MP3 Djerdan vol.4

victory · Post by **victory** » 13/01/2005 14:26

Starsailor - Silence Is Easy (2004)

Awash in the same Britpop romanticism of their debut Love Is Here, Starsailor's Silence Is Easy strains with the weight of the band's next-big-thing status. In response to the clamor anointing them as the next Verve or Coldplay, Starsailor try to meet the expectations with sheer weight of conviction. They even lured legendary producer Phil Spector out of retirement to boost their sound into new realms of lovelorn sincerity. Occasionally, it works; "Music Was Saved" opens with a burst of sunny, Echo and the Bunnymen-like pop, as singer James Walsh sweetly layers his delicate voice through a brisk, catchy chorus. Also impressive is the title track, thick with tender emoting and soaring melodies. Too often though, the band gets stuck in syrupy sentiment, like a cover band playing to the cheap seats. Ballads like "White Dove" try for melancholy allure, but come closer to maudlin excess while emphasizing Walsh's lack of dynamic range. This may not be the big "statement" record they tried for, but getting the attempt out of their system will hopefully allow them to relax and tap their considerable pop savvy in the future.

1. Music Was Saved
2. Fidelity
3. Some Of Us
4. Silence Is Easy
5. Telling Them
6. Shark Food
7. Bring My Love
8. White Dove
9. Four To The Floor
10. Born Again
11. Restless Heart

Altsa · Post by **Altsa** » 13/01/2005 14:28

Queen_Greatest Hits [Hollywood]

Altsa · Post by **Altsa** » 13/01/2005 14:43

FUNERAL FOR A FRIEND

Altsa · Post by **Altsa** » 13/01/2005 14:51

NEW FOUND GLORY

Altsa · Post by **Altsa** » 13/01/2005 14:54

HIM

30-40 pjesama grupe HIM

Altsa · Post by **Altsa** » 13/01/2005 15:03

Smashing Pumpkins - Brixton Academy, London (1996)

victory · Post by **victory** » 13/01/2005 15:07

Slipknot - Vol 3: (The Subliminal Verses) [2004]

Code: Select all

If it's sometimes a chore to get past Slipknot's stratified shock-rock shtick, Iowa's nouveau metal-mongers take the occasion of their third album proper to prove there's a genuinely restless, undeniable musical juggernaut beneath the horror-show masquerade. Producer Rick Rubin has honed their modern metal assault to a fine edge here, tempering it with a compelling sense of dynamics missing from all too many similar heavy forgings in the bargain. But credit the band with hammering together the solid foundations of what stands as their best album to date, a collection that succeeds by--surprise--reverting to more traditional song-forms and occasionally operating at something other than a relentless fevered pitch. Call it mainstreaming or a newfound maturity; whatever it is, it pays diverse dividends from the opening cinematic tension of "Prelude 3.0" and paramilitary-cadenced thrill ride "Three Nil" to the moody, rap-thrash single "Duality" and the unlikely, angst-laden pop hooks of "Circle." If that song's cello-inflected atmospherics and lilting Corey Taylor vocals may have the band's faithful initially rubbing their ears in puzzlement, by the time the evocative acoustic guitars, bittersweet harmonies and string quartet break of "Vermilion Pt. 2" rolls around, it's clear this is a band who's challenged itself with broad new horizons--and triumphed. 
--
Within the confines, or lack thereof, of VOL. 3: (THE SUBLIMINAL VERSES) lies a new level of musicianship, achieved through the hard work poured into supporting their self-titled debut and their subsequent hit album, IOWA. Produced by Rick Rubin, Vol 3 not only captures the band’s strengths to this point- it sees the spore that is Slipknot exploding in all directions. The songs on this daring effort transcend traditional hard music structure, and will surprise the uninitiated with their dynamic appeal. Masterful guitar work, visceral drum beats, and a newly-expanded vocal range are highlights of this work that Corey Taylor (#8) calls "both brutal and beautiful." Much of the creative inspiration in evidence on the new album is owed to Rubin and his reputedly- haunted mansion, in which the band lived while recording VOL. 3: (THE SUBLIMINAL VERSES). "You can really feel (the effect of the mansion) on the album. There were ghosts in the machine, in the equipment! . Things would freeze, things would loop for no reason at all. It was strange," adds Taylor. Paul Gray (#2) comments on what Rubin brought to the table… "Rick brought a huge amount of open mindedness - normally 9 different people trying different things can be tough - Rick got us to just throw all our preconceived notions out the window. He was able to integrate bits and pieces of everyone's ideas." 
The first single off VOL. 3: (THE SUBLIMINAL VERSES), "Duality" is, "lyrically, what you might think... we've been through a lot as a band and the lyrics really reflect our maintaining faith and the perseverance of all 9 of us," says Joey Jordison (#1). "Duality" represents the album well in its unwillingness to compromise the band’s rock foundation and its ability to be aurally appealing and melodic at the same time. Other songs of note on the record, "Before I Forget" and "Vermillion" underline the statement made by "Duality", with their dark melodies and fierce instrumentation. "Before I Forget" is about rising above the bull*#!t and being a person, not a human. It's about saying what you mean and meaning what you say - taking zero bull#!*t." adds Taylor, "and Vermillion is a stalker's love song, shot thru his eyes. It's kind of a does he or doesn't he type thing - it's left open for you to decide."

1. Prelude
2. Blister Exists
3. Three Nil
4. Duality
5. Opium of the People
6. Circle
7. Welcome
8. Vermilion
9. Pulse of the Maggots
10. Before I Forget
11. Vermilion, Pt. 2
12. Nameless
13. Virus of Life
14. Danger - Keep Away

victory · Post by **victory** » 13/01/2005 15:30

Good Charlotte - The Chronicles of Life & Death (Life Art Version) [2004]

1. Once Upon a Time: The Battle for Life and Death [Instrumental]
2. Chronicles of Life and Death
3. Walk Away (Maybe)
4. S.O.S.
5. I Just Wanna Live
6. Ghost of You
7. Predictable
8. Secrets
9. Truth
10. World Is Black
11. Mountain
12. We Believe
13. It Wasn't Enough
14. In This World (Murder)
15. Falling Away [*]

victory · Post by **victory** » 14/01/2005 15:01

Medeski Martin & Wood - Uninvisible (2002) zip file 46 MB

Code: Select all

It's possible to admire Medeski Martin and Wood's craft and guile in pushing against stylistic restraints while recognizing that their music isn't quite as much fun as it once was--or that this hugely popular trio may think it is. Full of shaggy cross-textures, plummy grooves, and spooky electronic underpinnings, Uninvisible is a lively sonic stew. Once a universe unto themselves, keyboardist John Medeski, drummer Billy Martin, and bassist Chris Wood continue to smartly expand their jam-band base, here featuring a brash five-piece horn section from the Brooklyn-based Antibalas Afrobeat Orchestra, turntablists DJ Olive and DJ P Love, and, for a spoken-word number, craggy-voiced Southern rock eccentric Col. Bruce Hampton. When Medeski is riding that Hammond organ and the group is taking its patented soulful detours, as on "Pappy Check" and the Booker T-ish "Smoke," all is right with the world. But even with Medeski dabbling on a roomful of other instruments, including the Mellotron, mini-Moog, and Arp, the songs don't have a lot of variety. And crowded with effects, the music can bog down in its own abstract logic--though there's no resisting the ping-pong game being played on "Off the Table." The chief rewards of Uninvisible are in the details. Until further notice, a headphone advisory is in effect.

1. Uninvisible
2. I Wanna Ride You
3. Your Name Is Snake Anthony
4. Pappy Check
5. Take Me Nowhere
6. Retirement Song
7. Ten Dollar High
8. Where Have You Been?
9. Reprise
10. Nocturnal Transmission
11. Smoke
12. First Time Long Time
13. The Edge of Night
14. Off the Table

victory · Post by **victory** » 14/01/2005 15:39

Pat Travers - Just a Touch (1993)

Code: Select all

Musicians: 
P.T. - Guitar/Vocals/Hammond B3 
Ansley Dunbar - Drums 
Greg Chaisson - Bass 
Peter "Mars Cowling - Bass on "Wasted Years" and "Too Cool Woman Blues" 
Kevin Neal - Drums on "Wasted Years" and "Too Cool Woman Blues" 
Monica Travers - Backing Vocals on "I've Fallen" and "The More Things Change" 
Mike Mani - Piano on "Miss Glory"

1. The Riff (Pat Travers/S. Fontano) 3:32
2. Too Cool Women Blues (Pat Travers)
3. You Don't Love Me (Pat Travers)
4. The Pain (Pat Travers/S. Dees)
5. Wasted Years (Pat Travers)
6. I've Fallen (Pat Travers/C. Erikson)
7. Daydream (Your Blues Away) (Pat Travers/Monica Travers)
8. Amanda (Pat Travers)
9. The More Things Change (Pat Travers/S. Dees)
10. Miss Glory (Pat Travers/J. Best)

pitt · Post by **pitt** » 15/01/2005 01:48

1. Garden Grove
2. What I Got
3. Wrong Way
4. Same in the End
5. April 29, 1992 (Miami)
6. Santeria
7. Seed
8. Jailhouse
9. Pawn Shop
10. Paddle Out
11. Ballad of Johnny Butt
12. Burritos
13. Under My Voodoo
14. Get Ready
15. Caress Me Down
16. What I Got (Reprise)
17. Doin' Time

pitt · Post by **pitt** » 15/01/2005 01:52

1. Moon Baby
2. Whatever
3. Keep Away
4. Time Bomb
5. Bad Religion
6. Immune
7. Someone in London
8. Get Up, Get Out!
9. Now or Never
10. Stress
11. Situation
12. Voodoo

konyan · Post by **konyan** » 15/01/2005 05:26

Ja vam ne mogu opisati koliko bih bio zahvalan kad bi neko iskopao nesto Solomon Burke-a.

victory · Post by **victory** » 15/01/2005 12:05

@konyan, evo ti jedan ali vrijedan Solomonov blues:
None of us are free
---

Robert Fripp & The League of Crafty Guitarists - Show of Hands (1991) rar file 54 MB

Code: Select all

Guitar wizard Robert Fripp joins forces with some of the finest six-string pickers around, offering up a truly intricate variety of music on Show of Hands. With 17 guitarists contributing to 19 tracks, the likes of Trey Gunn, Paul Richards, and Curt Golden (just to name a few) decorate the album with elaborate string arrangements that range from avant-garde to classical in nature. Anyone who is a guitar enthusiast will be astonished at how tight Fripp comes across with his unique style. From time to time, vocalist Patricia Leavitt displays her beautiful falsetto voice a cappella for a fresh change of pace. The music is shaped, bent, and twisted with guitar atop guitar to culminate thick layers of movements, suites, and passages. Some of the songs have a Latin flavor to them, some African, and some are just plain bewildering, representing a progressive rock angle. While no two songs sound the same, the onslaught of guitars may be a bit too much for some. Listening to each track as a whole results in some stunning mood music, and the pleasant addition of a viola and textured keyboards adds to the beauty.

Code: Select all

album credits 
 David Singleton  Mixing 
 Tony Arnold  ?, Consultant 
 Cathy Stevens  Viola 
 Robert Fripp & The League of Crafty Guitarists  Performer 
 Paul Richards  Guitar 
 Tony Geballe  Guitar 
 Nigel Gavin  Guitar 
 Eduardo Galimany  Engineer 
 Ralph Gorga  Guitar 
 Steve Jolemore  Guitar 
 Victor McSurely  Guitar 
 Hernan Nu&ntilde;ez  Guitar 
 David Pittaway  Guitar 
 Bert Lams  Guitar 
 Patricia Leavitt  Vocals 
 Hideyo Moriya  Guitar 
 Trey Gunn  Guitar 
 Steve Ball  Guitar 
 Robert Fripp

1. Listen
2. Eye of the Needle
3. Askesis
4. Bicycling to Afghanistan
5. Here Comes My Sweetie
6. Easy Way
7. Scaling the Whales
8. Moving Force
9. Connecticut Yankee in the Court of King Arthur
10. This Yes
11. Are You Abel? (Ready and Able to Rock & Roll)
12. Spasm for Juanita
13. Hard Times
14. Burning Siesta
15. Empty Magazine
16. Circulation
17. Chiara
18. Asturias
19. Ease God's Sorrow

konyan · Post by **konyan** » 16/01/2005 05:05

Hvala Victory, ali to je jedini koji imam i totalno sam poludio da cujem jos.

victory · Post by **victory** » 16/01/2005 14:26

@konyan, javi mi se na private

Charles Mingus - Mingus Mingus Mingus Mingus Mingus (1963)[1995]

Code: Select all

Cobbled from two sessions in 1963, this is one of Charles Mingus's stormiest recordings. From the blues-painted bass moaning that opens "II BS," a faster vamp on "Haitian Fight Song," to the blazing fire of "Hora Decubitis," these tunes come furiously barreling out one after another. Speed and density aside, however, there are also multicolor, lovely tunes like Ellington's "Mood Indigo" and Mingus's paean to Lester Young (elsewhere dubbed "Goodbye Porkpie Hat"). More than anything, though, this is a major document thanks to the presence of the big ensemble, harmonized by the late Jaki Byard on piano and fronted by a herd of horn-players, Eric Dolphy and Booker Ervin chief among them.

1. II B.S.
2. I X Love
3. Celia Listen
4. Mood Indigo
5. Better Get Git In Yo' Soul
6. Theme For Lester Young
7. Hora Decubitus
8. Freedom

Altsa · Post by **Altsa** » 17/01/2005 08:48

THE CURE - Curiosa Festival, Toronto, Canada 08/09/04

Altsa · Post by **Altsa** » 17/01/2005 08:59

PIXIES - Bossanova
PIXIES - Doolittle
PIXIES - Surfer Rosa

Altsa · Post by **Altsa** » 17/01/2005 09:23

HUSKER DU - New Day Rising

victory · Post by **victory** » 17/01/2005 09:23

Altsa, hvala za linkove, posebno za ovaj Pixies' link

---

Charles Mingus - Mingus Ah Um (1999) [Bonus Tracks] [ORIGINAL RECORDING REMASTERED]

Code: Select all

Mercurial bassist and bandleader Charles Mingus was signed to Columbia Records for the briefest of time during 1959. His Columbia recordings, however, remain some of the most inspired, mood-jumping jazz in history. The flowing sadness of "Goodbye Porkpie Hat" (unedited here for the first time on CD!) rings like a funeral chorus that pitches headlong into a celebration of Lester Young's life and improvising flexibility, rather than his death. And there's the funky furnace blast of "Boogie Stop Shuffle" (also unedited!), which reaches its glory with Booker Ervin's Texas tenor sax, wrapped tight in bluesy tone. With the index of emotions captured, these songs nail why Mingus is possibly the most relevant jazzer for the '90s generation. He swings and shouts and hollers and somersaults. His tunes either induce foot-stomping with their intensity or reach for poignant yearning with their lyrical tapestry of orchestral colors.

1. Better Get Hit in Yo' Soul
2. Goodbye Pork Pie Hat [Unedited Form]
3. Boogie Stop Shuffle [Unedited Form]
4. Self-Portrait in Three Colors
5. Open Letter to Duke [Unedited Form]
6. Bird Calls [Unedited Form]
7. Fables of Faubus
8. Pussy Cat Dues
9. Jelly Roll
10. Pedal Point Blues [*]
11. GG Train [*]
12. Girl of My Dreams [*]

Altsa · Post by **Altsa** » 17/01/2005 12:53

SONIC YOUTH -Ilosaarirock Festival Joensuu, Finland, July 12, 2003

01. She Is Not Alone
02. Catholic Block
03. Empty Page
04. Plastic Sun
05. Skip Tracer
06. Rain On Tin
07. Radical Adults Lick Godhead Style
08. Shadow Of A Doubt
09. Karenology
10. Mariah Carey And The Arthur Doyle Hand Cream
11. Teenage Riot
12. Sympathy For The Strawberry
13. encore break
14. Kool Thing
15. 100%

Altsa · Post by **Altsa** » 17/01/2005 14:29

BLACK FLAG - Damaged

victory · Post by **victory** » 17/01/2005 15:04

Kings Of Convenience - Versus (2001)

Code: Select all

Given that remixers' recourse to acoustica is the next logical link to down-tempo electronica, it's no surprise that the Kings of Convenience's beguiling debut has undergone this treatment. Versus sees the winsome, lovelorn ditties of Quiet is the New Loud reinterpreted by the likes of fellow Norwegians Royksopp (whose lovely remix of "I Don't Know What to Save You From" appeared on the "Failure" single), Four Tet, Ladytron, and Alfie, among others. Apart from Ladytron, who opt for their characteristic warped synth-pop, on the whole the assembled cast gently tweaks the songs, rather than offering any radical reworking of them. Evil Tordivel update "Leaning Against the Wall" with sprightly horns and keyboards, leaving the song less introspective, but still recognizable. Wayward folksters Alfie remake "Failure" (also included on the single), but are less successful, as their skewed lo-fi tends to overbear much of the all-important melody. Riton's remix of "The Girl from Back Then" adds gentle sprinkles of nonchalant, shuffling beats, but the highlight is the "Weight of My Words" remix by Kieran Hebden, a.k.a. Four Tet. As showcased on his glorious Pause album, he melds bubbling electronica with an organic, folky ambience, perfectly demonstrating the premise of Versus.

1.I Don't Know What I Can Save You From (Remix) - Royksopp
2.The Weight Of My Words (Remix) - Four Tet
3.The Girl From Back Then (Remix) - Riton
4.Gold For The Price Of Silver (Collaboration) - Erot
5.Winning A Battle, Losing The War (Remix) - Andy Votel
6.Leaning Against The Wall (Remake) - Evil Tordivel
7.Toxic Girl (String Arrangement) - David Whitaker
8.Failure (Remake) - Alfie
9.Little Kids (Remix) - Ladytron
10.Failure (Arrangement) - Kings Of Convenience
11.Leaning Against The Wall (Remix) - Bamboo Soul
12.The Weight Of My Words (Remix) (Instrumental) - Four Tet

victory · Post by **victory** » 17/01/2005 15:28

Dizzee Rascal - Boy in Da Corner (2004)

Code: Select all

Dizzee Rascal is the latest Brit to try to land on America's rap shores after countless predecessors have failed. Rascal boasts a frenetic verbal presence--the Cockney equivalent to Busta Rhymes--and his first single, "Fix Up, Look Sharp," is as good as you could want: old-school drum breaks meet futuristic flows with a memorable, holler-if-you-hear-me hook. What Rascal has going against him is the fact that he sounds, well, British, and American audiences seem to like their flows homegrown, not imported. Moreover, with pulsing, electro bumps dominating most of the album, the sound is closer to Tricky's than Trick Daddy's. That said, Boy in Da Corner offers boundless energy and Rascal's enthusiasm is palpable. "Jus' a Rascal" is crunked out enough to make Lil Jon proud while "Live O" moves smoothly and steadily with a submarine's deadly grace. Though Rascal won't knock 50 Cent off the charts anytime soon, his debut loudly proclaims that rap's geopolitics may be shifting.
---
NME Magazine
"One of the most assured debut albums of the last five years." 
----
Young, angry, articulate, and frighteningly talented, 18-year old Dizzee Rascal is the voice of a new generation. Alongside Wiley and his fellow Roll Deep Entourage members, East London's Dizzee was propelled to underground fame. His record is Spin's #12 Album Of The Year, it went gold in the UK, and it won the prestigious Mercury Prize in 2003.

1. Sittin' Here
2. Stop Dat
3. I Luv U
4. Brand New Day
5. 2 Far (Feat. Wiley)
6. Fix Up, Look Sharp
7. Cut 'Em Off
8. Hold Ya Mouf' (Feat. God's Gift)
9. Round We Go
10. Jus' A Rascal
11. Wot U On?
12. Jezebel
13. Seems 2 Be
14. Live O
15. Do It!

Hart · Post by **Hart** » 18/01/2005 08:10

Skinucu ovog Dizzie Rascala kad ga toliko hvale iako znam da mi se nece svidjeti...

Altsa, hvala za Black Flag

MP3 Djerdan vol.4

#101

#102

#103

#104

#105

#106

#107

#108

#109

#110

#111

#112

#113

#114

#115

#116

#117

#118

#119

#120

#121

#122

#123

#124

#125