Forum Klix.ba

slucajno ugledah ovu temu pa reko da i ja dam doprinos da ne budu samo slike pa reko da malo zakuham....da vas pitam koliko je vama godina pa se furate na te slike sarene boje i tako to, ja sam to ba kao tinejdzer izfuro i profuro, i ne samo nego svasta nesta drugo a danas mi smijesno kad vidim odrasle ljude kako furaju te fore, hajd sad fino razmislite o ovome a ja nemam vremena, moram ici...vozdra

bea slazem se ofkors ..doduse taj album jos uvijek nije oficijelno izasao, nema nekih informacija ..
ali definitivno stoji da treba malo se potrudit, da bi tema bila kvalitetnija

karabaja.. jel mislis na miu par srana unazad? i bezze post, cuj ti nas sa visoka gledas kao ti si to isfuro ..drag si mi lik pa necu da se svadjam, al haj ti razmisli o tome sta si napisao ..

............
led zeppelin - houses of the holly


drag mi je upravo sto je pomalo kicast ..

Like the band themselves (and I love Zeppelin) the ‘Houses of the Holy’ cover art is all grand ingredients; pompous, epic nonsense - juvenile fantasy - innocence/sexuality (see Blind Faith post for a more direct example of nudie kids in rock art history) conceptual mysticism, dynamic contrasts, big effects (for the time) and, ultimately, more depth than a concept that is potentially lacking ’seriousness’ (again, like the band) might have achieved.

karabaja-x wrote:slucajno ugledah ovu temu pa reko da i ja dam doprinos da ne budu samo slike pa reko da malo zakuham....da vas pitam koliko je vama godina pa se furate na te slike sarene boje i tako to, ja sam to ba kao tinejdzer izfuro i profuro, i ne samo nego svasta nesta drugo a danas mi smijesno kad vidim odrasle ljude kako furaju te fore, hajd sad fino razmislite o ovome a ja nemam vremena, moram ici...vozdra

sorry, nista od zakuhavanja

kad vidim ovakvo nesto pomislim u sebi: "Dabogda uvijek ostala tinejdjerka u dusi!"

Aj stavite josh samo par, al ako cika baja aminuje

ti stavljaj, a ja cu drzat strazhu, ako naleti da stignemo pokupit nashe sharene igrachke na vrijeme

pravo mi se svidio kad sam ga uzimo u british councill-u ..pored super slike, ima neobicno pakovanje od kartona (nije obicna cd kutija) ..zadnja strana je nastavak ovog zida, unutrasnjost takodje slicna slika ..interesantan dizajn skroz

Rolling Stones - Beggars Banquet


In typical Rolling Stones fashion, various other hitches arose regarding Beggars Banquet. The album's original cover art, depicting a bathroom wall covered with graffiti, was banned. The Stones attempted unsuccessfully to fight their record company's decision -- and from today's perspective, the cover seems quite harmless.In 1994, the original cover art was released with the initial CD remastering of Beggars Banquet.


ujedno i jedan od njdrazih stones albuma ..

ijaaaaaaaaao sto nas naruzi coEk (fali mi wtf? smajo )

anyhoooo.....trenutno sam u fazi kupovine djecije muzike .....srecom naletih na ovo


i (jos) nesto za mamu (Cover art designed by Rodney Greenblat)




The photo used for Flood's cover art "was found by Flansburgh in the basement archives of Life magazine. It existed as only a contact print on a roll of film shot by famous photojournalist Margaret Bourke-White. It was in a series of photographs of Kentucky flood victims from around 1930. Another photograph from that very same shoot has become quite well known. It is of people standing in a bread line in front of a billboard poster of a happy family in a car with the words "America: Highest Standard of Living." It is featured in the "Best of Life" and has become synonymous with the Great Depression, even though the events surrounding the photograph are unrelated to it"


Artwork and layout by graphic designer Mike Mills

pardon svima, nisam ja to tako mislio, sto ste vi meni, ma niste vi, stvarno ....sad se osjecam kao ovo na sta prvi pogled na ovo na ovom omotu asocira (sorry, al ovo je najmanja slika koju sam mogo nac )

reci cu vam nesto sto jos nikom nisam reko.....ja kad sam bio mali sam smisljao neke omote za neke moje imaginarne albume sa nekim imaginarnim naslovima nepostojecih pjesama
jos jednom, pardon, sorry, schuldiguz a sad si dobrovoljno stavljam ban stupajuci na snagu odmah sad

karabaja izvadio si se s tim omotom

Dzemmo, dobar blog


Blur: The Best Of



Ova ilustracija Julian Opie se moze naci i u National Portrait Gallery u Londonu.

Ovaj omot je cesto uporedjivan sa

Queen: Hot Space

Postavljala dajzinca vec ali nije zgoreg da se ponovi:

(malo copy/paste-a ne prevodila ovo sad )
The Sex Pistols - Never Mind The Bollocks



The Sex Pistols’ only official album was released October 28th, 1977 on Virgin Records. By mid-January 1978, they had broken up, Johnny Rotten quitting at the end of a concert in the US, saying “Ever get the feeling you’ve been cheated?” as he walked offstage.

Given the fact that their two and a half year career was the most spectacular PR stunt in music history, semi-controlled by one of it’s most nauseating self-publicists, Malcolm McClaren, maybe there was a little cheating going on. But not by the suitably anarchic artist who designed the cover for “Never Mind The Bollocks” - Jamie Reid.

Reid was working on a radical political magazine called Suburban Press at the time, so really did believe in some of the things McClaren and the Pistols sang and said (they didn’t!). He also believed punk was a legitimate art movement ‘ a movement it turns out, he helped define.

Work on the covers for the first Sex Pistols singles let Reid develop the powerful ransom note and newspaper clipping style that became iconic. First up “Anarchy in the UK” ripped up the sacred British flag on it’s sleeve, then “God Save the Queen” defaced Her Royalness’ likeness just in time for her Silver Jubilee.



The image for which Jamie Reid is best known is this one ‘ covering a monochromatic Queen’s eyes and mouth with slashed newspaper clippings was very naughty at the time, and very clever. It perfectly captured the “fascist regime” sentiments of the song, and pushed an outraged public over the edge.

A couple of singles later, and finally the full album of bollocks landed ‘ a pink and yellow canary on heroin that defined punk visually ever after. Like the music, the design is incredibly simple to the point of being moronic, but before you realise it, you’re staring and dribbling like the rest of them. My own copy of this wonderful record can be seen sideways from 15 feet across the room, a bright sliver of garish light between browns and grays and blacks of covers each side.

Like the Pistols, Jamie’s serious contributions to art and music ended pretty soon after this album came out - now 60 years old and living in Liverpool, he recently said “All that I’ve been doing is re-adapting my work from the late 60’s and early 70’s into different contexts and continuing with the same themes and messages.”

sjajan soundtrack koga zanima nek gugla ko je ovo uslik'o

dva vrlo rijetka za sladokusce

e vidish 100_KA zaboravih taj album od Sweet Smoke a imam ga, album je