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Film "Oluja" njemačkog režisera Hansa-Christiana Schmida, koji se takmiči na ovogodišnjem filmskom festivalu u Berlinu, javnosti približava rad Međunarodnog suda za ratne zločine u Hagu na izuzetno direktan način.
Triler o tribunalu osnovanom 1993. film je na engleskom jeziku, a njegovoj premijeri u subotu navečer prisustvuje i glavni tužilac ICTY-a Serge Brammertz. Osvjetljava rat u Bosni i Hercegovini od 1992. do 1995. godine, nacionalizam, ratne zločine i baziran je na slučajevima koje je sam režiser proučavao.
Sniman je u Hagu u julu prošle godine, baš kada je Radovan Karadžić uhapšen u Beogradu gdje je otkriven njegov lažni identitet, saopšteno je na press konferenciji.
Glavnu ulogu, ženu koju su silovali srpski vojnici, tumači Anamaria Marinca. Tužioca tribunala glumi glumica sa Novog Zelanda Kerry Fox, poznata po ulozi u filmu "An Angel at My Table" i "Welcome to Sarajevo".
Marinca je novinarima izjavila da je krucijalno da žena kao ona koju je glumila, a koja predstavlja hiljade drugih žrtava, ne bude zaboravljena kad u narednom periodu Haški tribunal bude ugašen. Ova Rumunka je za potrebe uloge morala naučiti ponešto iz bosanskog i njemačkog jezika.
Režiser Schmid izrazio je duboku impresioniranost hrabrošću žrtava koje su svjedočile pred Tribunalom te naglasio kako one zaslužuju da im se pruži koliko god je vremena potrebno da ispričaju svoje priče i zatraže pravdu.
Film "Oluja" govori o ponašanju suda i pred sudom, pravdi, politici i njihovom ispreplitanju, te činjenici da mandat tribunala završava 2010. godine, a toliko je procesa koji nisu dovršeni.
"Možda će film pomoći da se podigne svijest o tome. Vrijeme je veliki veliki pritisak za svjedoke", kaže autor filma koji se na Berlinaleu pojavljuje tri godine nakon "Grbavice", filma Jasmile Žbanić koji je osvojio Zlatnog medvjeda.
i na originale stranici Berlinalea
STORM
Hannah Maynard, prosecutor at the International Criminal Tribunal in The Hague, is leading a trial against Goran Duric, a former commander of the Yugoslavian National Army. He is accused of the deportation and later killing of Bosnian-Muslim civilians in Kasmaj, a small town in what is now the Republika Srpska.
When a key witness is ensnared in the contradictions of his testimony, the tribunal sends a delegation to Bosnia to get a definitive picture of the events on site. Doubts as to the witness’ credibility are confirmed; to all appearances he has not told the truth. Shortly afterwards his body is found; he has committed suicide in his hotel room.
For Hannah the case is not yet lost. Hoping to uncover new findings, she travels to the witness’ burial in Sarajevo and meets his sister Mira there. Hannah soon senses that Mira has much more to say about the defendant than she is willing to admit.
Even though Mira is afraid to face up to the past and hence endanger her unsuspecting family, with whom she has made a new life in Germany after the war, she finally delivers the key piece of evidence for Duric’s crimes and agrees to testify at the tribunal in The Hague.
Shortly before the critical hearing, Duric’s defence tries to have Mira’s testimony disallowed – and finds unexpected support from the judiciary. Hannah realises that her opponents are not only to be found in the dock – but also among her own ranks.
