#1276
Posted: 17/05/2007 04:34
ja sam sam 6 dio na posao nosiladanas wrote:knjiga bolanpitt wrote:cuj harry potterBumbar wrote:![]()
:D:D
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knjiga
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ja sam sam 6 dio na posao nosiladanas wrote:knjiga bolanpitt wrote:cuj harry potterBumbar wrote:![]()
:D:D
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knjiga
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ju naopako, sto nas izofiraBumbar wrote:ja sam sam 6 dio na posao nosiladanas wrote:knjiga bolanpitt wrote: cuj harry potter:D:D
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danas wrote:
ju naopako, sto nas izofira![]()
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preporucujem ti da procitas obojenu pticu od istog autora...ako vec nisi citaoblack wrote:citah nekad davno i sad ponove ..."Koraci" ...Jerzy Kosinski..lik zavidne biografije, po kojoj bi se mogao snimiti jako dobar film..zivot kakav su mnogi pisci zivjeli samo na stranicama svojih knjiga..
ponovicu i njutalijan wrote:preporucujem ti da procitas obojenu pticu od istog autora...ako vec nisi citaoblack wrote:citah nekad davno i sad ponove ..."Koraci" ...Jerzy Kosinski..lik zavidne biografije, po kojoj bi se mogao snimiti jako dobar film..zivot kakav su mnogi pisci zivjeli samo na stranicama svojih knjiga..
ih, onda ga dobro poznas...a ja bih ko nesta preporucivao...black wrote:ponovicu i njutalijan wrote:preporucujem ti da procitas obojenu pticu od istog autora...ako vec nisi citaoblack wrote:citah nekad davno i sad ponove ..."Koraci" ...Jerzy Kosinski..lik zavidne biografije, po kojoj bi se mogao snimiti jako dobar film..zivot kakav su mnogi pisci zivjeli samo na stranicama svojih knjiga..a citao sam i prisutnost i kokpit
eee, to i ja kazem. Posljednje vrijeme cim neko kaze da nije citao, ja pravac u Buybook i kupim insanu, bez izuzetka.pesak wrote:Kako je dobar pisac ovaj Aleksandar Hemon. Uvuce te u pricu veoma lako...ima uverljive opise ...i taman se zaboravis, a on ti tresne samarcinu u vidu neke opaske ili poredjenja iz vremena granatiranja Sarajeva. I ta samarcina je utoliko jaca ukoliko se vise prepustis njegovoj prici...
znaci Citac je dobra..sve mi mrsko poceti citati je jer rekose mi da nije nesto..neocekivana_sila wrote:
eee, to i ja kazem. Posljednje vrijeme cim neko kaze da nije citao, ja pravac u Buybook i kupim insanu, bez izuzetka.
Citam Pravi se da ovo nisi vidio od Hrvoja Salkovica.
Preporucujem knjigu Citac od Bernarda Slinka
zar je toliko dobra?Bumbar wrote:ja sam sam 6 dio na posao nosiladanas wrote:knjiga bolanpitt wrote: cuj harry potter:D:D
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knjiga
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prvi dio filma je ok...i 4 nije los...a drugi i trecitigris wrote:zar je toliko dobra?Bumbar wrote:ja sam sam 6 dio na posao nosiladanas wrote: knjiga bolanknjiga
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meni je flim uzasno dosadan bio.....i to sam prvi dio gledala ove ostale Boze sacuvaj
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nesto u zadnje vrijeme nemam zivaca da citam..........jos uvijek mi stoji gricka vjestica pored kreveta..imam vise od pola da je zavrsim

Editorial Reviews
Amazon.com
In his debut novel, The Kite Runner, Khaled Hosseini accomplishes what very few contemporary novelists are able to do. He manages to provide an educational and eye-opening account of a country's political turmoil--in this case, Afghanistan--while also developing characters whose heartbreaking struggles and emotional triumphs resonate with readers long after the last page has been turned over. And he does this on his first try.
The Kite Runner follows the story of Amir, the privileged son of a wealthy businessman in Kabul, and Hassan, the son of Amir's father's servant. As children in the relatively stable Afghanistan of the early 1970s, the boys are inseparable. They spend idyllic days running kites and telling stories of mystical places and powerful warriors until an unspeakable event changes the nature of their relationship forever, and eventually cements their bond in ways neither boy could have ever predicted. Even after Amir and his father flee to America, Amir remains haunted by his cowardly actions and disloyalty. In part, it is these demons and the sometimes impossible quest for forgiveness that bring him back to his war-torn native land after it comes under Taliban rule. ("...I wondered if that was how forgiveness budded, not with the fanfare of epiphany, but with pain gathering its things, packing up, and slipping away unannounced in the middle of the night.")
Some of the plot's turns and twists may be somewhat implausible, but Hosseini has created characters that seem so real that one almost forgets that The Kite Runner is a novel and not a memoir. At a time when Afghanistan has been thrust into the forefront of America's collective consciousness ("people sipping lattes at Starbucks were talking about the battle for Kunduz"), Hosseini offers an honest, sometimes tragic, sometimes funny, but always heartfelt view of a fascinating land. Perhaps the only true flaw in this extraordinary novel is that it ends all too soon. --Gisele Toueg --This text refers to the Hardcover edition.
From Publishers Weekly
Hosseini's stunning debut novel starts as an eloquent Afghan version of the American immigrant experience in the late 20th century, but betrayal and redemption come to the forefront when the narrator, a writer, returns to his ravaged homeland to rescue the son of his childhood friend after the boy's parents are shot during the Taliban takeover in the mid '90s. Amir, the son of a well-to-do Kabul merchant, is the first-person narrator, who marries, moves to California and becomes a successful novelist. But he remains haunted by a childhood incident in which he betrayed the trust of his best friend, a Hazara boy named Hassan, who receives a brutal beating from some local bullies. After establishing himself in America, Amir learns that the Taliban have murdered Hassan and his wife, raising questions about the fate of his son, Sohrab. Spurred on by childhood guilt, Amir makes the difficult journey to Kabul, only to learn the boy has been enslaved by a former childhood bully who has become a prominent Taliban official. The price Amir must pay to recover the boy is just one of several brilliant, startling plot twists that make this book memorable both as a political chronicle and a deeply personal tale about how childhood choices affect our adult lives. The character studies alone would make this a noteworthy debut, from the portrait of the sensitive, insecure Amir to the multilayered development of his father, Baba, whose sacrifices and scandalous behavior are fully revealed only when Amir returns to Afghanistan and learns the true nature of his relationship to Hassan. Add an incisive, perceptive examination of recent Afghan history and its ramifications in both America and the Middle East, and the result is a complete work of literature that succeeds in exploring the culture of a previously obscure nation that has become a pivot point in the global politics of the new millennium.
