
(Solo)
So I can say it to you baby,
I'll be a fool for your loving no more,
Fool for your loving no more.
I'm so tired of trying,
I always end up crying,
Fool for your loving no more.
A fool for your loving no more,
No more, no more.
Fool for your loving no more...
A Fool for your loving no more.

#194
Posted: 03/10/2005 22:02
by DJ Cool
En Vogue
Don't Let Go (Love)
What's it gonna be
Cuz I can't pretend
Don't you wanna be more than friends
Hold me tight and don't let go
Don't let go
Have the right to loose control
Don't let go
I often tell myself
That we could be more than just friends
I know you think that if we move to soon
It would all end
I live in misery when you're not around
And I won't be satisfied 'till we're taking those vows
There'll be some lovemaking, heartbreaking, soul shaking
Oh, lovemaking, heartbreaking, soul shaking
What's it gonna be
Cuz I can't pretend
Don't you wanna be more than friends
Hold me tight and don't let go
Don't let go
Have the right to loose control
Don't let go
I often fantasize
The stars above are watching you
They know my heart and speak to yours
Like only lovers do
If I could wear your clothes
I'd pretend I was you and lose control
There'll be some lovemaking, heartbreaking, soul shaking
Oh lovemaking, heartbreaking, soul shaking, oh yeah
What's it gonna be
Cuz I can't pretend
Don't you wanna be more than friends
Hold me tight and don't let go
Don't let go
Have the right to loose control
Don't let go
Running in and out my life has got me so confused
You gotta make the sacrifice
Somebody's got to choose
We can make it if we try for the sake of you and I
Together we can make it right
